Showing posts with label Jewish. Show all posts
Showing posts with label Jewish. Show all posts

Wednesday, September 20, 2023

YOU ARE SO NOT INVITED TO MY BAT MITZVAH (2023): Was Teen Stacy Sexualized for Streams?

I first wrote about a bat mitzvah in the first edition of The Allure of Nymphets when I wrote about Project X (2012), which is a raunchy teen comedy that had multiple teen girl-on-girl kissing scenes, a variety of foreplay scenes - from threesomes to standard twosomes, and the schoolgirls in the film happily complied with the Naked Girls Only swimming pool policy. In the film, after the police arrived on the scene of the bawdy high school party to investigate a noise complaint, the police asked, “Is there an adult here we might speak with?” Costa (Oliver Cooper), a Jewish teen transport from Queens, replied, “You’re speaking with one […] in my culture I’ve been a man since my 13th birthday.”


Subsequently, in preparation for the third edition of The Allure of Nymphets, I’ve written a number of blog posts about bat and bar mitzvahs. For instance, I blogged about how Michiko Kakutani wrote in his New York Times review of Nick McDonell's national bestseller Twelve (Grove Press, 2003) that McDonell's novel: “[...] gives us some digitally clear snapshots of life in the upscale ZIP codes of millennial Manhattan." Some of the snapshots from upscale millennial Manhattan that McDonell portrayed were: a "first blow job at a bat mitzvah", teens viewing porn, teen sex for drugs, and: "[...] girls who talk about how they try to fuck with their shrinks. Or how they actually try to fuck their shrinks."


In Woody Allen’s A Rainy Day in New York (2019), I wrote about Gatsby (Timothée Chalamet) whom shared some information about Amy - his gorgeous and sexually advanced Jewish high school sweetheart. 


"Amy was gorgeous and so sexually advanced. Word on Amy was she performed oral sex at a bar mitzvah. I think they should make that a part of every Jewish holiday [...] And what a great Hanukkah gift."


Donny’s Bar Mitzvah (2021)


I wrote about Donny’s Bar Mitzvah (2021). The headline of Kristen Yoonsoo Kim's New York Times review referred to the film as "A Rude and Raunchy Coming-of-Age", which may be due to the fact that approximately three minutes into the film, that’s set in Donny’s Bar Mitzvah, streamers are given the impression that 13-year-old Donny loved DP; however, it’s not clear if Donny loved participating in threesomes or if he enjoyed watching double-penetration porn - or both.


In addition, we learned a lot about Hannah, aka Handjob Hannah, Donny's middle-school classmate. We learned that she got "finger blasted" in class while watching Bill Nye The Science Guy, and allegedly Hannah didn't restrict her sexual services to handjobs. Here's the dialogue that took place between some middle-schoolers at the bar mitzvah:


"Handjob Hannah?"

"You know she got finger blasted last week in class while watching Bill Nye The Science Guy?"

"Yes, I know that."


"Dude. Hannah is a whore. Kiss her? Yo man. You're gonna get a blow job tonight [during the bar mitzvah]!"

"I mean. He's right. You are gonna get your dick sucked bro."


Although, Hannah's dad affectionately called her "sugar tits", Hannah did not participate in the bar mitzvah’s teen girl-on-girl kiss challenge, but after a nubile nymphet asked a boy, “Is it true you’ve got a big dick?”, Hannah, along with the other middle schoolers, shouted repeatedly, “Show us your dick! Show us your dick!” Consequently, Hannah was awestruck. 


Of course, not all of the raunchy teen behavior happened during the bar or bat mitzvahs. For example, in James Franco’s Palo Alto, yes that James Franco, April attended a bat mitzvah where Shauna became a "woman", but before going to the bat mitzvah, April went to Mr. B's house to babysit Michael - Mr. B's five-year-old son. (April described Mr. B as having: "[...] a good body, good hair, and a nice smile") However, it wasn’t until days after the Shauna’s bat mitzvah did April return to Mr. B's house where 14-year-old April and Mr. B, April’s high school soccer coach, had sex on Mr. B’s canapé



As for Netflix’s You Are So Not Invited to My Bat Mitzvah (2023), let’s begin with IMDb’s synopsis:


Stacy [Sunny Sandler, the daughter of Adam] and Lydia are BFFs who've always dreamed about having epic Bat Mitzvahs. However, things start to go comically awry when a popular boy and middle school drama threatens their friendship and their rite of passage.


Minutes into the film, streamers were reminded that, like Project X’s Costa, Stacy’s Bat Mitzvah would be her “kick off [into] adulthood”


DJ Schmuley, “All right, mishpachah, please say hello to our newest and most fabulous adult Stacy Friedman.”


Stacy, “Your bat mitzvah is the first day of your adult life.” “And what better way to kick off adulthood than with the hottest guy in seventh grade?”


Maybe that’s why, to the possible dismay of (practicing) muslim and (ultra) orthodox jewish streamers, Stacy appeared to be sexualized and/or self-sexualized in the film - especially when one compares Stacy in the film to Stacy in the novel (Little, Brown and Company, 2023).



For example, minutes into the film, 13-year-old Stacy fantasized that she was on a stage at her bat mitzvah in front of a throng of cheering onlookers before whom she ripped off her maxi length dress to reveal a hot pink micro mini skirt. After Stacy returned to reality, in a full length mirror, she surveyed her derrière, and hoisted her breasts, which were now behind a blue and white mini skirt.



And not even 15 minutes into the film, in what began like a (hebephile and podophile’s) dream sequence, streamers were slowly given privy to Stacy in the prone position with her buttocks prominent and bare feet pronounced. 


Later, on a dare, Stacy jumped off The Ledge into the lake, which, somehow, caused her bloodied pad to dislodge and float; however, in the novel, Stacy hadn’t reached puberty. And in the novel, Lydia, Stacy’s best friend, got into the water at the quarry where it was rumored that Lydia and Andy, Stacy’s crush, had teen sex. Kym said, “I heard Lydia and Andy did it in the water at the quarry. What a slut.”


In the novel, Stacy narrated: “Did I mention I still hadn’t gotten my period and that I found a stray hair on my nipple [...]” But in the film, after Stacey heard a rumor that Andy touched Lydia’s “under boob in PE”, Stacy posted the following on the 7th_Grade_Rumorz Instagram account where 7th graders were encouraged to SPILL THE TEA - EVERYTHING’S ANONYMOUS: “Lydia has long black hairs on her nipples”


Lydia, “You wouldn’t happen to know why people keep asking me if they can floss their teeth with my nipple hair today, do you, Stacy?”  

Stacy, “How do I know your nipples are hairless?”

Lydia, “Because you do!”


Hence, in the film, it’s implied that Stacy saw Lydia’s nipples. And Megan asked, “So, Lydia, any crushes?” But after Lydia replied, “No, not really. There’s not a lot of opt [sic] for boys in our grade,” Anya asked Lydia, Oh, so you only like boys?” And as for the novel, there was a rumor going around the middle-school that Lydia was using Andy as a “decoy”, because she was “really in love” with Stacy. 


Kym informed Stacy, “I heard that Trampy said that Lydia Katz was just using Andy as a decoy because she’s really in love with You” 


Thus, the question remains, is it being implied in the film and the novel that Stacy and Lydia were (mainstream) teen bi-sexuals?



Subsequently in the film, when Stacy tried on a dress for her bat mitzvah, I was surprised that Sammi Cohen, the film’s director, chose to have streamers focus on Stacy’s hot pink bra, but maybe Cohen was inspired by a similar scene in the novel, but in the novel, Stacy’s “belly and underwear were exposed”. 



Exclusively in the film, during an impromptu photoshoot, Stacy reminded her friends, Nikki and Tara, “Oh my God, we’re women now.” Ergo, Nikki took iPhone photos while Tara did the lighting as Stacy posed seductively and repeatedly in a micro mini skirt that was so small and tight that, once again, Stacy’s bra was exposed.


After the photoshoot, Stacy accidentally sexted texted the sexy photos to Andy whom approved. Consequently, Stacy and Andy left class and kissed in the temple in front of the Torah!


In terms of middle schoolers sexting, Stacy's text to Andy reminded me of Swiffer Girl, because it could be that one day a schoolgirl is texting a schoolboy photos of her posing seductively in a micro mini but the next day, like Swiffer Girl, she’s sexting performances of teen autoerotism with a Swiffer broom. 


And Stacy and Andy kissing in the temple reminded me of Restless Virgins: Love, Sex, and Survival in Prep School, and the Gossip Girl reboot


In Restless Virgins, a New York Times Bestseller, Reed, a Milton Academy prep schoolboy, was led to the Apthorp chapel by a schoolgirl whom performed oral sex on Reed near the chapel’s “massive pipe organ”, which happened after Reed “fingered her briefly”. And on Gossip Girls’ “Once Upon a Time in the Upper West” (s01e07), three Constance Billard students had a teen orgy in the prep school’s chapel - beneath the crucifix. 

 

In the film, not only did Stacy kiss Andy but Lydia kissed Andy as well, which caused Stacy to ask about Lydia’s kissing skills.


Stacy, “Is Lydia a good kisser?”

Andy, “She’s a’ight.”

Stacy, “Probably because you were her first kiss.”

Andy, “No, she told me she’s kissed a bunch of guys before.”

Stacy, “At camp?”

Andy, “Yes.”


Did Stacy not know that Lydia “kissed a bunch of guys” at camp or was Lydia lying? #rhetoricalquestion. But Stacy was correct to assume that Lydia’s raunchy behavior happened at camp, because camp is notorious for its tween and teen raunchy behavior. For example, on the "Postcards from Europe" episode of the Hot Girls Talks podcast (Aug 18, 2022), Carly shared with Halley and Jaz:


"If you went to camp, you'd know that you saw plenty of vaginas in a lifetime and probably the inside of them [...] because at camp you just are, like, crazy. Yeah, it's just a thing. I don't know, like, people that went to camp know. Just camp things."


Lena Dunham shared in her memoir, Not That Kind of Girl, that when she was a 14-year-old summer camper, she found her “truest love” whom was none other than 21-year-old Johnny. Dunham wrote:


“[Johnny] was blond, from South Carolina, and just shy of twenty-two.” In her bunk, Lena fantasized about discarding her “[...] clothes, approaching Johnny, and letting him put his hands all over [...]” her body.


And 17-year-old Danielle confessed in “Reality Check From Young Voices”, a chapter in Cappiello and McInerney’s Cappiello’s Slut: A Play and Guidebook, that “lots of sexual firsts” happened at her “typical Jewish summer camp” (e.g., filming (oral) sex tapes):


“I go to this, where promiscuous behavior is practically encouraged and cultivated [...] with no parental supervision, there are lots of sexual firsts for everyone [...] There is one girl in particular, Georgia, who is really petite and very pretty [...] Josh and another boy coerced - basically forced - Georgia to give them blow jobs, while others filmed it on their phones.”


Let's share just two more peculiar bits of dialogue that were in the film but that were not in the novel. In the film, before Stacy jumped from The Ledge, a 7th grader shared that she was distraught over the news that her mother wouldn’t let her get lip filler, but she was comforted by the news from another 7th grader that Botox was allowed, which could be used for lips.  


“Ugh, my mom said I have to wait a year before I can get lip filler.”

“She said you can have Botox. Just use that on your lips.” 

“Yeah.”


And for some reason Lydia asked, “Remember when that string on my tampon broke? (I will not share what teen streaming show Lydia’s broken tampon string reminded me of.)


Lastly, the rhetorical question remains, why did it appear that Stacy was sexualized and/or self-sexualized in the film - especially when one compares the film to the novel. So much so that the film received a PG-13 slash PARENTS STRONGLY CAUTIONED rating due to SOME CRUDE/SUGGESTIVE LANGUAGE and Some Material [That] May Be Inappropriate for Children Under 13. Yet, unsurprisingly, considering the allure of the nymphet in the film, You Are So Not Invited to My Bat Mitzvah earned a 92% TOMATOMETER.


Interestingly, Rosenbloom (nom de plume Amanda Stern) didn't seem to mind the liberties that the screenwriters and Cohen took with her novel, which makes sense because Stern, who went to the Nightingale-Bamford School, shared with Emma Allen in the New Yorker piece "A Gen X-er Goes Bat-Mitzvah-Dress Shopping" that after she called a friend in her Manhattan "middle-school clique" a "cock-sucking dyke", another friend from the clique taught Stern how to perform oral sex, and the friend inserted a tampon into Stern. #DionneWarwick


Sunday, January 26, 2020

Piper Weiss' YOU ALL GROW UP AND LEAVE ME: A Manhattan Private School Teen Obsessed with Men


In her New York Post piece, Piper Weiss summed up the story of Gary Wilensky well:

[56-year-old] Gary Wilensky was a popular tennis coach on the Manhattan prep-school circuit, well-liked by students and parents alike. Piper Weiss was a [14-year-old] student at Chapin, the all-girls private school on the Upper East Side. She was taking private lessons from Wilensky in 1993 when he attacked one of his students [17-year-old Jennifer Rhodes] in a failed kidnapping attempt and subsequently killed himself in a scandal that rocked the private-school world. In her new memoir, “You All Grow Up and Leave Me” [...] Weiss writes about the abduction and its aftermath.

But Weiss' memoir adds some intriguing and relevant details, one of which is hinted at in the subtitle: "A Memoir of Teenage Obsession". 

Weiss confessed in her memoir that not only was she obsessed with Wilensky, she was jealous of Rhodes:

I wanted it so much when he was alive, but even more now that he is dead. I know I'm not supposed to think this. I know he did a bad thing. There was a cabin with chains inside it. [...] I knew they had to do with sex or violence or both [...] He picked her and now she matters. Everyone wants to know what she has to say and how she feels because he chose her. She matters and I do not.

Weiss raised an issue that was similarly related in Anne Rice's Belinda. Weiss wrote:

The private in private school means just that. It is a class distinction. Ours is the world others want to expose, and it must be closely guarded. [...] Privilege is based on secrecy. Our parents know what others want to know, and so do we. Privilege comes with a certain trust that if broken results in the loss of such privilege [...] 

However, like Emily Jane Fox, who shared in Born Trump: Inside America's First Family, that Ivanka Trump and her 8th grade classmate flashed a hot dog vendor from the Chapin's third floor window, Weiss shared some secrets from the Manhattan private school world:

In the eighth grade [...] We took Latin and algebra. We read Romeo and Juliet. We drew on our legs [...] and cupped the soft underside of another girl's breast in the locker room.

Weiss wrote about her 9th grade science teacher. She shared that she was advised to flirt with him for a better grade, because it was easy if he deemed a private school coed to be a "sexual creature":

He has difficulty looking students in the eye, I think, out of fear that his thoughts might be heard. The year has just begun and it is already clear whom he favors - the girl with the see-through skin [...] When she speaks in class, he flares up with an allergic crush. Anything she says is very good

Everybody knows he has pets and they are an undeniable type - long-limbed girls with billowing horsetail hair who are soft-spoken [...] When I found out he was my teacher this year, a junior told me to flirt with him for a better grade. It is believed to be that easy if you are a sexual creature in his eyes [...] 


Piper Weiss
Just like the Manhattan prep school coeds in Nick McDonell's national bestselling novel Twelve, Weiss swallowed pills as a teen: 

My mother's bottle of Valium, for when she flies, is in a cosmetic bag underneath their bathroom sink. (I swallowed three.) 

All through my teen and twenties I would scavenge her room when she was away, rifling through cabinets for old prescriptions, jewelry boxes for stale weed [...]

Weiss got the part in a TV movie, but her mother wouldn't let her act, because: 

It was a movie about a man who loves a little girl. That sounded okay, I told her, because some men are nice and some little girls are wise and, I imagined, sometimes they could be friends. 

Apparently, one of the popular girls on the all-girl private high school campus had a "breast-first swagger" and Weiss shared a sexually charged rumor about her that was based on her short stature: 

There was a rumor among certain private school boys that I give blow jobs standing up. 

As if the private school kilts aren't short enough, Weiss and her classmates had a habit of making them shorter: 

Bianca and I are halfway to school and our rolled-up skirts are riding up our waists. [...] The teacher's ruler to our kilt hems, the assessments of our clothing as "too short" and "too tight."

On a related note, Weiss wrote that her classmates opined that their young bodies were currency: 

Our currency is our bodies. We have what others want, what they feel they deserve. [Consequently] [a]t school, we trade stories of being groped by strangers [...] [For example], [...] when a Rollerblader glided downstream along Lexington Avenue, stopping short to cup my chest [...] 

Weiss shared that her first obsession with men began with Jim Morrison: 

It was an obvious choice, an early teenage-cult follower move, spurred on by my newbie sexuality and Oliver Stone (i.e., The Doors (1991)). 

This "obsession," as my mother calls it, began when I was twelve, before the movie came out, I swear. I saw the real Jim perform on a PBS documentary my dad was watching and bought the paperback biography of his life, which is better than the movie. 

Weiss described giving a tip to Tony, a Serbian hairdresser, at European Hair Design: 

The slick act of sliding a tip to someone else is so out of my league, small, breast-budded me presenting a secret gift to a full-bodied man, something he needs that I have.

We already wrote a post about the Agnès b. Lolita backpack.


Piper Weiss @ 13 | A Year Before Gary Wilensky 

In the chapter titled "girl: x rated", Weiss described her teen voyeurism:

WHEN THE BOY IN THE WINDOW flicks his bedroom lights on and off, it means pay attention. [...] Then he puts down the blow-dryer, walks to the window holding himself with one hand. He waves with the other. 

His is the only penis I've ever seen, and it appears to be half an arm's length [...] He is instructional in the way he touches himself - as if he's teaching a group of students the techniques of a sport. It's all about form, control, consistency. 

I have seen this boy's most intimate body part countless times.

Subsequently, Weiss returned the favor: 

I've stuffed a hot pink satin bra from my sister's drawer with balled-up tissues and tightened the leather strings on my suede hot pants. [...] Across the alleyway, the boy flicks his lights fast and furious. A silent applause. 

Towards the end of the memoir, Weiss describes teens:

You are a walking fetish - a child in adult prosthetics.  You are a sensationalized news story. ("Shocking transformation: Underage teen sprouts sex organs.") [...] All around you, they purr and coo, they psst. Your body brings out the worst in them - fear for your safety, fear of their own perversions. You can read their minds. 

We know from Slut: A Play and Guidebook for Combating Sexism and Sexual Violence that things happen between Manhattan private school girls and their doormen. Weiss described an encounter with her doorman:

Kilt rolled up at the waist, hair in a bun, frizz at my temples, homework half done and shoved in my book bag, I'm ready to go. I can feel it. [...] By the time I reach the lobby, one of the doormen, a young blue-eyed man with a goatee, who is too pretty [...] to look directly in the eyes, hands me the house phone.
"It's your mother."
"You forgot breakfast," she says. 

Lastly, Weiss describes a scene with Wilensky that relates to the title of her memoir You All Grow Up and Leave Me : 

"I won't leave you," I say. "I promise." His arms gather loosely around my back [...] 
"I love you, Gary," I say, because it's different from We love you, Gary [...]
"I love you, too," he says.
And then I get out of his care like a girl who has just been kissed. 

Monday, January 20, 2020

Woody's A RAINY DAY IN NEW YORK (2019): Amy, Gorgeous & Sexually Advanced, Performed Oral @ Bar Mitzvah


Woody Allen appears to have broken a record. A Rainy Day in New York (2019) contains not one, not two, not three but possibly four age-gap affairs:



After Gatsby (Timothée Chalamet) and Ashleigh (Elle Fanning), two Yardley college students, visit New York City, Ashleigh becomes infatuated with Roland Pollard (51-year-old Liev Schreiber), a famous film director, whom she is interviewing for the school's paper. Ashleigh said referring to Roland, "I can see why all the leading ladies fall in love with him."

Later in the film, Roland asked, "I want us to get to know each other Ashleigh. Would you consider coming with me to the South of France?"

That left Gatsby wondering, "What the hell is it about older guys that seem so appealing to women [...] All they are is [sic] decrepit. What's sexy about short term memory loss [...]"

Moments later, Gatsby ran into Chan (Selena Gomez), a fashion student at New York's Fashion Institute of Technology, who has a date with a "[...] very handsome, very rich [and] very clever" dermatologist. In addition, Chan is Amy's younger sister, and Amy was Gatsby's gorgeous and sexually advanced Jewish high school sweetheart. 

Gatsby shared, "Amy was gorgeous and so sexually advanced. Word on Amy was she performed oral sex at a Bar Mitzvah. I think they should make that a part of every Jewish holiday [...] And what a great Hanukkah gift."

 

While accompanied by Ashleigh, Ted Davidoff (46-year-old Jude Law), a writer, gets into an argument with his wife who assumes that Ashleigh is Ted's 15-year-old concubine.


Subsequently, Ashleigh meets the actor Francisco Vega (39-year-old Diego Luna). Francisco asked. "Do you have a boyfriend?" To which Ashleigh replied, "He's a mere youth." Consequently, after a joint and some whiskey, the age-gap couple proceeds to have sex until Francisco's girlfriend arrives unexpectedly. 

In the end, Gatsby summed up the movie well when he said to Ashleigh, "You were loved spiritually, emotionally, and physically by three different gifted men."