Levine's HARMFUL TO MINORS: THE PERILS OF PROTECTING CHILDREN FROM SEX

Here's the summary of Judith Levine's Harmful to Minors: The Perils of Protecting Children from Sex from the book's publisher, the University of Minnesota Press:

A radical, refreshing, and long overdue reassessment of how we think and act about children’s and teens’s sexuality 

Sex is a wonderful, crucial part of growing up, and children and teens can enjoy the pleasures of the body and be safe, too. In this important and controversial book, Judith Levine makes this argument and goes further, asserting that America’s attempts to protect children from sex are worse than ineffectual. It is the assumption of danger and the exclusive focus on protection — what Levine terms "the sexual politics of fear" — that are themselves harmful to minors.

The book's wikipedia page relates:

Because of its controversial nature and content, it was nearly impossible for Levine to find a publisher — one prospective publisher even called it "radioactive." University of Minnesota Press eventually agreed to publish the book, despite cries of outrage from the right wing of Minnesota's political establishment.

Levine related that: "America's fears about child sexuality are both peculiarly contemporary [...]" (xx) "Indeed, the concept that sex poses an almost existential peril to children, that it robs them of their very childhood, was only born about 150 years ago." (xxvii)

And like we related in The Allure of Nymphets, Levine wrote that this fear was instigated in the US by feminists who "exposed widespread rape and domestic sexual violence against [...] children and initiated a new body of law [(i.e., age-of-consent)] that would punish the perpetrator and cease to blame the victim. (xxviii)

But American feminists soon learned that teens were often the perpetrators and seducers of men who couldn't resist the allure of nymphets. For example, Levine found that in:

1984: Just under 50% of unmarried fifteen to nineteen-year-old nymphets had [consensual] sex

1990: 55% of unmarried fifteen to nineteen-year-old nymphets had [consensual] sex

2002: 50% of unmarried fifteen to nineteen-year-old nymphets had [consensual] sex

However, "[...] in Western Europe whether and when aren't the burning questions either. Sex education in those countries begins with the assumption that young people will carry on a number of sexual relationships during their teen years and initiate sex play short of intercourse long before that (which they do) and that sexual expression is a healthy and happy part of growing up. (xxii)

Lastly, Levine wrote in the introduction that: "Child or teen sex can be moral [i.e., post-marital] or immoral [i.e., pre-marital and sexual abuse] [...] sex is not ipso facto harmful to minors; and America's drive to protect kids from sex is protecting them from nothing. Instead it is harming them [...] sex, meaning touching and talking and fantasizing for bodily pleasure, is a valuable and crucial part of growing up, from earliest childhood on." (xxxiv)

Interestingly, Harmful to Minors won the 2002 Los Angeles Times Book Award for Current Interest.

Teen Age-Gap Marriages in US | Girl, 14, Married 74-year-old Alabama Man

Chris Baynes related in an Independent post that, using a loophole in the age of consent laws, > 200,000 children were married in the US in the past 15 years:

More than 200,000 children were married in the US over the past 15 years, new figures have revealed. Three 10-year-old girls [...] were among the youngest to wed [...]

The minimum age for marriage across most of the US is 18, but every state has exemptions – such as parental consent or pregnancy – which allow younger children to tie the knot.

Eight-seven per cent of the minors who married across the country between 2000 and 2015 were girls, with the majority either 16 or 17. 

The youngest wedded were three 10-year-old girls in Tennessee who married men aged 24, 25 and 31 in 2001.

Children as young as 12 were granted marriage licences in Alaska, Louisiana and South Carolina, while 11 other states allowed 13-year-olds to wed.

More than 1,000 children aged 14 or under were granted marriage licences.

A 14-year-old girl married a 74-year-old man in Alabama, while a 17-year-old wed a 65-year-old groom in Idaho.

Here are some additional data from Frontline where we learn that 87% of the minors whom took part in the age-gap marriages were nymphets (e.g., 67% were 17-year-old girls) and 86% married men (e.g., 368 of the men were in their 40s):

Thus, we see that between 2000 and 2015 over 200,000 teen age-gap marriage ceremonies were performed in the United States with 29% of the teens aged 16 and 67% aged 17, but 6 were 12-years-old, 51 were 13 and almost 1,000 were 14-years-old while 87% of the teens were brides and 86% married adults with 368 of the adults being in their 40s. However, in general, due to sexting and porn, Generation Z are reportedly having less sex and getting married less frequently. 

Despite the fact that these men took the Biblical slash moral high ground and married their very young spouses, I don't think middle-aged feminists are too happy about these reports. At least the men didn't settle for teen porn, teen prostitutes or incest. 

Greuze's THE BROKEN VESSEL: A French Teen's Lost Virginity

La cruche cassée [The Broken Vessel] (1771)

Jean-Baptiste Greuze's La cruche cassée [The Broken Vessel] (1771) is on display in the prestigious Louvre Museum. Here's part of the description of the painting that's posted on the Louvre's website where it's written that the piece is an allegory of lost teen virginity:

Cette jeune fille au regard triste, dont la tenue en désordre laisse entrevoir un sein, est une allégorie de la virginité perdue, symbolisée par la cruche cassée pendue à son bras. 

[This sad looking young girl, whose disordered outfit gives a glimpse of a breast, is an allegory of lost virginity, symbolized by the broken jug hanging from her arm.]

Exposed Pink Nipple

In Erotic Art of the Masters: The 18th Century, Bradley Smith reiterated the Louvre's description of the nymphet slash "childlike girl":

Before 1800 the subtle but moralistic paintings of Jean Baptiste Greuze were much admired. Here a childlike girl exposes a pink nipple, holds flowers against her pubic region and carries a pitcher. (The crack in it indicates that she has lost her virginity.) The contemporary viewer understood. 

Flowers Against Pubic Region & Broken Vessel

THE WOLVES: A Play | "What's Up Sluts"| A Raunchy Teen Soccer Team

Sarah DeLappe's The Wolves, among other accolades, was a finalist for the 2017 Pulitzer Prize for Drama. The play was originally produced at The Duke on 42nd Street before it moved to the Lincoln Center.

Here's part of Wikipedia's synopsis:

“The Wolves” is set in an indoor soccer facility. Each scene depicts the nine teenage girls that make up the Wolves, a soccer team, warming up before their game each week.

The first scene opens with discussion of a Cambodian murderer, and conversations stem from there. Overlapping dialogue illustrates an atmosphere where each group of girls have their own, specific conversations while still chiming in on the main topic. These spin-offs include period gossip, talk of boyfriends [...]

Note: An action from the script informs the reader that the coeds are 16: "the giggle like only 16-year-olds can."

Wikipedia's reference to period gossip is referring to #7, #8, and #14 encouraging, with sexual overtones, #2 to switch to tampons:

#2. (terrified) what if like my pad falls out?

#7. you still use those?

#14. you gotta get off of those [...] you want a ? cause I can get you one

#2. no | thank you

#8. it's not so hard | you just like | pop! [...]

#7. (with the super plus)

#14. (oh my god yes)

#7. little perv

#14. hahaha | hahaha | hahaha

Wikipedia's reference to "talk of boyfriends" is in reference to when #7 and #14 met Dan, #7's boyfriend and Dan's friend, "some college guy", during Dan's Thanksgiving break from college:

#7. "I am so fucking pumped [...] we're going to my dad's ski house | and that asshole won't be there | and he has like a fully stocked bar" 

But #14 was upset after #7 left her alone with the "college guy": #14. yeah but you just like | you abandoned me | to go FUCK your stupid FUCKING boyfriend!! | so / very LOUDLY!

The cast of The Wolves from the Theatre Royal | Stratford East Production

A 16-year-old high school student having loud sex with a college student is a smaller age-gap than say a high school student's attraction to a former professional European soccer player or a middle-aged A-List actor. (Of course, IRL, unless the play was set in one of the 31 states where the age of consent is 16, that college student could have served jail time while #7 would have been counseled by a consoling counselor.)

In reference to Coach Mikhail, who played professional soccer in Croatia or Czech Republic, #14 opined: 

#14. I think he's sorta sexy

#8. he's like 45!!

#14. so's Jude Law

Interestingly, like in Slut: The Play, #7 had a preference for referring to her teammates as sluts. For example, after #14 shared that she forgot her bikini, she said, while flashing her sports bra: guess I'll just have to SKINNY DIP. #7 replied: (with love and delight) you total fucking slut. 

And in another scene, #7 greeted her teen teammates with: what's up sluts. Thus, unsurprisingly, in reference to teen oral sex, #7 opined: it was just a fucking b / lowjob.

In the end, possibly the most interesting item from the script is the Gertrude Stein quote: "We are always the same age inside."

The Wolves is a New York Times Critics' Pick and Ben Brantley wrote in his review of the teen play:

"The scary, exhilarating brightness of raw adolescence emanates from every scene of this uncannily assured first play by Sarah DeLappe...some of the most exciting and affecting ensemble work on a New York stage." [Emphasis added]

And Time Out concluded:

"Sarah DeLappe's extremely skillful debut...maps the bruising terrain of the nine teens' lives."

Famous Teleiophile & Teen Lipstick Lesbian: Holly Golightly

I wrote in The Allure of Nymphets that in Truman Capote's Breakfast at Tiffany’s, Holly Golightly married a much older man at the age of thirteen, she lived with a college jock at the age of fifteen, and at the age of eighteen she stated,“I can’t get excited by a man until he’s at least forty-two.” Now that's a teleiophile!

But I was really shocked when a teen lipstick lesbian on the MTV's Skins (S01E02) masturbated to a picture of Golightly (Audrey Hepburn) from the film adaptation of the novella.

Interestingly, Rebecca Renner wrote in The Paris Review post "Was Holly Golightly Bisexual?": 

"The name Holly Golightly is synonymous with sex and sophistication, but viewers may not know as much about her as they think." You can write that again. 

Renner shared this Golightly quote from the novella: 

“Of course people couldn’t help but think I must be a bit of a dyke myself. And of course I am [...] So what? That never discouraged a man yet, in fact it seems to goad them on.”

And this excerpt from a 1968 Truman Capote Playboy interview:

[...] the interviewer asked Capote, “Was Holly a Lesbian?”

“Of course, there’s a Lesbian component in every woman, but what intrigues me is the heterosexual male’s fascination with Lesbians,” Capote answered. 

Thus, just like there is an allure of nymphets, there is also an allure of (nymphet) lipstick lesbians. 

SLUT: A PLAY | Teens (Re)Claim Slut Status

On the cover of the book Slut: A Play and Guidebook for Combating Sexism and Sexual Violence, which was published by the Feminist Press of my alma mater, The City College of New York, Gloria Steinem opined: “SLUT is truthful, raw, and immediate! Experience this play and witness what American young women live with every day.

Playwright Katie Cappiello and Meg McInerney wrote in the book that during the sessions to develop the play at The Arts Effect All-Girl Theater Company in New York City, the word slut kept coming out of the mouths of the twenty East Coast high school students. For example: “I feel like a slut.”, “I was dressed all slutty.”, and “Haha. Oh my [G]od, you’re a dirty little slut!” 

Cappiello and McInerney wrote: “There’s an attempt being made by girls and young women across the country to reclaim the word. Being a “slut” means you’re sexy, fun, experimental, willing, popular, wanted, “fuckable” [...]”

Cappiello and McInerney shared that Slut: The Play is: “[...] authentic, nuanced, and hard-hitting.” And that: “[...] everything in this play is inspired by real events.”

(During the sessions about seven of the nymphets admitted that they had experienced sexual assault, which is probably inaccurate, because most victims of sexual assault don’t share their experiences. However, Cappiello and McInerney referenced a study that found that: “Eighty-one percent of kids and teens experience sexual harassment during middle school or high school years.”)

In the play, Joey (Winnifred Bonjean Alpart), a sixteen-year-old, was forcibly “fingered” in the back of a cab. “Luke is grabbing my other leg … Pulling my leg to the side, so my, um, legs would be more open [...] Then George all of a sudden really aggressively pulls my underwear to the side and jammed two of his fingers inside me [...] Then he (Luke) put two of his fingers in his mouth [...] and then he stuck his wet fingers in my vagina” 

However, Joey is “slut-shamed” for the incident, because an online picture of Joey suggested that she was giving George a lap dance in the back of the cab and a picture of her tasting fruit flavored condoms implied that she planned to give George and Luke “blow jobs”. Joey defended her raunchy behavior by proclaiming, “And we aren’t afraid to be sexual. If all that makes us sluts, then I guess we’re sluts.” 

Some motifs in the play, that’s set on the Upper East Side, are: cursing (e.g., “Ugh - fucking nasty.”), drinking (e.g., vodka), name-calling (e.g., “You don’t let a guy hook up with you when you have your period. Is she [thirteen-year-old Nadia Boyd] retarded? [...] Is she mentally challenged?”), raunchy teen behavior (e.g.,“[...] George once followed me into the bathroom and locked the door and wouldn’t let me out until I gave him a hand job. True story. I didn’t tell anyone. We ended up going out for, like, five months....”), rape (e.g., While visiting her brother, a college junior, Sylvie, a sixteen-year-old high school junior and virgin, shared, "The second night I was there, I was raped [...] College parties are fucking ridiculous, okay.”

SLUT Trailer 2018 from Katie Cappiello on Vimeo.

The actual text of Cappiello’s Slut: The Play wasn’t as revealing as some of the submissions in the chapter “Reality Check From Young Voices”. For example, Sonia, a fifteen-year-old sophomore from a small town in Pennsylvania shared: “We [My boyfriend and I] had been dating for a little over a month, when I asked him what he wanted for this sixteenth birthday. All he wanted from me was a blow job. [...] “Fine! I’ll give my boyfriend head because I’d rather that than him yell at me again.”

Fred, a thirteen-year-old, shared: “I started watching porn halfway through fifth grade. I had just begun middle school, and befriended a lot of kids in the seventh and eighth grade. Sometimes when I hung out with them they would make jokes about the porn they watched, referencing certain sites.”

Sixteen-year-old Clare wrote that her doorman “grabbed” her, “pulled” her into him, and “grabbed” her breast before he said, “I want a piece of this.” However, her neighbors paid his legal fees and opined that Clare was “[...] leading him on, or teasing him, or trying to ruin his life.”

And seventeen-year-old Danielle related: “I go to this typical Jewish summer camp, where promiscuous behavior is practically encouraged and cultivated [...] with no parental supervision, there are lots of sexual firsts for everyone [...] There is one girl in particular, Georgia, who is really petite and very pretty [...] Josh and another boy coerced - basically forced - Georgia to give them blow jobs, while others filmed it on their phones.”

100 STROKES OF THE BRUSH BEFORE BED: "The Erotic Adventures of a Sexually Ravenous [Teen] Girl"

Melissa Panarello’s semi-autobiographical novel, 100 Strokes of the Brush Before Bed [Italian: 100 colpi di spazzola prima di andare a dormire], has sold over a million copies. The following excerpt from a New York Times book review will serve as the plot summary: “The erotic adventures of a sexually ravenous girl...A wisp of a book [with] a wallop of an impact.” 

In the book, which is written in diary form, 14-year-old Melissa, “five-foot-two”, “pretty” with a “lovely little face”, masturbates in front of a mirror and at school: 

“Often with my image reflected in the mirror, I slip my finger inside, and I look into my eyes [...]” 

“[...] I touch myself, experiencing awesome orgasms, intense and brimming with fantasies” 

“Desire took possession of me even during school hours when, certain that no one was watching, I straddled the iron support of the desk and leaned my Secret against it with a gentle pressure.” 

Melissa performed oral sex on Daniele, an indifferent, insulting and irritating 18-year-old, at his vacation home until: 

“[...] all of a sudden there was a surprise: my mouth filled with hot, sour liquid, thick and plentiful [...] I drank the liquid because I didn’t know what else to do with it [...]” 

Eventually, Melissa lost her virginity to Daniele. She was still 15, and he as 19.

In reference to a substitute teacher who is “not only very smart but good-looking” one of Melissa’s classmates asked, “Wouldn’t you let a guy like that bang you?” “No. I’d rather rape him,” answered another coed with a laugh. 

Inside the “smoking room” of a palazzo, Roberto, a left-wing activist, instructed Melissa, on her 16th birthday, to perform oral sex on five men: 

“[...] you must draw near, when we tell you, and take it in your mouth until it comes. Five times, Melissa, five. Henceforth we shall no longer speak. Perform your task well.” Melissa wrote: “I returned home full of sperm, my makeup smeared. My mother was waiting for me, asleep on the couch.” 

Melissa Panarello

After perusing the Internet for porn, “I search for everything that simultaneously excites and sickens me.”, Melissa “[...] entered a lesbian chat room.” The next morning she received a message from Letizia, a 20-year-old bi-sexual fellow Catanian. Subsequently, Letizia sent Melissa a nude picture: “[...] her breasts, like two gentle hillocks topped by two large pink circles.”, which caused Melissa to remove her panties, slip beneath the covers, and: “[...] put an end to the sweet torture that Letizia had unwittingly set in motion.” 

At 1:18 P.M., Melissa met 35-year-old Fabrizio, “[...] not quite handsome: tall, robust, thinning salt-and-pepper hair [...]” in the “Perverse Sex” chat room. By 9:00 P.M., Fabrizio, married with a daughter, and Melissa had sex in Fabrizio’s car. “The next time little one, we’ll be more comfortable.”

Melissa searched Il Mercatino for a math tutor. “Only one was available. A [27-year-old] man [...]” “My name is Valerio. Don’t ever call me Professor; you’ll make me feel too old.” After their first meeting, Melissa wrote: “Here I go again, the same old same old. What can I possibly do about it? I can’t avoid arousing someone I find attractive, sitting so close to me [...]” 

After their first tutoring session, they had phone sex. “We touched ourselves while on the phone. My sex was swollen like as never before, and Lethe was flooding the Secret in waves.” At 10:15 he said, “Good night, Lo.” “Good night, Professor.” Subsequently, they had sex on a rock and then in his green car. “On the way home, he told me we better stop seeing each other as teacher and student [...] [because] he never mixes work with pleasure.” However, they returned to that location after the following conversation that took place outside of Melissa’s school as her schoolmates looked on:

“Rape me tonight.”

“No, Lo...it’s risky,” he replied.

“Rape me,” I repeated, at once bossy and wicked.

“Where, Mel[issa]?”

“The place where we went the first time.”

A week later, Letizia and a teen lesbian met Melissa at her school. Subsequently, Letizia and Melissa had sex. Interestingly, using a method that isn’t foreign to lesbians, Melissa fantasized about a man to reach maximum pleasure. Melissa wrote that while Letizia was performing oral sex: “[...] I recalled the invisible little man who used to make love to me in my childhood fantasies [...] It was then that my orgasm arrived, so powerful it had me panting.” 

A review in Oggi (Italy) relates one of the best takeaways from the book: “Melissa has ripped away the veil of hypocrisy that hides the real life of today’s teenagers, a life far different from the platitudes of TV sitcoms.” Oggi (Italy)

Melissa P. (2005) is based on 100 Strokes of the Brush Before Bed; but, it has been reported that Panarello did not support the film, because the film is too loosely based on her book. And I would concur, because except for a few scenes (e.g., Melissa masturbating in the mirror and at school), the film veers too widely from the book. However, there is a scene in the film that’s not in the book but that’s worth sharing. (See below)

Wilmot's "Song of a Young Girl to Her Ancient Lover"

The Poetry Foundation wrote that John Wilmot, Earl of Rochester (1647–1680), "was the cynosure of the libertine wits of Restoration England." And that Wilmot "[...] was ranked as a poet second only to John Dryden, a judgment accorded as much to his genius as to his scandalous lewdness." 

Anthony Madrid shared in his post, "Porn Poetry" on The Paris Review, that the students in his poetry section were "squirming" after an undergraduate read aloud Wilmot's "Song of a Young Girl to Her Ancient Lover".

Song of a Young Girl to Her Ancient Lover

Ancient person, for whom I

All the flattering youth defy,

Long be it ere thou grow old,

Aching, shaking, crazy, cold;

But still continue as thou art,

Ancient person of my heart.

On thy withered lips and dry,

Which like barren furrows lie,

Brooding kisses I will pour,

Shall thy youthful heat restore

(Such kind showers in autumn fall,

And a second spring recall);

Nor from thee will ever part,

Ancient person of my heart.

Thy nobler part, which but to name

In our sex would be counted shame,

By age’s frozen grasp possessed,

From his ice shall be released,

And, soothed by my reviving hand,

In former warmth and vigor stand.

All a lover’s wish can reach

For thy joy my love shall teach,

And for thy pleasure shall improve

All that art can add to love.

Yet still I love thee without art,

Ancient person of my heart.

A LIT24 student aptly analyzed the poem on eNotes by posting that the: "[...] bawdy verses satirizes the desires of an old impotent man to be reinvigorated and aroused by the warm caresses of an imaginary young lover." 

Wilmot "[...] presents the desires of am old man to be fondled by the young woman as the desires of that young woman herself."

"The young woman is presented as being very submissive and willing to sacrifice all her joys and pleasures of being wooed by a young and virile lover for the sake of stroking her 'ancient' lover and kissing him to revive his dying sexual drive"

"The young woman assures her old and impotent lover that she will use all the sexual techniques ['art'] at her command to give him the maximum sexual satisfaction and thereby prove that she loves him all the more."

Netflix's BIG MOUTH: "A [Teen] Show About a Bunch of Kids Masturbating"

The Netflix plot summary for Big Mouth is an understatement: "Teenage friends find their lives upended by the wonders and horrors of puberty in this edgy comedy from real-life pals Nick Kroll and Andrew Goldberg."

"Edgy" is a clue, but Nick Birch (Nick Kroll) clarified in episode ten of season one that Big Mouth is, "[...] a show about a bunch of kids masturbating."

To which Andrew Glouberman (John Mulaney) asked, "Isn't that basically just child pornography?"

Maurice the Hormone Monster (Nick Kroll) gasped, "Holy shit. I hope not. I mean maybe if it's animated we can get away with it. Right?"

So, what's so "edgy" about Big Mouth? The edginess comes from masturbating middle schoolers, a 9th grade "blow job machine", and the middle schoolers fixation on sex.

Big Mouth's Wikipedia page states that the Netflix series is: "[...] based on Kroll and Goldberg's tweenage years growing up in Westchester County, New York [...]"

If you have any doubt that Big Mouth is really based on Kroll and Goldberg's tweenage years, Winnifred, of Sexy Baby (2012), shared in "Porn Before Puberty?", an ABC News feature, that when she was in eighth grade, "[..] boys mostly, were watching porn during school [...] during independent reading, they would do that."

Per Wikipedia, Big Mouth is an American adult animated sitcom, which means that the series is "mainly targeted towards adults and older adolescents" With that said, Troy Patterson wrote in a New Yorker review of the series, "The Extreme Puberty of Nick Kroll’s “Big Mouth”": 

"Personally, I find “Big Mouth” a great prod to getting serious about the parental controls on my television. The show itself suggests its own rating, indirectly, when the boys score a copy of a video game titled Hooker Killer: Vatican City, and thrill to note that it is labelled CSMBP: “Child Services Must Be Present.”"

Recently, on my way to the downtown D train, I eyed a new advertisement for Big Mouth, which promoted that season two of the edgy series premiered on October 5.

SHARP OBJECTS' (2018) Amma: An "Incorrigible" Nymphet (A Video Montage)

I ran across articles about Sharp Objects from the New York Times to New York magazine, but I didn't decide to watch the HBO series until I read Godinez's comment in the Times.

Aha. Someone finally got it right. Godinez correctly agrees with novelist Robertson Davies' assessment of Lolita as: “[...] not [about] the corruption of an innocent child by a cunning adult, but [about] the exploitation of a weak adult by a corrupt child." 

Most people would incorrectly agree with Rookie's Amy Rose Spiegel, who misleadingly wrote in “Older Men: Everything You Always Wanted to Know about Them, and Weren’t at All Afraid to Ask.” that Lolita, a novel that Spiegel “romanticized” as a nymphet, was a: “[...] story about an adult man kidnapping, molesting, and raping an adolescent girl”. 

In episode one of Sharp Objects, the cheerleader motif is introduced via a flashback when, "[...] a bunch of [high school] football players pull a train [on Camille] at the end of a big game." And in the premier, teenage Camille masturbates after stumbling upon pornographic images in a cottage.

By episode three, Amma reminds Camille, her "big sister", that she's "[...] nearly a woman." And in response to Camille's question, "He's a little old for you. Don't you think?" Amma states, "No. I'm almost a woman." Amma's friend Jodes is into older men too. She sings, "Camille and [Detective] Dicky sitting in a tree [...] f.u.c.k.i.n.g." And by episode four Jodes shares "[...] that hot cop. I'd totally fuck him." While we're on episode four and teleiophilia, let's relate that Amma attemptes to seduce her drama teacher. 

In episode five, a re-enactment of Calhoun Day is performed. Camille explained Calhoun Day:

"Zeke Calhoun our founding pedophile. He fought for the South and his child bride, mother [Millie] Calhoun, [...] she was from a Union family. One day the Union soldiers come down here to collect hubby - dead or alive but brave Millie, who was with child, but she refuses [...] she resists but how she resists that people in this town just love. The Union soldiers tied her to a tree - did horrible things to her - violations but Millie never said a word [...]"

In addition to being a teliophile, Amma, who has a penchant for requesting "Don't tell mama.", smokes cigarettes and marijuana, she drinks beer and vodka, she takes MDMA (episode five) and Oxycontin (episode six), she participates in lipstick lesbianism and she's a murderer. What a incorrigible nymphet!

SHARP OBJECTS' (2018) Amma: An "Incorrigible" Nymphet (A Video Montage)

"You Can Have My Behymen: Teen Anal Sex in Mainstream Media" | A [Cameraless] Documentary