Lifetime's HIGH SCHOOL LOVER (2017): Teen Oral Sex in Helicopter with Movie Star

Here's the Movie Info from Rotten Tomatoes for Lifetimes High School Lover (2017): A [17-years-old] teenage girl starts dating an older [26-years-old] famous actor, much to her father's [James Franco] dismay, but their romance puts her family in danger when her beau's adoration spirals into obsession.

High School Lover was written by two women - Jessica Dube and Amber Viera. And here's a taste of the dialogue that took place between two high school coeds four minutes into the film:

"I hope you're not wearing that dress your dad got you."

"Screw you bitch!"

"Yes! Please! You know at least someone would be getting screwed here."

Kelley Winters (Paulina Singer), the 17-year-old high school student, met Christian Booth, the 26-year-old famous actor, at an exclusive party. While Kelly's high school mates snorted cocaine,  Christian asked Kelly, "How old are you?" But before Kelly could answer, Christian said, "Actually, don't tell me."

After they left the party, one of Kelly's classmates demanded, "You have to have sex with him (i.e., Christian Booth); so, I'll know what it's like." Later, Kelly's classmate inquired, "Did you get the D?"

Later, after Christian introduced himself to Kelly's dad, Kelly's dad informed, "You know they're all seventeen - right? How old are you?" Christian responded, "Twenty-six sir." [Note: The age-of-consent in New York, where the film was filmed and set, is 17; thus, the film follows the spirit of the law as oppose to the letter of the law.] 

Against her father's wishes, Kelly continued her affair with Christian and after the age-gap couple took a helicopter ride, where Kelly performed oral sex on Christian, Christian antagonistically sexted the video to Kelly's father. 

I won't spoil the ending of the teen romance slash thriller, but I will share a revealing conversation:

Christian, "She was begging [for sex], alright."

Kelly's dad, "She's seventeen!"

Christian, "Yeah. Yeah. I know. That's why is was so good."

Interestingly, Jerell Rosales, the film's director, made it a point of displaying Kelly in her bra and panties. 

Kelly's dad [Franco], is ten years older than Kelly's step-mother, who previously dated her step-daughter's lover. 

Paulina Singer [Kelly] played Madison in The Nymphets (2015), which per IMDb is about: "A precarious man [who] invites a group of wild young girls to his loft to party even though he knows it's a terrible idea."

And High School Lover (2017) was executive produced by Franco.

Netflix's JEFFREY EPSTEIN: FILTHY RICH (Episode 1) | Reaction: Molested Survivors Versus Teen Prostitute Survivors

Episode 1 of Netflix's Jeffrey Epstein: Filthy Rich opened with an important confession from Epstein:

Lawyer: "Have you ever been convicted of a crime?"

Epstein: "Yes."

Lawyer: "What was the crime of which you were convicted?"

Epstein: "[...] procuring a minor for prostitution"

Epstein's confession that he was convicted of procuring a minor for prostitution is important, because one can't be convicted of procuring a minor for prostitution if there aren't any minor (i.e., teen) prostitutes. 

A mistake this documentary series makes is labeling all of the nymphets involved with the Epstein case as survivors/victims when there should be (at least) two categories: molested/sexually assaulted survivors and teen prostitute survivors. 

Let's look at two examples from the molested/sexually assaulted survivors category:

At the New York Academy of Art graduation night art show (1995), Eileen Guggenheim, the former dean of students, literally twisted Maria Farmer's arm and demanded that she sell one of her "Alice in Wonderland" paintings to Epstein and Ghislaine Maxwell, Guggenheim's "dear friends", at a 50% discount. 

Two months later, Epstein gave Maria at job at his New York City mansion, and Maria introduced Epstein to Annie Farmer - Maria's 16-year-old sister. 

At Epstein's Zorro ranch in New Mexico, Annie alleged that Maxwell massaged Annie's nude breasts while Epstein looked on and that the following morning Epstein cuddled with Annie - without her consent. 

The following year, Epstein and Maxwell, asked Maria to do an artist-in-residency in a 26,000 square foot home behind Les Wexner's house in New Albany, Ohio. For an unexplained reason, Maria decided to do a series of paintings "[...] about puberty - girls partially nude [in] voyeuristic kind of private moments but not sexual." The painting were based on nude photographs that Maria took of her nymphet sisters. For example, Annie was 12-years-old in her nude photograph. 

After Maxwell informed Maria that Epstein would like to have his feet rubbed, Maria alleged that Epstein and Maxwell massaged her breasts - without her consent. 

Subsequently, Maria said that she informed the NYPD, who directed her to the FBI, that she was assaulted by Epstein and Maxwell, but nothing came of it until Maria was contacted by Vicky Ward who was writing a Vanity Fair profile on Epstein. Ultimately and inexplicably, Vanity Fair did not include the sisters' stories of being molested by Epstein and Maxwell in the profile. 

Now let's take a look at the teen prostitute survivors:

The special investigation unit of the Palm Beach Police Department (PBPD) began investigating Epstein after a parent reported to the police that her 14-year-old step-daughter was found with $300 that she earned from giving Epstein a massage. 

This next point is important. 19-year-old Heather confessed to a detective that she was introduced to Epstein, "Through a friend. About two years ago." Thus, she was recruited by another teen, and she went back and forth to Epstein's house for two years.

Interestingly, when asked how she was introduced to Epstein, Michelle Licata shared with a detective that her friend informed her in class that she could make $200 for Christmas by massaging Epstein for 45 minutes. 16-year-old Licata replied, "Okay. That seems weird, but okay." Upon arriving at Epstein's mansion, Licata's friend urged Licata to lie about her age. 

Shawna Rivera first met Epstein after Rivera's friend, a repeat visitor to Epstein's residence, picked Rivera up at her modest West Palm Beach home where the 14-year-old nude nymphets gave Epstein a massage. Some time later, upon Epstein's request, Rivera took a cab back to Epstein's. Why? Rivera shared, "I assumed if I went back, I would get more money."

Prostitutes prostitute for a variety of reasons. For example, Rivera said that she went to Epstein's for over three years, because she was poor. Some of the more wealthy teen prostitutes in Italy and Japan do it for luxury goods. But the fact remains that they're (teen) (consensual) prostitutes. 

Dr. Kathryn Stamoulis, an adolescent sexuality psychologist, erroneously stated that Epstein, "[...] targeted girls that [sic] were so vulnerable. And this is something that most sexual predators do [...] The first step in the grooming process is spotting a vulnerable victim - someone who is financially disadvantaged or that [sic] already have some sexual trauma in their past. Sexual predators like Jeffrey Epstein have an eye for picking out someone who is in need of something and they identify that need, and then they exploit it [...]"

This is erroneous, because, per the documentary, Epstein didn't "target" the nymphets. The Palm Beach nymphets were targeted by other Palm Beach nymphets. Eileen Guggenheim introduced Maria Farmer to Epstein. And Vicky Ward shared of Ghislaine Maxwell, "She was a great connector for Jeffery."

Haley Robson shared that she was introduced to Epstein by a high school friend when she was 16-years-old who informed Robson that she could earn $200 per massage. Robson shared that her immediate reaction was, "This is my ticket out of West Palm - this is my way out." But interestingly, and in contrast to Dr. Stamoulis' expertise, Robson was a competitive equestrian and Robson's mother was a banker and her father was a police officer. However, Robson did share that she was raped when she was 15 by a 21-year-old man. She shared, "It was my first experience with a man." But she didn't shared if it was statutory rape or violent rape. Alan Dershowitz argued that there's an important distinction between the two. 

Robson shared with a detective that after Epstein touched her with his hands and a vibrator in inappropriate places, she rejected his advances, but she volunteered to deliver him nymphets for $200 per head. 

Detective: The girl that was going knew she would have to massage him?

Robson: She knew everything. 

Detective: How long have you been working for him?

Robson: I probably worked for him for a year.

Robson went on to share with the documentarians, "I probably recruited maybe 24 girls."

Robson: Those girls brought other girls, too. 

Detective: Okay.

Robson: So, it's like a train.

Detective: Who else was underage?

Robson: Under 18? All of them. 

Robson to documentarians, "I would recruit girls that were friends. I would just casually bring it up. And we would drive together to his house. I would take them to the room, and then I would walk out. Sometimes I would wait out by the pool. When the girls would leave, Jeffery would come outside to pay me [...]"

Detective: "At this point, you've clearly implicated yourself in a crime. Okay? You've taken girls to somebody's house for the purposes of [teen] prostitution [...] Now that's a pretty significant second-degree felony."

Robson correctly asked the documentarians, "What about the girl who recruited me. What happened to her? What about the girl that recruited the girl that recruited me?"

However, Dr. Stamoulis inexplicably opined, "The girls that [sic] are recruiting the other girls are definitely victims of Jeffery Epstein [...]"

But some, like Stuart Pivar, co-founder of New York Academy of Art, opine that the nymphet recruiters were criminals, like Epstein, who recruited nymphets for the purposes of consensual teen prostitution, but who were given a reprieve by the PBPD for their help in Epstein's investigation.

PINEAPPLE EXPRESS (2008) | Nymphet [Teen]: "I Lost My Virginity When I Was 14"

Here's Pineapple Express' (2008) Movie Info from Rotten Tomatoes:

Critically acclaimed director David Gordon Green takes a break [...] for this action-flavored buddy comedy concerning two pot-smoking friends (Seth Rogen and James Franco) who unwittingly become involved with a vicious gang of drug dealers. Judd Apatow and Shauna Robertson produce a script co-penned by star Rogen and Evan Goldberg.

In the film, Dale Denton (Seth Rogen) shared with KRAD talk radio:

Dale: "I'm just saying love has no age. You can't instantly tell me that a man, because he's a certain age can't marry a [much younger] woman or love a [much younger] woman. I'm dating a high school girl [...] if I'm 25 and the girl is 18-years-old you know in society that might look bad."

Talk radio host: "Hey, as long as it's consensual."

Dale: "I think it's consensual." 

Subsequently, during his lunch break, Dale visited Angie, his teen girlfriend, at her high school. Consequently, a teacher asked Dale why he didn't date someone his own age, and Dale responded, "She's very mature for her age."

After visiting Angie, Dale visited Saul (James Franco) and shared with Saul that he feels like a "[...] fat, dumb, fucking stinky ass-turd" around Angie's "[...] strong and handsome and really funny." classmates. 

Saul encouraged, "You know, don't get down on yourself. You got a great girl."

However, Dale told Angie, "[...] you are gonna go to college next year [...] And you'll blow a bunch of dudes and become a lesbian, and I'll be here in fucking Clark County doing shit-all. You're gonna dump me. So, fuck it, have a good time."

[Note: Dale shared that he and Angie had been dating for three months, and Dale stated that Angie would be going to college "next year". That implies that they met during the first semester of Angie's senior year of high school, which would imply that they met when Angie was 17-years-old.]

Later, Dale regretted what he said and cried, "Angie, I'm calling, because I love you more than anything in the world and I wanna let you know I'll do anything to make it work [...] I love you."

Angie: "I love you [...] I wanna marry you"

But, Dale didn't want to get married and told Angie that she was immature for not realizing that he was a "fuck-up".

Angie responded by confessing, "I'm not immature. You're immature [...] I lost my virginity when I was 14-years-old!"

Dale: "Really?"

#BLACKAF: The New Twist | Twerking Nymphets [Teens]

Per the Netflix show's official synopsis, #blackAF: "[...] uncovers the messy, unfiltered, and often hilarious world of what it means to be a ‘new money’ black family trying to get it right in a modern world where ‘right’ is no longer a fixed concept.”

For the purposes of this blog, we're going to focus on episode 3 (S01E03) for which IMDb's plot summary is: "Ahead of the family's Juneteenth party, Joya struggles to confront Izzy about her dance video [...]"

To elaborate, Joya Barris (Rashida Jones) happens upon her Izzy, her 13-year-old daughter, dancing provocatively. Izzy, in a hot pink crop top and a pair of jean shorts, which are rolled up to make them even shorter, is accompanied by two other dancing nymphets - all of whom are filming a video to be posted on Izzy's Instagram account. 

Interestingly, the nymphets are shaking their young derrières to "Act Up" by City Girls. Here are part of the explicit lyrics that were heard in the episode:

Real ass bitch, give a fuck 'bout a n---a

Big Birkin bag, hold five, six figures

Stripes on my ass so he call this pussy Tigger

Fuckin' on a scammin' ass, rich ass n---a

Same group of bitches, ain't no adding to the picture

Drop a couple racks, watch this ass get bigger

Drinkin' on liquor, and I'm lookin' at your n---a

If his money right, he can eat it like a Snicker

I ain't got time for you fake ass hoes

Talkin' all loud in them fake ass clothes

Fake ass shoes match their fake ass gold

I'm the realest bitch ever to you snake ass hoes

Act up, you can get snatched up

Act up, you can get snatched up

Act up, you can get snatched up

Dirty ass nails, baby girl, you need to back up

Unsurprisingly, Joya is distraught and feels "Like an epic parental failure" after witnessing her daughter dancing in the belfie position but, thank God, not performing an anasyrma like Venus Callipyge. 

However, Chloe, Izzy's oldest sister, opined, "Izzy! Oh my God. I saw your Instagram story. You killed it!" Chloe went on to advise Izzy, "So you could have bent your knees a little bit on the booty pop (i.e., twerk), but we'll get you there." 

Ultimately, Chloe consoles her mother, "Come on, Mom. Izzy's just posting like any other kid her age. And everyone twerks. It's like our version of the Twist or whatever you did growing up." 

Chloe's correct. There are thousands of videos of twerking teens on social media.)

Lastly and fascinatingly, this episode of #blackAF was directed by Rashida Jones and written by Esa Lewis and Helen Krieger - all women. And Malcolm Gladwell shared of #blackAF, "To say that I loved it would be an understatement. I think it's just. Sorry to swear. Fucking unbelievable!"

TEEN VOGUE: 5 Signs You're [a] Horny [Teen]

In the Sexual Health + Identity section of Teen Vogue, Gigi Engle posted the article "What Does "Horny" Mean? : 5 Signs You're Horny | The thirst is real." (APRIL 14, 2020)

Engle wrote: 

"Imagine feeling tingles in places you've never felt them and wanting to kiss every hottie you see. What is going on? Sounds like you're horny [...]"

"Feeling horny and dealing with newly minted sexual desires can be simultaneously overwhelming, confusing, and exciting. In addition to craving makeouts and experiencing tingles, you’re more aware than usual, fantasies are running wild through your head, and you might even be feeling more stress."

"It's all part of the "horniness" that comes along with puberty—who knew?"

"We make the jump from blissfully unaware elementary school students to confused (and slightly carnal) adolescents with no one there to explain what is going on."

So, what are the 5 Signs You're [a] Horny [Teen]?

1. You can’t stop fantasizing about the person you’re into.

"Or really, you can't stop fantasizing about anyone [...] Why is this happening to you? Studies found, through brain scans, that the medial orbitofrontal cortex is essential in sexual fantasy."

"This part of the brain is pivotal in how your brain processes emotion, a key element of fantasy. Another reason you’re fantasizing is because your brain is developing." 

2. You’re restless.

"To get over this restlessness and actually get some sleep, you can release the frustration. Yes, I’m talking about masturbation."

"After an orgasm, your body releases prolactin, a hormone that makes you sleepy. Sweet dreams!"

3. Your vagina is tingling.

"If you’re feeling things down below that you never have before, that could definitely be a sign that you are turned on. When you’re sexually aroused, blood flows to your genitals, perking them up in dilation."

"Yes, your genitals literally swell with excitement when you’re thirsty for that hottie in your social studies class. Weird, right? Biology, actually."

4. If you have a vagina, you’re wetter than usual.

"So, if you’re having trouble staying dry, and are getting tired of changing your undies several times a day, your sexual thirst might be why."

5. You keep sneezing.

"[...] sneezing is a "forceful emission," which kind of sounds similar to something else that happens as a result of sexual arousal...."

Thus, per Teen Vogue, the signs of a horny sneezing teen are persistent fantasizing, restlessness, which Engle suggests relieving via teen masturbation, and a tingling wet vagina.

SPLIT (2016) & GLASS (2019): Nude Teen Dancing and Nymphet Cannibalism

While watching YouTube TV, I came across the trailer for Glass (2019), and upon seeing chained nymphet cheerleaders, I suspected that the superhero film contained some nympholepsy. And I was correct, but what I didn't expect was that there was nymphet cannibalism involved in Split (2016) - Glass' prequel. 

In  the films, Kevin Wendell Crumb (James McAvoy) suffers from Dissociative Identity Disorder (DID), which causes him to have over 20 different personalities. 

One of Crumb's personalities is Dennis who enjoys watching nude nymphets dance. 

To fulfill this fetish, in Split, three nymphets are kidnapped in a parking lot. And in Glass, four high school cheerleaders are kidnapped and chained in a factory. 

In Glass, the nymphet cheerleaders are captured by The Overseer (Bruce Willis), but in Split - two of them are eaten by The Beast - another one of Crumb's personalities. 

Gladys Huntington's MADAME SOLARIO: A Teen's Sexual Affair with Her Step-Dad

We came across The Public Theater's "What Do We Need to Talk About?", first in the Highbrow\Brilliant section of New York Magazine's The Approval Matrix (May 11-24, 2020) and then in Alexandra Schwartz's New Yorker review of the play (May 18, 2020). 

Here's part of The Public Theater's plot summary:

"The Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before."

As you can see, it doesn't appear that the play is relevant to this blog, but for some reason we were drawn to it, we watched it on YouTube, and, lo and behold, here we are. 

Alexandra Schwartz relates in her review of the play:

"A second shift [in the play] happens when Barbara, who's a high school English teacher, tells the group that she's assigned the Decameron to her students, and suggests, à la Boccaccio, that each member of the call tell a story to entertain the others." 

And here's the beginning of Barbara's story: "I came across a novel [Madame Solario by Gladys Huntington]. Published anonymously. In the 50s. It had been a huge success a bestseller. The writing compared to Henry James. As well as being scandalous. The woman at the center of the novel has a secret. When this character [Madame Solario] was 15, she began a sexual affair with her 50-year-old and very wealthy stepfather [Count Kovanski]. At this time, her mother, his wife, was in their house, up in her bedroom, dying."

We haven't read Madame Solario yet, but we did write about The Decameron in The Allure of Nymphets. Here's an excerpt: 

In Boccaccio’s The Decameron, in the seventh story on the eighth day, the scholar Rinieri explained to the young and beautiful Elena the benefits of having an older lover over a younger one:

“You women are always falling in love with younger men, and yearning for them to love you in return because of their fresher complexions and darker beards, their jaunty gait, their dancing and their jousting; but when a man is properly mature, he has put such matters as these behind him, and knows a thing or two that these young fellows have yet to learn.”

“Moreover, because a young man will cover more miles in a single day, he seems to you a better rider. But whereas I admit that he will shake your skin coat with great vigour, the older man, being more experienced, has a better idea of where the fleas are lurking. Besides, a portion that is small, but delicately flavoured, is infinitely preferable to a larger one that has no taste at all. And a hard gallop will tire and weaken a man, however young, whilst a gentle trot, though it may bring him somewhat later to the inn, will at least ensure that he is still in good fettle on arrival.” 

Lastly, Gladys Huntington's Madame Solario reminded us of The Diary of a Teenage Girl - the graphic novel and the film. 

Sublime's "Wrong Way": Sex with a Teen Prostitute

Sublime was a Long Beach, California based band and "Wrong Way" was released on Sublime (1997) - the ska punk band's eponymously named third album. 

I found out about "Wrong Way" after I came across a Jack Wagner Tweet, which was a screenshot from Sublime's Reddit page where zorth41 asked: "Can someone explain "Wrong Way" to me\Cause it sounds to me like he's singing about fucking a 14 year old"

Here are the lyrics to "Wrong Way":

Annie's twelve years old in two more she'll be a whore

Nobody ever told her it's the wrong way

Don't be afraid with the quickness you get laid

For your family'll get paid

It's the wrong way

I gave her all that I had to give

I'm gonna make it hard to live

Salty tears running down to her chin

And the ruins up her makeup I never wanna live

A cigarette pressed between her lips

But I'm staring at her tits

It's the wrong way

Strong if I can but I am only a man

So I take her to the can

It's the wrong way

The only family that she's ever had

Is the seven horny brothers and a drunk-ass dad

He needed money so he put her on the street

Everything was going fine till the day she met me

Happy are you sad, want to shoot your dad

I'll do anything I can it's the wrong way

We talked all night and tried to make it right

Believe me shit was tight

It was the wrong way

So run away if you don't want to stay

'Cause I ain't here to make you, oh no

It's up to you what you really want to do

Spend some time in America

Dubstyle

She'll give you all that she got to give

But I'm gonna make it hard to live

Big salty tears running down to her chin

And it smears of her makeup I never wanna live

So we ran away

And I'm sorry when I say that straight to this very day

It was the wrong way

She took a hike it don't matter if I like it or not

Because she only wants the wrong way

I gave her all that I had to give

She still wouldn't take it, whoa no

Her two brown eyes are leaking like salty tears

It still ruins her makeup and never want to give

As you can see, Annie is 12-years-old who will be a "whore" when she's 14. After coming upon Annie, "[a] cigarette pressed between her lips", the song's protagonist stared at Annie's young "tits" before they had sex in the "can". The protagonist admitted that it was "the wrong way" but confessed: "[...] but I am only a man."

"Wrong Way" Official Video GIF

"Wrong Way" reached number 47 on the Billboard's Hot 100 Airplay, and it spent 26 weeks on Billboard's Alternative Songs - peeking at number 3.

THE ATLANTIC: The Side-Effect of Treating Adolescents Like Children | Santa Claus vs Pornhub

Kate Julian's cover story in the May 2020 issue of The Atlantic is titled "The Anxious Child: And the Crisis of Modern Parenting". It's a long piece; so, I'll give the TL;DR version, which is that, treating adolescents like children causes high levels of anxiety in teens. 

Here are two examples that Julian cites of how (some) parents treat adolescents like children:

"Cutting a 13-year-old’s food because she’s afraid of knives."

"Meanwhile, the efforts parents make to promote belief in, for example, Santa Claus seem more fervent than ever, via tools like Elf on the Shelf and apps that supposedly show Santa’s visit to your home [...] In another era, the desire to keep kids in the dark [about Santa Claus] might not be a problem, but it’s a strange combination with the easy access many of them now have to Pornhub and viral videos of real-life violence [via smartphones]."

Julian's piece reminds us of Winnifred Bonjean Alpart who shared in "In Porn Before Puberty?", an ABC News feature, that when she was in eighth grade, "[..] boys mostly, were watching porn during school [...] during independent reading, they would do that." In addition, the feature related that nine out of ten children between the ages of eight and sixteen have viewed pornography on their smartphones.

And The Atlantic cover story reminds us of Judith Levine's book Harmful to Minors: The Perils of Protecting Children From Sex.

 

THE TRIAL OF CHRISTINE KEELER: British Teens Who Enjoy Sex With Men

Here's BBC's plot summary for The Trial of Christine Keeler:

The Trial of Christine Keeler takes a fresh look at one of the most infamous British stories: the chain of events in the 1960s that came to be known as the Profumo Affair.

At the centre of the storm was 19-year-old Christine Keeler (Cookson) - a young woman whom the powerful, male-dominated establishment sought to silence and exploit, but who refused to play by their rules.

The Trial of Christine Keeler takes us behind the headlines to tell a human story about the sexual and cultural politics of one of the most revealing and iconic stories of modern times.

Profumo & Keeler

\

And what's the Profumo Affair, you may ask? Per Wikipedia:

The Profumo affair was a British political scandal that originated with a sexual relationship in 1961, between [46-year-old] John Profumo, the Secretary of State for War in Harold Macmillan's Conservative government, and Christine Keeler, a 19-year-old would-be model.

Davies & Rachman

Keeler and Profumo weren't the only nymphet and nympholept involved in the scandal. 16-year-old Marilyn R. Davies met 18-year-old Keeler at Murray's Cabaret Club where Keeler introduced Davies to Peter Rachman - a 41-year-old slumlord and Keeler's former lover .  In addition, Keeler introduced Davies to 48-year-old Stephen Ward - a well-known osteopath. Subsequently, Davies had sex with Ward, she became Rachman's lover but eventually moved in with Ward.

Unsurprisingly, some quotes from the BBC series are very relevant to this blob. For example, after Keeler asked Davies about her attraction to older men, Davies responded: "I like 'em. I do. As long as their presentable." 

And that's exactly what R. Don Steele recommends in his book - Date Young Women for Men Over 35. Steele writes that being neat and clean is enough in terms of looks for an older man to appear attractive to young women and that possessing self-control (i.e., power), a high level of self-confidence, and a level of high self-esteem are far more important than appearance. 

Keeler shared about her attraction to Profumo: "When I met John Profumo, we both gave in to the most natural instinct there is. The love of a powerful middle-aged man for a penny-less teenage girl. Is that a crime?"

Ultimately, Profumo was forced to resign and Ward was convicted of being Keeler's pimp, but Ward made gave some interesting answers on the stand.

Prosecutor: "What were your intentions arranging for two teenage girls to live in your flat Mr. Ward?"

Ward: "I found them both very attractive girls - lively, fun [...] They were both working at Murray's. A great number of men, as well as me, appreciated their charms [...]"

Prosecutor: "What did you think these promiscuous little girls were having sexual intercourse with men for?"

Ward: "I imagine it was for enjoyment of the sexual act." I propose that Judith Levine would agree with Ward.