Wednesday, July 12, 2023

Blumarine by Marc Jacobs: Fashion for Gen Z Angst or Teen Sex Workers?

 

Brooke Frischer posted on Fashionista that "Heaven [by Marc Jacobs] and Bluemarine Made the High School Movie Wardrobe of Your Dreams a Reality" (JUL 7, 2023). Frischer wrote that Heaven by Marc Jacobs and Bluemarine are "beloved by Gen-Z" and that the campaign was shot "[...] by Petra Collins to boot." Let's take a look at Blumarine by Marc Jacobs before recapping our posts on Jacobs and Collins.

To the dismay of orthodox Jews and Muslims, per Frischer, Blumarine by Marc Jacobs features 11 of the brands best-selling pieces, which boast the brands "signature touches". The best-selling signature pieces consist of ultra-mini skirts, and they mean ultra, lacy pink camisoles, baby tees, and they mean baby, and cropped sweatshirts - among other revealing pieces. 

Frischer related that Collins photographed the, seemingly, nymphet models at "the same high school the photographer used for Olivia Rodrigo's "Good 4 U" music video". Why? It was done, strategically, to further: "[...] the appeal of the new collaboration for angsty teens and angsty-teens-at-heart everywhere." 

And I would imagine that only an angsty teen would wear a pink lace baby graphic tee (Teddy Bear) with an ultra-mini camo skirt to her high school English class. We say, it's giving 1970s Times Square (teen) prostitute vibes.

Of the graphic pieces, Frischer shared that Nicola Brognano, Blumarine's Creative Director, opined: "Each piece of the capsule is a gem and truly reflects today's spirit, balancing ease and coolness in the most feminine and lighthearted way." Feminine? Absolutely Lighthearted? Absolutely not. 

And Ava Nirui, the creative director of Heaven by Marc Jacobs, said in a statement. "[...] I think this collection makes total sense for both of us."


As for Jacobs and Collins, this is not the first time they've used the allure of nymphets for clout. For example, for Jacobs' Oh Lola fragrance campaign, Dakota Fanning, 17-years-old at the time, seductively held a large phallic bottle between of Oh Lola between her legs. Why? Jacobs said that he choose Fanning, because, "I knew she could be this contemporary Lolita, seductive yet sweet." 

And Kendall Jenner, 18-years-old at the time, walked in Jacobs' 2014 New York Fashion Week runway show - in a sheer top, which Claire Knebl of Teen Vogue wrote, unsurprisingly, had the "internet buzzing". 


And to sell her art (books), Collins' Discharge photography exhibit and book featured nymphets in, as the Village Voice described, "various intimate scenes" that addressed the "[...] angst of the female teenage experience [...]".

Tuesday, July 11, 2023

DADDY: A PLAY | A French Teen (Virtual) Sex Worker?

Here's (part of) the synopsis for Marion Siéfert's intriguingly named Daddy:

From her very first shows, Marion Siéfert has staged childhood, not to soften us but to make her demands and her revolt against the world of adults heard [...]

This time, the heroine of her new show is thirteen years old. She lives in the provinces, in a family where money problems are daily, suffocating. So she dreams of leading the life of the stars and influencers she sees spread out on the networks. 

She escapes by playing video games, these role plays where dozens of players meet online. The avatar she chose for herself falls on that of an older man, who drags her into another game, Daddy. He fills her with skills (the winnings or gifts specific to these games), on condition that she submits herself to increasingly troubled trials...

On the Daddy stage, real life fades away in favor of a digital reality where everything can be bought and changed.

As the Odéon-Théâtre de l'Europe is not in New York, we did not see Daddy; so, let's rely on Laura Cappelle's New York Times review "Daddy Review: Deeper Into the Internet’s Darkest Corners" (May 11, 2023)

Cappelle wrote that Daddy was a "sharp" [age-gap] play that took place in the "internet’s dark corners", but that Mara, the play's nymphet ,was "groomed" and exploited for profit. 

With “Daddy,” a sharp, no-holds-barred new production [...] Marion Siéfert has ventured even further into the internet’s dark corners. In it, a 13-year-old is groomed online by an older man [27-year-old Julien] and gets lost in a virtual reality game that exploits teenage girls for profit.

[Note: Without seeing the play, one may be wary of Cappelle's grooming accusation, because in Emma Cline's Daddy, one may allege that 16-year-old Alice was groomed into selling her panties to men, but an 18-year-old Alice would have been, à la Sami Sheen, a (teen) sex worker.]

Cappelle went on to share that Mara (15-year-old Lila Houel), a quite nymphet, lived in southern France and played online games as an escape, which is how she met Julien, but interestingly, Cappelle wrote that Julien was Mara's "online partner in crime" and that the age-gap couple gamers had an "easy intimacy".

Reality is no match for screen entertainment in “Daddy.” The central character, Mara, is a quiet teenager from southern France [...] [who] whenever she can, Mara escapes to the brighter landscape of online gaming.

In an unnamed video game, she joins Julien, a smooth-talking 27-year-old who is her frequent online partner in crime. The easy intimacy they have built is showcased through a spectacular video sequence: On a screen the size of the Odéon’s stage, we see a 3-D game designed by the video artist Antoine Briot in which Mara and Julien’s avatars who shoot at enemies with assault rifles before hopping on fluorescent skateboards.

Intriguingly, in addition to being a smooth talker, Cappelle described Julien as "clean-cut, in control [i.e., powerful], smoothly scary". In other words, per Olivia Fox Cabane's The Charisma Myth, Julien was charismatic and attractive. Yet, Cappelle implied that Julien groomed Mara with compliments, whom consequently lost her free will and was forced to: "[...] perform routines that earn them points with fans."

The groundwork is laid for the abusive dynamic that ensues. When they first meet outside the game, on a video call, Mara confides in Julien that she dreams of being an actress. He compliments her, and tells her about “Daddy” — a new game that allows players, Julien says, to become avatars sponsored by sugar daddies, and showcase their talents to a “fan base.” 

In the end, despite the plays focus "on the dynamics of child abuse, and the erosion of Mara’s individuality and willpower by Julien." And the: "[...] scenes of verbal and physical violence [...]", Marion Siéfert's Daddy was a New York Times Critic's Pick. 

Friday, July 7, 2023

Emma Cline's "Masterful" DADDY: Teen Selling Panties, Teen Nudes & Teen Sexting!

We know Emma Cline from our post on The Girls - Cline’s 2016 debut and instant bestseller, which is about 14-year-old Evie Boyd’s involvement with a cult. As part of Evie’s initiation into the cult, Russel, the cult’s (much older) leader, stroked himself until he came into Evie's young mouth:

"When he came, he gasped. The salt damp of semen in my mouth, the alarming swell [...] But maybe the strangest part - I liked it, too."


As for Cline’s Daddy, here’s Amazon’s synopsis: 


From the bestselling author of The Girls comes a “brilliant” (The New York Times) story collection exploring the dark corners of human experience.


For our purposes, we’ll recap Daddy’s “Los Angeles”, “Marion” and “A/S/L”. 


“Los Angeles”


In “Los Angeles”, Alice worked at a flagship store near the ocean that sold “[overpriced] cheap, slutty clothes”. Alice’s mandatory uniform was the brand’s clothes that were “a little too tight, a size too small”.


As for the store’s decor, large photographs of nubile nymphet graced the walls: 


“On every wall were blown-up photographs in grainy black-and-white of […] girls with knobby knees making eye contact with the camera, covering their small breasts with their hands. […] Alice supposed that was to make sex with them seem more likely.”


17-year-old Oona worked with Alice on Saturdays while during the week she went to a “[…] private school where she played lacrosse and took a class in Islamic art.”


The narrator described Oona as: “[…] easy and confident, already well versed in her own beauty.” Consequently, the men “loved” Oona, and unsurprisingly, “she didn’t mind the men”. 


Oona and Alice wanted to be actresses. And they had an “easy, [and] mild rapport”. Ergo, during a break over cigarettes, Oona shared with Alice that a customer, a man with black hair, informed Oona that he would give her $50 for her panties. 


Oona said, “More like, he said, ‘I’ll give you fifty bucks to go into the bathroom right now and take off your underwear and give them to me.’ ”


Alice was (initially) incredulous, but Oona, whose parents were attorneys, was “giddy”, she found the idea of selling her panties to men to be “hilarious”, and she encouraged Alice to look into the side hustle. 


“It’s hilarious,” Oona said, dreamily combing her long bangs out of her eyes with her fingers. “You should look online, it’s a whole thing.”


Predictably, Oona sold her panties (thong?) to the black haired man for $50, and she assumed that Alice had done or would have done the same. 


“Why?” Alice said.

Oona laughed. “Come on, you’ve done these things. You know.”


However, Alice had not done such a thing, and she asked Oona, “Aren’t you worried he might do something weird? Follow you home or something?” And what was teen Oona’s response? “Oh, please. I wish someone would stalk me.”


Unsurprisingly, after Alice’s mother stopped paying for Alice’s acting classes, Alice started selling panties to men as well.




“Marion”


In addition, to Cline's The Girls, we know Cline from our piece on The Paris Review’s Instagram post about “Marion”. In terms of “Marion”, it’s not uncommon, in both fiction and non-fiction, for teen teleiophiles to indulge in (teen) lipstick lesbianism, which is the case with the 11-year-old narrator and 13-year-old Marion. For example, four paragraphs into the short story we see the narrator “straddling” Marion and massaging her with oil. 


Marion lying on her stomach, her shirt pushed up, me straddling her and moving my hands across her back in firm circles, my palms slick and yellowed with oil. Marion had just turned thirteen. I was eleven.


On a road trip to Los Angeles, the nymphets sat in the “backseat, holding hands” with their “bare thighs sticking and skidding on the leather seats.”


And while Marion photographed the 11-year-old narrator, in the nude, Marion opined, “You look good,” and “You look young, really great”. That was before Marion touched the tip of the narrator’s nipple with the lens of the Kodamatic and consequently gasped, “It’s hard.”


Subsequently, the nymphets kissed, Marion told the narrator to pretend that Marion was Jack - Marion’s much older crush, and she encouraged the 11-year-old to look sexy.


She threw her arms around my neck, loose like a child, and kissed me with her eyes open. “It’s okay,” she said. “Pretend I’m Jack. Look sleepy. Look sexy. Try to look like I do.” We were breathing hard. 


Bobby, Marion’s father, gave Marion and the narrator goodnight kisses “square on the mouth”, and Marion’s other seventh-grade classmates were not allowed to visit Marion, because her father walked around naked in front of the schoolgirls, but let’s skip over Bobby to elaborate on Marion and Jack. 


Jack, like the narrator, was visiting Marion’s family on their ranch. Jack, with his “tanned skin”, stayed in the barn with his girlfriend. As an excuse to see Jack, Marion, while dressed seductively, moaned, “I need cigarettes.” 


Marion was wearing her shorts over her favorite bright orange bikini, nubby fabric stretched tight across her breasts, her shoulders shining from sunscreen.


Men stared at her when she wore that suit, and she liked it. 


Unsurprisingly, Jack was attracted to the allure of the two nymphets. For example, “When Jack first came for dinner at the ranch, he would follow Marion with his eyes when she got up from the table.” 


And while Jack rolled the cigarette for Marion, he glanced at the narrator whom related:


When he glanced at me, I turned and hunched my shoulders, trying to relieve the strain of my breasts against the borrowed [bikini] fabric. 


On a subsequent visit to Jack’s, Marion stole a pair of his girlfriend’s “black lace underwear” - with a “slit in the crotch”. Marion perused the Playboys, “This one’s real skinny, but her tits are big. Like me. Men love that.” And Jack told the nymphets about Roman Polanski, the then 44-year-old Academy Award nominated film director, and “THIRTEEN-YEAR-OLD GIRL” whom he sodomized, which enthralled the nymphets. 


WE talked about that a lot, what the girl might have looked like, how Roman Polanski knew her, how it had happened. Did she have breasts? Did she have her period yet?”


Intriguingly, Cline wrote that the nymphets were jealous of the nymphet whom Polanski sodomized: 


“We were jealous, imagining a boyfriend who wanted you so bad he broke the law.” However, I wasn’t surprised, because per Hollywood Lolita, Polanski confided in his autobiography: “Many women seem irresistibly attracted by notoriety, and many – especially since the Los Angeles affair – are eager to meet me.”


Subsequently, the nymphets “spent more and more time at the barn” with Jack where “Marion leaned up against his desk [...]” and “[...] smiled at him with an intensity that made her look almost cruel.” And at the barn, Marion asked the narrator to watch Jack to see if he “liked her”. After that, the narrator noted when Jack looked at “Marion’s slim thighs in cutoffs.”


In addition to using cigarettes as an excuse to visit Jack, Marion volunteered to deliver messages from Jack’s girlfriend “[...] in the kitchen to Jack in the barn, or ice cream sandwiches in the peak hours of heat.”


Not only did Marion take nude pictures of the narrator, Marion had the narrator: “[...] take pictures of her naked body laid out on rocks [...] She tied a red ribbon around her throat like she had seen on one of the girls in Playboy.” 


Along with a twenty-dollar bill and a lock of her hair, Marion placed her nude Kodamatic photos in a box and tied the box with the red ribbon. Voilà, a gift for Jack! However, before giving Jack his gift, strategically, Marion suggested that the nymphets had done enough pulling and needed to push. 


Marion, “We’re staying away for a few days. You keep men on their toes. You make them miss you.”


Subsequently, the nymphets planned their return to the barn. The plan included what bras they would wear and what they would say. And to keep Jack close to her while they waited, Marion wrote: “[...] Jack’s name on her body, [and] on the bottoms of her feet, where the ink slid into the whorls.”


But before the girls could return to Jack’s, the nymphets had a spat, and Marion’s mother discovered Marion's photo with the “ribbon around her throat and her legs spread open.”



“A / S / L”


In “A / S / L”, the last time Thora had been in a chatroom was in “high school, [during] sleepovers where girls crowded around a desktop computer and wrote sickening things to men [i.e., sexting], all of it a joke, then furtively masturbated in their sleeping bags.” 


Years later, while her husband was at work, 35-year-old Thora was back in the chat. She used the username Thora18, but despite the 18, she pretended to be a blond and blue-eyed 16-year-old cheerleader. She chatted about how big her tits were and how short she wore her cheerleading skirt, but every time the enthralled men mentioned sex, Thora seductively typed hahahaha and asked What’s that. Thora “enjoyed the back-and-forth”, and the men did too. 


They were ecstatic, writing back instantly, the sudden use of exclamation points like cardiograms from their throbbing erections: I won’t tell babe don’t worry!!!!”


Initially, Thora was reluctant to post nudes, “but then she thought, why not?” 


She had an entire run of photos of herself on her phone now: bending over, the seat of her underwear pulled tightly across her ass, pictures of her face from the nose down, a nipple between her fingers.


“She had never been the focus of so much attention.” However, when she got bored of chatting with the same men, Thora signed in under James45 or DaddyXO, and while pretending to be a man, she exchanged pictures. Of her picture she excitedly typed: Such a whore and Little teen whore.


She had never been so excited: seeing herself as these men did, some unformed idiot who needed to be fucked. Her sheets smelled like sweat, all the curtains drawn. She didn’t eat for whole days.


Thora was absolutely consumed with pretending to be a nymphet and chatting about nymphets. It gave her life meaning. She even chatted while her husband slept. 


[...] truly, she would rather do this than anything else: run the usual errands that kept things in motion, see James, have dinner with him. It was like having a calling, finally, the way she had once imagined she might. A life organized around a higher goal.


While James slept, his back turned to her and the covers kicked off, she typed furtively on her phone to men who sent photos of dicks [...] sometimes overlarge penises with the porn watermark visible in the corner.


Wow, she always typed. I don’t know if it will fit.


We've written about nymphets lying to appear older, but this may be the first time we've written about the converse.

Lastly, per Random House Books, of Daddy, Esquire opined: “Daddy’s ten masterful, provocative stories confirm that Cline is a staggering talent.” And Entertainment Weekly named Daddy one of the ten best books of the year.

Tuesday, July 4, 2023

Ayesha "16-Year-Old Teen" Erotica

"Sixteen" is on Ayesha Erotica's Big Juicy, which was released in 2016, but "Sixteen" has become popular recently via TikTok, but the age-gap relationship song is filled with contradictions. 

For example, in the first verse, Erotica sings that she feels that it's "really cool" that a 25-year-old whom drinks, does drugs, smokes, and drives, picked up a 16-year-old for sex; however, she concludes the first verse with, "I'm just sixteen"

I think it's really cool

That you're twentyfive
You drink, do drugs, smoke cigarettes
You're old enough to drive
You pick me up, take me out
Say you wanna make me shout
You say you wanna take
a trip inside, but
I'm just sixteen

In the second verse, Erotica related that the 16-year-old entertained the 25-year-old, on more than one occasion, at her mom's where they kissed, but when he tried to feel her teen thong, she exclaimed, "I'm just sixteen"

[...] 
You say you love my body
You think that I'm a hottie
You love the way I rock
Wanna beat me with your cock
When we're kissin' at my mom's
Sometimes you try and feel my thong
But you know that it's wrong
I don't want your dirty talk 'cause
I'm just sixteen 
[...]

And based on the man's reaction, "wait, that can't be true", one can infer from the lyrics that the 16-year-old gave the man the impression that she was older - non-verbally and/or verbally "aha ha".

I'm just sixteen
(wait, that can't be true)
And if you try anything funny,
you're gonna go to jail
I'm just sixteen (aha ha)

Do Not Reply (2019)

Of course, it's no unusual for a (young) woman to lie about her age. For example, Michael Wolff related in Too Famous that Jeffrey Epstein told Steve Bannon that one of Epstein's masseuses, a 14-year-old whom said she was 18, told the police that she lied about her age: "[...] because she was afraid she would never be allowed into the house and never be invited back." 

And in Do Not Reply (2019), minutes before the film ended, two 13-year-old nymphets attempted to meet a "cute" 17-year-old boy via a social media app; however, the Asian nymphet was concerned that a 17-year-old boy wouldn't, "[...] pickup a couple of 13-year-old girls." No problem. The white teen changed their ages to 16. Consequently, to the nymphet's delight, the 17-year-old texted, "Hey BlueRibbonGirl, You wanna hang out??? I can pick you up in like 10 min."


@thatdollmo

im just 16! guess whose car is in the shop getting made over pink? ;) just wait til y’all see this ☺️💖💖💕💕💖

♬ sixteen ayesha erotica - evan
In the end, one can safely surmise that Erotica used the allure of nymphets in "Sixteen" for streams.

Saturday, June 24, 2023

Petronella Wyatt: An Upper-Class British Lolita

We first learned about Petronella Wyatt from Michael Wolff's Too Famous where he related that Petronella said that Rupert Murdoch ogled her when she was a nubile nymphet.


And in Petronella’s “Provocative Personal View” Daily Mail essay (11 March 2013), she shared that when she was a 15-year-old nymphet, 76-year-old Laurence Olivier called her “forbidden fruit”, which was due to her combined youth and what Olivier referred to as Petronella’s “lovely little figure”. Regardless, Olivier invited the “awestruck” forbidden fruit to sit on his lap where he kissed Petronella’s lips and massaged her breast. 


Petronella wrote in the essay, which the Daily Mail referred to as “The Outrageous Confessions of an Upper-Class Lolita”, that Olivier did not steal her innocence but that she was “flattered” that she had been “groped” by “the legendary actor”.  And Petronella's father appeared to be flattered that his daughter had been kissed and groped by the elderly Olivier as well. Upon hearing the news, Petronella’s father exclaimed, ‘The old devil! Did he do anything else?’ And he asked his daughter, ‘Did you enjoy it?’ 


Unsurprisingly, Petronella wrote that more of her father’s friends “made passes” at her. Petronella listed:


broadcaster Robin Day;

actor Albert Finney;

Lord Lambton;

a House of Lords member;

other politicians;

members of the peerage; and

the genius Robin Day


As for Day, Petronella shared that when she was 17, she and 62-year-old Day, whom she referred to as “an esteemed friend of my father’s”, dined at an “expensive restaurant” before, back at Day’s flat, they played music and danced as Day placed his hand on her “bottom”. Subsequently, Day attempted to seduce Petronella “on numerous occasions”, but they “remained friends until his death.”


Over Chablis in a private room at the racecourse, Albert Finley paid 15-year-old Petronella “extravagant compliments” (e.g., ‘You look like the young Liza Minnelli. She was a very sexy woman.’), and she wrote that he: “[…] placed his hand on my thigh.” In addition, he asked her if he could take her out to which she “gushed”, “Yes, please.”


Teen Petronella Wyatt (far right)

(Note: As for Chablis, Petronella shared: From the age of 13, I was encouraged by my father to drink red wine and quickly became inebriated.)


However, Petronella was furious, because her mother didn’t condone the date, but it wasn’t because of the age-gap, it was because Finley had a girlfriend, the actress Diana Quick, whom 15-year-old Petronella didn’t seem to mind. 


Lord Lambton, “one of the most famous lotharios of the last century”, called Petronella ‘a great beauty, like a lily drenched with dew’. Consequently, Lambton, “in his late 60s”, asked the nymphet to join him for lunch at his villa where he asked, ‘Are you a virgin?’ ‘Yes.’


Lambton was unable to take Petronella’s virginity, but her father, whom referred to Lambton’s as a “wicked earl”, was “amused” by Lambton’s question and on the following day, he sent his teen daughter back to Lambton’s villa: “[…] with some books he thought Lambton might like to read”. Upon entering Lambton’s bedroom, Petronella found herself “staring at his stark-naked body.” Yet again, Lambton was unable to take Petronella’s virginity, but Petronella continued to meet with Lambton over wine and flirting. 


Interestingly, Petronella opined that it should not be illegal for men to grope or fondle nymphets and that the age of consent should be puberty. 


In the scheme of things, a grope or a fondle is hardly worthy of legal censure, yet has come to be regarded as akin to attempted murder. Sexual overtures to a young person who has not yet reached puberty are, of course, unforgivable in a civilized society. But never once was I subjected to physical force, intimidation or child abuse' 


[…] nor should we forget how manipulative teenage girls can be.


In terms of that (married) House of Lords member, Petronella related that he kissed her while she visited him at his country house. Upon returning to London, she learned from her father that the House of Lords member, in his 50s, wanted to ask her for a date. Petronella asked her father if she should go, and he replied: 


‘Yes. ‘Why not? He’s a man of taste. It’ll be good for your ego and you might even learn something. Of course, he’ll want you to go to bed with him […]’


Upon her father’s advice, Petronella went on the date with the (married) House of Lords member, and she wrote that she “[…] learned to accept men as they are […] driven by their sexual organs.”


Mare of Mare of Easttown

Petronella’s stance that: “[…] nor should we forget how manipulative teenage girls can be,” and “[t]hat many teenage girls are simply not to be trusted around attractive older men [...]”, reminds me of Mare of Mare of Easttown whom said, “Trust me. Teenage girls are fucking sneaky."


On a related note, as can be seen in both fiction and non-fiction teacher-student affairs, it’s typically the student whom initiates the affair with a teacher whom refused to resist the allure of a nymphet. 


Thus, it should come as no surprise that Petronella penned that her classmates used to fight over their English drama teacher and that one of the schoolgirls used to delightfully “rub herself” on her professeur. 


Whenever our English drama teacher took the class to see a play outside school, we would fight each other to sit beside him.


One girl in particular, who already had breasts like the Hollywood actress Jayne Mansfield, would rub herself up against our teacher, much to his delight.


And not only did (elderly) men attempt to seduce Petronella, she confessed that, from the age of 13, she was an “incorrigible flirt”. So much so that by 17 she had seduced an “elderly Italian count”. 


Speaking for myself, from the age of 13 I was an incorrigible flirt. I still feel guilty about my deplorable behavior towards an elderly Italian count our family used to visit every summer.


Piqued that he was not taking sufficient notice of my presence, I was utterly determined that I would seduce him into kissing me. I was 17, and he didn’t stand a chance.


My bedroom was next to the room where he watched television after dinner. One night, I made my entrance. After half an hour I had extracted the desired kiss. To his great distress, I then dropped him.


Consequently, in addition to being of the opinion that it should not be illegal for men to grope or fondle nymphets, that the age of consent should be puberty, and “[t]hat many teenage girls are simply not to be trusted around attractive older men [...]”, Petronella, an (open) teleiophile, wrote that: “[...] precocious and predatory girls who should be arrested, and not the men who show an opportunistic interest in them.” [Emphasis added] 

Thursday, June 22, 2023

Famous Age-Gap Couple: Michael Wolff & Victoria Floethe

Micheal Wolff's Petronella Wyatt

I've read a number of Michael Wolff's page turners - including Too Famous, which is peppered with nympholepsy. For example, Wolff wrote that, in terms of his affair with his step-daughter, Woody Allen said, "the heart wants what it wants". Wolff related that Petronella Wyatt, a friend of Rupert Murdoch's daughter, said that, [among a number of other famous elderly men], Murdoch ogled her when she was a nymphet. And per Wolff, Jeffrey Epstein told Steve Bannon that one of Epstein's masseuses, a 14-year-old whom said she was 18, told the police that she lied about her age: "[...] because she was afraid she would never be allowed into the house and never be invited back."

Victoria Floethe and Michael Woflff

In addition to Wolff's books, I've been (curiously) impressed by Wolff's impeccable since of style, which caused me to be doubly astonished when I read Richard Johnson's Page Six headline: "Michael Wolff expecting a baby with girlfriend 30 years his junior" (February 6, 2015)

Johnson wrote that 61-year-old (married) Wolff starting dating having an affair with 34-year-old Victoria Floethe in 2009 (i.e., Wolff was 55 and Floethe was 28).

Consequently, per Gawker, in 2014: "Wolff filed a matrimonial action against his wife in the Supreme Court of New York"; however, Wolff did not inform his wife whom found out via Gawker. 

Who is Victoria Floethe? Per WagCenter, Floethe is a model (L’Oreal SoColor), an actress (Broken Windows [theater]), a host (LookTV's SEXY. NOT SEXY), a writer (Slate), and she interned at Vanity Fair where she reportedly began her age-gap affair with Wolff. 

And unsurprisingly, per Gawker, Floethe is an (open) teleiophile. Owen Thomas wrote in his Gawker piece, "Victoria Floethe, the New Media Ingénue" (02/26/09), that prior to Wolff, Floethe dated Melik Kayla and Lawrence Osborne - both older (travel) writers. 

The "travel writer" boyfriend whom she never names in the Slate piece is Melik Kaylan, a widely published journalist much older than her. At the time Floethe and he were going out, Kaylan was married. He helped introduce her to Wolff, who got her an internship at Vanity Fair. According to our tipster, to Kaylan's dismay, Floethe switched her affections from Kaylan to Wolff. 

She's also dated Lawrence Osborne, the travel writer ex of founding Gawker editor Elizabeth Spiers. And at an Interview party, she was photographed clinging to the side of English writer Adrian Dannatt.

Lastly, per the New York Times, Wolff's divorce was finally finalized, and he and Floethe are currently married.