Louÿs' WOMAN AND PUPPET [French: La Femme et le pantin]: How to Possess a Teen

Here's the synopsis for Pierre Louÿs' Woman and Puppet [French: La Femme et le pantin] from Wikipedia:

During the carnival in Seville, the Frenchman André Stévenol meets and falls under the spell of [18-year-old Andalusian] Conception 'Conchita' Perez [...] His friend, Don Mateo Diaz ["a Spaniard, of some forty years"] warns him off by describing his own history with the woman [that began when Conchita was 15-years-old] -- a history of being repeatedly attracted and then rebuffed by her. Conchita continually flirted with other men to torture Don Mateo. On each occasion he was made to feel guilty for his jealous thoughts and actions towards her, until he realized finally that he had been her puppet for fourteen months and in an explosion of passion he beat her. She then astonished him by declaring the violence a sign of the strength of his love and came to his bed. She was a ["legendary"] virgin. Although the two then started living together, she continued her flirtatious behavior towards other men [...]

Conchita is described as having a supple body yet childish breasts, dark chestnut hair, soft rounded cheeks with naturally dark eyelids and as, "[...] the worst woman in the world."

As often happens in budding age-gap relationships, the nymphet initiated the first kiss. "[...] she anticipated my desire, and impulsively placed her burning mouth on mine, with a long deep look."

However, Don Mateo made the nymphet PUA faux pas of trying to "buy" Conchita. After he informed Conchita's mother that he understood that due to their age differences an "open liaison was out of the question", he added that he would financially "assure not only her present life, but her personal fortune for the future", and he gave her a "thick roll of bank notes". 

Conchita's reaction to the "bribe" was, "I wished to give myself to you, but you have asked that I be sold. We shall never meet again."  

Conchita's declaration made Don Mateo desperately pledge, "If I ever see her again [...] if heaven favors me in this one thing, I shall crouch at her feet [...]" Thus, he went from trying to buy her love to desiring to "worship" her - in other words, he went from bad to worse, which only lead to more merciless teasing by Conchita. 

For example:

Then I begged her:

"Give me your mouth."

But she shook her head and withdrew her hand.

"Later."

Ah, that word! How many times had I already heard it from her lips, and now it cast a chill over this long hoped-for reunion that reached my very soul.

Don Mateo "suffered atrociously" for over a year as the nymphet seductively lured him only to mercilessly repulse him. Ultimately, Conchita gave herself to Don Mateo after he [briefly] stopped "worshiping" her and turned violent. 

The moral of Woman and Puppet is that, despite what feminists may think, one cannot buy a nymphet - there's a difference between teen prostitutes and New York University Sugar Baby's. In addition, lust is unattractive, because it shows a lack of power (i.e., charisma (e.g., self-control, self-confidence, etc)). And everybody knows that (young) women are extremely attracted to powerful men.

Molière's THE SCHOOL FOR WIVES: A Play | How to Possess a Teen

In Molière's play The School for Wives [French: L'école des femmes] Arnolphe, "a rich man, aged about fifty", is finally set to marry very sweet and innocent 17-year-old Agnès. Arnolphe began the marriage preparations when Agnès was 6-years-old. He believed: "A man who wants a perfect wife, must make her for himself."

Arnolphe had a very traditional and religious view of a wife's role. For example, he opined that a wife should never say, do or think anything that would go against her husband's wishes. And Agnès read from Some Rules for Wives: "A wife must dress only for her husband".

Arnolphe successfully excluded Agnès from any immoral influences and shielded: "[...] her from the world"; however, hours before the wedding ceremony, Agnès became infatuated with Horace - a young suitor. Arnolphe did everything within his power to not lose the "very pretty" and "very demure" Agnès to Horace. 

The School for Wives is a good example of how money cannot buy a nymphet. There is a major misconception among the masses that young women marry older men for money. Yet, despite the fact that Arnolphe educated Agnès and fed, clothed and gave her a house with two servants, she still preferred to marry the much younger and poorer Horace.

Even a conniving gold-digger can get tired of a Sugar Daddy. I wrote in The Allure of Nymphets about how Francis “Peaches” Browning left Edward “Daddy” Browning, Browning's 52-two-year-old husband, despite being lavished with riches. 

However, in almost every situation we've researched and observed, young women who end their age-gap relationships for young men, often regret their decisions - only to attempt to return to their (much) older man.

In the end, The School for Wives is a good reminder that men must possess charisma (i.e., self-confidence, self-control, be neat and clean, etc) to attract young women and that wealth, alone, is insufficient. 

ARE ALL MEN PEDOPHILES? (2013): No But They're Hebephiles\Ephebophiles\Nympholepts

Here are some highlights and lowlights from the controversial documentary 

Are All Men Pedophiles? (2013):

Studies have shown that teen sex is the most searched for type of pornography on the Internet.

The age that you first find the opposite sex attractive doesn't change, but it expands. For example, when you’re a teen you find teen girls attractive and as you age, teen girls remain attractive.  

The age of consent ranges from 9 to 20-years-old around the world. Interestingly, there’s no minimum age of consent in Saudi Arabia and Oman.

During the Stone Age, the average lifespan was approximately 30 years. And during the Neolithic age, which was between the Stone and Bronze Ages, the lifespan was 20 years; therefore, sex and childbearing couldn't be postponed for very long past puberty. Despite the fact that the lifespan of humans has increased dramatically, it’s still healthier to have a baby sooner than later.

Anthropological studies conducted by Napoleon Chagnon on primitive societies suggest that the average man finds 16-year-old females the most sexually attractive.

Mary was 12 or 15 when she gave birth to Jesus and the prophet Muhammed of Islam (صلى الله عليه وسلم) married Aisha when she was 6 and consummated the marriage when she was 9.

Bar Mitswa is when Jewish boys turn 13 and are considered men. And a Bat Mitswa is when Jewish girls turn 12 and are considered women.

As far back at 6000 BC, the average age of pregnancy was 13-years-old. Currently, the average age of pregnancy in western society is between the ages of 21 and 23.

Girls begin puberty at approximately 10-years-old and they reach maturity when puberty ends at approximately 16-years-old. However, western society has set the legal age at 18-years-old, which is when young men reach maturity. Consequently, 16-year-old girls are more sexually and mentally mature than 16-year-old boys, which is why girls seek older partners and that explains why the average woman is younger than her male partner.

Biologically, humans start experimenting with sexual intercourse at the age of 13-years-old.

The basis for the legal age being set at 18 is based on education. High school education ends around the age of 18. Consequently, underage sex is shunned, because it interferes with education.

However, western society has a fascination with teen girls, which is visible in the fashion industry and media. For example, the average age of a budding high fashion model is between the ages of 12 and 16. The average age of fashion models is 16. 16 is a special age because most women tend to gain wait upon reaching 16. New models are rarely chosen after the age of 16. We don’t need biology to tell us that 16-year-old girls are ready for sex, because the way they’re portrayed as sexual beings in the media should suffice as evidence.

Couric reported on Katie Couric's Notebook, “Half of girls between 14 and 19 confessed to having had sex at least once.”

More than 20% of American teen girls admit to sending nude photos (i.e., sexting).

Some cultures (e.g., in Africa, South America, India, etc.) that haven’t been affected by western standards, girls still get married at an early age. And in Japanese society the attraction to teenage girls is a “widespread cultural phenomenon (e.g., lolicon)” However, there is no society in the world that encourages sex with children before puberty.

There’s a difference between the general public term for pedophilia and the technical professional term of pedophilia. The public’s definition is associated with someone who’s sexually attracted to girls under the age of 18; however, the clinical definition of pedophilia is:

1. A sexual preference for pre-pubertal or early pubertal children 
2. For six months or more the person has acted on those urges or suffers from distress as a result of having the urges
3. And the individual must be at least 16-years-old and at least five years older than the subject of desire

For example, hebephilia is when a man is attracted to adolescents or girls whom are approximately between the ages of 12 to 16-years-old; therefore, high school teachers who have sex with their students are not pedophiles. Since high school students have reached puberty, it’s considered hebophilia and the teachers are hebophiles - not pedophilia. 

The number of male teachers in one European country is a meager 1 in 8. The dropped is attributed to a fear that many male teachers will be accused of pedophilia. The misunderstanding between pedophilia and hebephilia has caused an unnecessary backlash against men. Men are not allowed to sit in playgrounds alone [e.g., A park that I frequently pass in Manhattan has a sign posted that forbids adult men from being in the park if they’re not accompanied by their own children.]

In an attempt to discourage pedophilia, Australia’s government has "banned" adult publications and films that feature women with "small breasts".

Child pornography is a $3 billion industry. 20% of all Internet pornography involves children under the age of 18; thus, since almost all men watch pornography, many men have been exposed to child pornography. However, it’s not considered child pornography when the images are used in the high fashion industry [or mainstream movies and high-brow art].

A 14-year-old New Jersey girl was accused of distributing child pornography after posting 30 explicit nude photographs of herself on the Internet.

Two Pennsylvanian girls who posted pictures of themselves in pajama bottoms and bra tops were charged with possessing child pornography and the distribution of child pornography. 

But 20% of teenagers in Western society admit to sexting, which translates to over 50,000,000 teens. That content could be considered child pornography even if the teen isn’t nude. In other words, any sexual activity, lewd conduct or erotic behavior that is exhibited by teens even when they're fully clothed could be considered child pornography. However, the average teen has no idea that they’re breaking the law. Consequently, 36% of child sex offenders in America are children.

Pedophilia will never be accepted by society, because it harms children, but sexual relations between adults and adolescents may eventually become re-accepted by modern society. 

Lastly from the documentary, we learned that hebephilia isn’t listed as a mental disorder, because finding teens attractive is normal and girls in puberty can understand lust unlike pre-pubertal girls.

HORSE GIRLS: A Play | A Middle Schoolgirl Age-Gap Affair, Teen Lipstick Lesbians & More

Here's the synopsis for Jenny Rachel Weiner's play Horse Girls that I saw with a capacity crowd at The Cell in Manhattan: 

12-year-old Ashleigh rules the Lady Jean Ladies, South Florida's most exclusive horse club. News that her family's stables are being sold and their horses killed for meat throws the Ladies into crisis in this dark comedy of middle school deception and lies.

Let's start by listing the names and ages of the characters: 

Lady Jean Lady Officers

ashleigh whitford (12-years-old)

tiffany gesuvia (13-years-old)

robin gesuvia (11-years-old)

margaret flanaghan (12-years-old)

brandi marshall (12-years-old)

Lady Jean Ladies 

camille lowenstein (13-years-old) "[...] she developed boobs early."

Other

trish lowenstein (13-years-old)

Horse Girls is set in ashleigh's "pristine bedroom" where the weekly meeting of the Lady Jean Ladies is being held and where robin shared, "tiffany has her period for goodness sake [...] /Which means she's a woman!"

Ashleigh (Olivia Macklin)  & Tiffany (Angeliea Stark) in Horse Girls

Later, ashleigh, dressed in a schoolgirl uniform, attributes her success in equestrian to Titus Andronicus, her lead horse, and Jonah Stockamore, her "hot" neighbor and "[...] the most famous Olympic Equestrian [...]":

robin informed, "He was on the cover of ELITE EQUESTRIAN." 

But tiffany, also dressed in a schoolgirl uniform, asked, "and he's like twenty-two. Isn't that illegal in most states?"

ashleigh responded, "shut up, tiffany. Don't be jealous. It's ugly."

Then margaret let us know that 12-year-old ashleigh and 22-year-old Jonah kissed: "Ever since last winter break when they kissed behind the stable it's all anyone can talk about [...]"

Interestingly, Weiner wrote that ashleigh didn't think her age-gap kiss with jonah was a major event:

"you guys it's not even a big/deal" 

"you guys, for someone as mature as me, dating an older man-

"I mean in six years when I turn 18 I'll also be competing for the gold and then we'll totally be like a power couple, you know?"

But robin disagreed and opined the age-gap kiss was a big deal and that ashleigh was lucky: "you are so lucky. I've never even kissed a guy."

camille comforted robin, complimented Jonah, and informed ashleigh about Jonah's probable quest to take her virginity: 

"[robin] when you grow boobs you'll definitely get felt up don't worry"

"ash[leigh] Jonah is so hot.
"He probably wants to be your first."

Weiner related in an interview with Theater in the Now: 

"Horse Girls is a play about pre-teens: their obsessions, their insecurities, their desperate need to find a place in the world [...] I think the experiences we have in middle school shapes us in a major way [...]" 

Consequently, Weiner, taking advantage of the allure of nymphets to sell tickets to a play, added some middle-school teen lipstick lesbians:

ashleigh: "margaret is a total lesbian [...] margaret tried to kiss me once and I never told anyone, but only because I was really sad about Misty getting Cancer."  

However, margaret exclaimed that she had a boyfriend at camp: "That's not true! I had a boyfriend at church camp this summer!" 

But later in the play, before margaret kissed ashleigh again, margaret confessed to ashleigh: "I'll go with you. I'll ride away with you. I love you." ashleigh didn't kiss margaret back, but she didn't pull away either. 

13-year-old camille, the nymphet who "developed boobs early", had to pay a fine, since she didn't bring a journal excerpt to the last meeting, because she was possibly being "fingered":

camille: "...I was busy."

tiffany: "Getting fingered by Johnson behind the stable?"

camille: "Maybe..."

Once the girls hear that the stables are being sold and that their horses will be killed for meat, they "FREAK OUT!", which includes "undressing" and "making out".

After ashleigh freaks out, she comforts herself by saying: "Jonah will know exactly what to do-he'll fly home and hold me."

Thus, now we know why the play is described as a "dark comedy of middle school". The play contains, in addition to other dark themes\motifs:

• an age-gap affair between 12-year-old ashleigh and 22-year-old Jonah
• middle school lipstick lesbians (i.e., ashleigh and 12-year-old margaret), and
• 13-year-old camille, with the developed boobs, was possibly fingered by Johnson. (No word on Johnson's age.)

Lastly, Claudia La Rocco for the New York Times opined: "Horse Girls,” a 50-minute pop descent into madness [...]" 

LA NINA SANTA (2004): Holy Nymphet & Unholy Doctor | Teen Anal Sex, Lipstick Lesbians & Age-Gap Affair

Here's the brief plot summary for La Niña Santa (2004) [The Holy Girl]" that was posted on IMDb: 

16-year-old Amalia looks to save the soul [of] a middle-aged doctor.

Wikipedia's entry for the film is a bit more elaborate: 

The film takes place in the small town of La Ciénaga, [Argentina] at the Hotel Termas [...] during a medical conference. Two young teenage girls, Amalia (María Alché) and her best friend Josefina (Julieta Zylberberg), begin to explore their new sexuality and, at the same time, have Catholic religious passion. 

One day, in the midst of a large crowd watching the performance of a musician playing the theremin, Dr. Jano (Carlos Belloso), a participant in the conference and hotel guest, rubs up sexually against Amalia. She is upset but takes his inappropriate action as a sign that her Catholic faith has given her a mission: to save Dr. Jano from such inappropriate behavior. Afterward [...] she begins to spy on him. Amalia's story is partly about an adolescent girl's discovery of her sexual vulnerability and the sexual power she possesses.

The description given for Amalia's reaction to Dr. Jano rubbing his penis against her isn't completely accurate. The nymphet was upset, but it was brief. And she didn't look to save his soul, she desired to have an age-discrepant relationship with the nympholetp. For example, Amalia stalked Dr. Jano, she told him that he was a good man, and she tried to kiss him. In addition, on the second occasion that he pressed his penis against her, she attempted to hold his hand. 

Amalia, just like most victims of sexual abuse, didn't inform her mother about the incident or about her attraction to Dr. Jano; however, she did inform her schoolmate, Josefina, who swore to keep it a secret. However, after Josefina was [almost] caught by her parents having teen anal sex with her cousin, to avert her parent's attention she confessed about Josefina's involvement with the physician. 

In addition to the two scenes that depicted teen anal sex, which Josefina choose as a way to save her virginity, Amalia and Josefina shared a lingering lipstick lesbian kiss, and Amalia vigorously masturbated after Dr.Jano pressed his penis against her for the second time.

FLAG Art's DISTURBING INNOCENCE: Art or [Pre]Teen Bestiality?

I viewed the Disturbing Innocence exhibition at the The FLAG Art Foundation in Chelsea. The group exhibition was curated by artist Eric Fischl. Here's the description of the exhibit from the foundation's website:

Disturbing Innocence features over 50 historical and contemporary artists whose use of dolls, toys, mannequins, robots, and other surrogates forms a deep and powerfully expressive genre. The exhibition poses profound questions surrounding social constructs of youth, beauty, transformation, violence, sexuality, gender, identity, and loneliness. Inspired by Fischl’s own childhood in suburban Long Island, NY, and his early career as an artist working in New York City in the 1980’s, Disturbing Innocence presents a subversive and escapist world at odds with the values and pretensions of polite society.

At least three of the pieces in the exhibition are most relevant to this blog: Richard Prince's Spiritual America (1983), John Wesley's Caryn and Robin (1968), and Steve Gianakos' The Farm Had Been Rescinded Just A Month Earlier (2011). 

Richard Prince's Spiritual America (1983)

I wrote about Prince's nude photograph of 10-year-old Brooke Shields in The Allure of Nymphets. Prince's photograph of the nude pre-teen Shields was previously on display in Prince’s Spiritual America exhibit at the prestigious Guggenheim Museum. Interestingly,  Brooke’s mothers sold the photograph to Playboy Press for a whopping $450.

John Wesley's Caryn and Robin (1968)

John Wesley is a 86-year-old pop artist, and his piece shows two prepubescent girls in a lipstick lesbian erotic pose. 

Steve Gianakos' 
The Farm Had Been Rescinded Just A Month Earlier (2011)

And Gianakos is a 74-year-old artist who has other very provocative pieces of nymphets. Chris Bors of Art Voices wrote that this piece: 

"[...] depicts a girl with Kewpie doll style eyes reverse straddling a line of pigs that are eating out of a trough, while getting stimulated by one of their tails as a bird, cat and rooster look on." 

Clearly and possibly unfairly, the authorities have sided with art in the "Is it art or (child) pornography?" debate as it pertains to these pieces. 

Disturbing Innocence is on view on FLAG’s 9th and 10th floors until January 31, 2015.

The Dark Side of Nympholepsy: Japanese JK Prostitutes, Teen Sex Parlors & More

The 2nd edition of The Allure of Nymphets contains a new chapter titled "The Dark Side of Hebephilia\Ephebophilia". Below are some recent headlines from the dark side:

The Tokyo Reporter: Fukuoka cops bust trio for pimping 14-year-old girl |

The suspects used deai-kei matchmaking sites introduce customers to prostitutes

The Tokyo Reporter: Tokyo cops’ bust of ‘JK’ sniff parlor nothing to sneeze at |

Officers seized school-girl uniforms and maid outfits from parlor Pure Doll JK Community

The Tokyo Reporter: Hyogo sex parlor busted for employing school girl |

Out-call service Sweet Season allegedly dispatched a girl, 16, to hotels 

Daily News: 85-year-old man robbed, tied up by twin teenage sisters he met on dating website: 

TribLIVE: Florida high school prostitution ring busted

Mirror: Stephen Collins child abuse scandal: Latest updates as 7th Heaven actor accused of molesting schoolgirls

NYMag: Brooklyn Man Pretended to Be a Cop So He Could Sexually Assault 18-Year-Old

NBC New York: Brooklyn Elementary School Teacher Indicted in Alleged Sexual Abuse of Nine Students

Variety: Bill Cosby Accused of Molesting 15-Year-Old in New Lawsuit

Note: All of the accused hebephiles\ephebophiles should be considered innocent until proven guilty.

MOLLY MAXWELL (2013): A Canadian Teen Initiates Oral Sex on High School Teacher

Molly Maxwell (2013) is yet another film about a romance between a high school student and her English teacher, but this time they're Canadian!

Here's IMDb's summary:

At Phoenix Progressive School, where everyone tries to outdo each other with creative self-expression, 16-year-old Molly Maxwell (Lola Tash) would rather be invisible than risk revealing herself as completely ordinary. When her young [26-year-old], handsome, disillusioned English teacher (Charlie Carrick) enters the picture and allows her to just be herself, Molly is suddenly able to flourish. As their student-teacher bond becomes more intimate, she begins putting herself on the line in unexpected ways while pursuing what she wants. But with each awkward, beautiful step towards an impossible romance, Molly risks alienating everyone she loves.

In the film, Molly aggressively initiates a romantic affair with Ben - the new member of the high school English department. 

Molly desperately wants to lose her virginity to her English teacher - so much so, that she, literally, rips her clothes off on several occasions, but Ben but stops short of sex, because he feels that it's "just wrong"; however, as a compromise, Ben allows Molly to initiate oral sex. 

Frustrated, Ben said to Molly, "200 years ago no one would have any problem if I took you as my child bride." But Ben is off by about 100 years. For instance, in 1981, 29-year-old Charlie Chaplin married 16-teen-year-old Mildred Harris and, per My Life with Chaplin, he: “[...] drew gasps and condemnations only from a small section of the public.”

Teen Vogue and Tavi Gevinson would be proud of Molly's mom, who gifted Molly a copy of Confidence Through Healthy Teen Sexuality and a (large) waterproof variable speed pink vibrator. (BTW, Teen Vogue recommends the magic wand for teens.) 

Lastly, Molly was spotted reading Lolita. Was Molly reading Nabokov's masterpiece for tips? Did Molly opine, like novelist Robertson Davies, that Lolita is: “[...] not [about] the corruption of an innocent child by a cunning adult, but [about] the exploitation of a weak adult by a corrupt child.” 

Las que empiezan a los quince años (1978): The Beginning [of TeenProstitution] at Age 15 [in Spain]

As there doesn't appear to be any subtitles and despite the fact that I live in New York, I was able to understand very little of Spain's Las que empiezan a los quince años (1978) [English: The Beginning at Age 15]; therefore, let's rely on Andrabem's IMDB post:

"Las que empiezan a los quince años" tells the story of the sexual adventures of three fifteen-year-old girls: Elisa, Marian and Susi.

Elisa lives with her father and her stepmother. Her father, drown in debts by reason of bad business decisions, has to run away from his debtors. Elisa remains with her stepmother that has no love left for her. Soon Elisa is out in the streets. One of the roads left for her is [teen] prostitution. Her life will be one of many adventures and misadventures.

Marian, very early in her life, became a prostitute. She had known a good-looking [much older] guy in a party. She falls in love with him, but in reality he's a pimp. One day they have a fight and Marian decides to become independent. She opens the doors of the cars and ask the drivers if they want some company. On seeing this beautiful Lolita, many say that, yes, they could do with a bit of company.

Susi's family has no financial problems. Her father works a lot and is always absent, but her mother likes and understands her. Susi likes girls. She sometimes plays innocent little [nymphet lesbian] games with Elisa and Marian.

The film offers a rosy vision of [teen] prostitution, but anyway it had no intention at all of being a documentary. The film wants to titillate, and it delivers. The [teen] girls frequently take off their clothes, make love, laugh...

I'll add that Elisa (Sonia Blanca), unlike Marian, isn't drawn to prostitution. Consequently, Elisa, to the chagrin of her stepmother, (eventually) rebuffs the advances of a middle-aged john. However, Elisa is attracted to older men. For example, she goes home with a seemingly wealthy man whom treats her like an adult by giving her a drink and a smoke, but instead of charming the nymphet, he drugs and rapes Elisa. In addition, Elisa is raped by a businessman after he witnesses her seductively cleaning at the office. However, in the end, Elisa does have, at least, one consensual age-gap love affair. 

Famous Teleiophile: Lena Dunham & Middle School Girls Gone Wild

I wrote about Lena Dunham in The Allure of Nymphets. For example, I wrote that before Lena’s Girls premiered on HBO, among other projects, she had two movies premiere at South by Southwest. Her first full-length movie, Creative Nonfiction (2009), is about Ella (Lena Dunham) and her struggles with having a romantic relationship with her dorm-mate and her need to finish a screenplay in time to graduate. In the opening scene, Ella described the plot summary of her screenplay to her dorm-mate and love interest:

“OK, so there's this girl. She's in high school. She's taken up with her English teacher. And he loves her poetry; you know, which is how the whole thing starts. And it's like that whole kinda like, see me after class thing. And he takes her away to this cabin that he has, which is in the country [...] And he keeps her there for three years. He just kinda makes her sit there at a typewriter and write. And you'd think she'd be miserable, but instead she's sorta under this like spell of creative happiness [...] I find the theft and abuse of minors funny.” [Emphasis added]

And on the second episode of season two of Girls, which won a Golden Globe for 'Best Comedy Series', Hannah's (Lena Dunham) roommate shockingly suggested that Hannah wear an outfit that was, "[...] inspired by a girl I went to middle school with who fucked both her uncle and her step-dad." (Lena Dunham and Jenni Konner, a long-time producer and television writer, co-write that line.)

That's just a sampling of what I wrote about Dunham, but I'll be adding some notes from her memoir to the 2nd edition of The Allure of Nymphets that sheds light on Dunham's life and what influenced her to write about the hilarity of “[...] the theft and abuse of minors [...]” and a middle school girl who, “[...] fucked both her uncle and her step-dad.”

Here are some highlights from Dunham's Not That Kind of Girl:

Lena shared that she had (at least) one “sex dream” about her father (p. xiii)

Lena “[...] learned to masturbate the summer after third grade (≈ nine-years-old).” She read in a puberty book that an orgasm would feel like a “sneeze”, but she wrote that it actually felt like a “seizure”. (p. 16)

Juliana, Lena's ninth grade friend (≈ fourteen-years-old), “[...] had sex – in an alleyway, no less, with a twenty-year-old guy [...]” (p. 27)

Lena was “[...] fond of pretending a ghost was touching her nonbreasts against her will [...]” (p. 41)

When Lena was 9-years-old and out perusing a newsstand with her nanny, the man who owned the newsstand looked at her, which sent a “shiver” down Lena's spine. “I think he's trying to rape me.” Lena said to her nanny. (p. 56)

When Lena was approximately 6-years-old and Grace, her younger, was one, Lena was curious about what Grace's vagina looked like; so, Lena leaned down between Grace's legs “[...] and carefully spread open her vagina.” (p. 121) And Lena used to bribe Grace “like a sexual predator” for “affection”. For example, Lena gave her younger sister three pieces of candy to “kiss her on the lips for five seconds” and she would let Grace watch whatever she wanted on television if she would “relax” on Lena. (p. 150) [Note: Joan J. Johnson wrote in her book Teen Prostitution that, in most cases, sexually abused nymphets were victims of incest.]

When Grace was in the fifth grade, she had an online connection with Kent, an ad sales rep, before, to Grace's dismay, Lena told their mother. (p. 151)

Lena's mother suspected that Grace was “[...] having an affair with her [high school] Latin teacher.” (p. 155)

“Grace came out when she was seventeen.” (p. 153) [Note: Marth Barret related in her book Invisible Lives that Sarah Pearlman, a therapist based in Boston, said, “In clinical practice you see a higher incidence of [sexual] abuse and incest among lesbians.” Furthermore, most lesbians were victims of incestuous sexual abuse. Sexual abuse isn't the cause of lesbianism, but the fact remains that, like Grace, most lesbians were sexually abused – by a relative(s).]

On a Saint Ann's eighth grade class trip to Washington D.C., some of Lena's 14-year-old classmates “[...] decided to go totally gay. It started with some light kissing on the bed, then Jessica was topless and shaking her tits, clutching her own nipples and wagging them mercilessly in our faces.” (p. 131)

When Lena was 15, her friend Sofia taught Lena “[...] her favorite trick, one that she said drove the boys crazy,” which was “[...] just sucking on someone's earlobe.” When Sofia demonstrated on her, Lena wrote that she could “[...] feel the tips of her teeth and then my pulse in my vagina.” (p. 132)

Lena accused her fifth grade teacher of being “inappropriate”. (p. 169) But she wrote that with her seventh grade teacher: “It didn't feel inappropriate. It felt real.” (p. 170)

When Lena was a 13-year-old summer camper she “[...] couldn't stop eying everyone else, staring at their round asses as they dressed, the dusky hairs emerging from the bathing suits. “You are so bicurious!” Lena's camp counselor said after she caught Lena “[...] watching her tits swing as she changed.” And Lena “[...] lusted after a college student and flirted with her “Australian 'bunk uncle'”.

The following summer, at the age of 14, Lena found her “truest love”. “[Johnny] was blond, from South Carolina, and just shy of twenty-two.” In her bunk, Lena fantasized about discarding her “[...] clothes, approaching Johnny, and letting him put his hands all over [...]” her body. [Note: When a teen girl fantasizes about a man, it's commonly considered cute, but when a man fantasizes about a teen girl it's commonly considered not cute.]

Lena kissed “[...] three girls in college. All at once [...] We went around kissing for just long enough to get a sense of one another's mouths. They felt soft and tickly [...]” (p. 139)

Thus, it can be culled from Dunham's memoir that she dreamed about having sex with her father, she had incestuous lesbian foreplay with her younger sister, the summer before fourth grade she starting having orgasms that felt like seizures, she found pleasure in looking at the “round asses” of the other nymphets at summer camp, and when she was 15, she fantasized about undressing in front of her 21-year-old camp counselor. After learning about Dunham's upbringing, you may not be as shocked by her writings anymore.

CHLOE (1996): A Tricked French Teen Prostitute

Here's Amazon's synopsis for Chloé (1996): 

Highly controversial and previously unavailable in North America, Oscar-winner Marion Cotillard sizzles as the young and naive high school student named Chloé. Her desire for a new and exciting life leads her to a charming stranger [i.e., a pimp] in the streets of Paris.

The focus of this, made for television, French film appears to be on the nymphet being deceived into prostitution and her pimp's treacherous and pitiless behavior. 

But what appears to be overlooked in this film is that 15-year-old Chloé fell madly in love with Jean-Michel (37-year-old Jean-Claude Adelin), the "charming stranger", before she discovered that he was a pimp. Subsequently, after giving her virginity to Jean-Michel. Chloé began prostituting to help her older lover financially, which is not an unheard of way for teens to enter prostitution. 

Like Chloé, some teens are hoodwinked into prostitution, some nymphets enter into teen prostitution voluntarily, while some are not given a choice - by their mothers. 

Unsurprisingly, Chloé, despite her premium price due to her youth, was very popular with the French johns. And her pimp even arranged to have her sold to some Swedes!

ANNA (2009): A Nymphet [Teen] Watches Porn

Anna (2009) is (a bit of) a Danish coming of age short film about Anna, a 12-year-old girl who lives in a fishing village in Denmark. In the film, Anna's mother shields Anna's eyes from watching a sex scene, but she comforts Anna by informing her that she can watch porn when she turns 16. (The age of consent in Denmark is 15.)

And it's not uncommon for teen publications to encourage nymphets to watch porn or for porn literacy to be taught in middle and high schools.

But the issue shouldn't be when Anna can watch porn. The issue should be watching porn. As I related in The Allure of Nymphets, according to Richard Farson in Birth-rights: 

"There was no age separation before the sixteenth century, no separate world for children. They were in on everything, they shared everything, the same games, stories, dances [...] Adults and children were never apart."

Thus, the issue should be the acceptability of watching porn. If you're a religious person, for obvious religions reasons, you would advise an ephebophile to avoid watching teen porn. 

If you're not religious, you may want to avoid porn, because according to a 2000 Zillmann study, "Influence of Unrestrained Access to Erotica on Adolescents’ and Young Adults’ Dispositions Toward Sexuality", viewing pornography can lead to watching more extreme forms of pornography, which can be extremely dangerous for an ephebophile, because an ephebophile may begin with teen pornography, but he may be tempted to (illegally) watch younger and younger nymphets. And with the level of entrapment by the authorities, one's risk of getting into serious trouble with the law is greatly increased.

In addition, the laws are confusing due to the debate over art versus pornography. For example, 12-year-old Anna (Marie Hammer Boda) was shown topless in this mainstream film without any complaints from the authorities; thus, her preteen nudity was considered art. 

To conclude, we advise ephebophiles to avoid pornography and to marry a nymphet a la Elvis, Steven Bauer, and Doug Hutchison - to name a few. And if you live in the middle-east, you can marry up to four nymphets. 

Maurice Ehlinger: French Painter of Nude Nymphets [Teens]

I learned about Maurice Ehlinger (1896-1981) on the blog Novel Activist via Art Controversies. Ehlinger was an award winning french painter whose aesthetic and muse, like Serge Marshennikov and Balthus, was the nymphet. 

Ehlinger was born in Saint-Die-des-Vosges, but he eventually settled in Paris where he was accepted at the famous l'atelier de Flameng. Subsequently, Ehlinger earned money as an art instructor by day, which allowed him to paint in his studio by night. 

Ehlinger's nude nymphets can be found in a number of French museums including the Museum of Pierre-Noël Saint-Die-des-Vosges