Thursday, May 25, 2017

Natalie Wood & Scarlett Johansson: Nymphet Sex in the Chateau Marmont Hotel

Nick Ray and Natalie Wood

I recently re-read these stanzas in James Franco's "Chateau Dreams" from his book of prose Directing Herbert White


In '54, forty-three-year-old Nick Ray
Fucked fifteen-year-old Natalie Wood in Bungalow 2

Sam Kashner related in a 2005 Vanity Fair piece: "Natalie Wood desperately wanted the part [in Rebel Without a Cause (1955)], but at 16 she had played only juveniles [...] Ray [the film's director] was immediately drawn to Wood, Gavin Lambert recalls. “She was very young, and that was always attractive to Nick,” he says [...] “How quickly did Natalie realize that he found her extremely desirable, and how soon did Nick make his move? … The interview took place in the first week of February, and by the time she made her first screen test, ten days later they were lovers,” recalls Lambert."

In addition, Kashner wrote: "Wood’s affair with Ray awakened her sexuality—and emboldened her to initiate another love affair, this one with Dennis Hopper, who had been cast as Goon. “I was astonished,” Hopper later said. “I came from a very conventional, middle-class family in San Diego … and this was the 1950s, when girls who’d turned sixteen only a few months earlier just didn’t do things like that.” The sexually charged situation created ill will between Ray and Hopper."

Franco wrote that Wood was fifteen, but Kashner wrote that she was sixteen. I don't know Franco's source, but Hopper may have clarified the issue by sharing that when he began his affair with the nymphet she had "turned sixteen only a few months earlier". That supports Franco's position, because it could take months for a film to start shooting after a "screen test".

And if you've read The Allure of Nymphets and this blog, you're well aware that Wood is no nubile nymphet anomaly. Wood's sexuality had been awakened long before she had sex with Ray and the fact that she initiated an affair with Hopper so soon after having sex with Ray, leads one to believe that she was no virgin before she entered Bungalow 2.

God knows how many nymphets had sex in the infamous Chateau Marmont, but Glenys Roberts related in a Daily Mail post that: "A 19-year-old Scarlett Johansson was so overcome by its heady atmosphere in 2004 that she couldn’t wait to get upstairs with [thirty-seven-year-old] Puerto Rican star ­Benicio Del Toro and ripped off his clothes in the lift. ‘We were making out or having sex or something,’ she readily admitted later."

Scarlett Johansson and Benicio Del Toro


Friday, May 5, 2017

The New Appendix IV: Songs About Nymphets

Finally, the second edition of The Allure of Nymphets will be released on Tuesday, but I couldn't wait to preview the new Appendix IV, which is a list of songs that contain the theme of hebephilia\ephebophilia that was sourced from the Lolit[a] Age Gap Tumblr blog. 

The titles are revealing:

  1. ABBA - “When I Kissed the Teacher”
  2. Aerosmith - “Jailbait”
  3. Ali Project - “Lolita in the Garret”
  4. Archie Bell & The Drells - “Girl You’re Too Young”
  5. Big Star - “Thirteen”
  6. Big Star - “Thirteen”
  7. Bruce Springsteen - “Child Bride”
  8. Bruno Mars - “Young Girls”
  9. Céline Dion - “Lolita”
  10. Chuck Berry - “Sweet Little Sixteen”
  11. Elton John - “Too young”
  12. Eric Clapton - “Jailbait”
  13. Eric Clapton - “Little Girl”
  14. Gary Puckett and The Union Gap - “Young Girl”
  15. Iggy Pop - “She Called Me Daddy”
  16. Iggy Pop - “Sixteen”
  17. Jane Birkin - “Lolita Go Home”
  18. Jane Birkin - “Love Fifteen”
  19. Johnny Burnette - “You’re Sixteen”
  20. Jonny Lang - “Good Morning Little Schoolgirl”
  21. Kiss - “Christine Sixteen”
  22. Marilyn Manson - “Heart-Shaped Glasses”
  23. Maurice Chevalier - “Thank Heaven for Little Girls”
  24. Michael Jackson - “P.Y.T.” (Pretty Young Thing)
  25. Motörhead - “Jailbait”
  26. Neil Diamond - “Girl You’ll be a Woman Soon”
  27. New Order - “Age of Consent”
  28. Oingo Boingo - “Little Girls”
  29. Princess Superstar - “Bad Babysitter”
  30. Red Hot Chili Peppers - “She’s only 18″
  31. Rick James - “Seventeen”
  32. Rilo Kiley - “Fifteen”
  33. Ringo Starr - “You’re Sixteen” (You’re Beautiful You’re Mine)
  34. Serge Gainsbourg - You’re Under Arrest
  35. Sonny Boy Williamson – “Good Morning Little Schoolgirl”
  36. Steve Lawrence - “Go Away Little Girl”
  37. Ted Nugent - “Jailbait”
  38. The Beach Boys - “Little Girl” (You’re My Miss America)
  39. The Beatles - “Hello Little Girl”
  40. The Beatles - “Little Child”
  41. The Commodores - “Young Girls Are My Weakness”
  42. The Critters - “Younger Girl”
  43. The Golliwogs - “Little Girl” (Does Your Momma Know)
  44. The Heavy - “Sixteen”
  45. The Rolling Stones - “So Young”
  46. The Vandals - “Fourteen”
  47. The West Coast Pop Art Experimental Band – “Queen Nymphet”
  48. Vesta Victoria - “An Old Man’s Darling”
  49. Winger - “Seventeen”



This list is far from exhaustive and interestingly some of the songs posted on the age-gap blog had lyrics that were sans ephebophilia, but the video had an age-gap theme. 

For example, the German lyrics of Rammstein's  "Rosenrot", according to Wikipedia, "tell of a man who is asked by his lover to retrieve a rose from a mountain, and falls to his death." However, the video is about a monk who was seduced by a nymphet who was played by Cătălina Lavric, a fourteen-year-old Romanian model.




Tuesday, May 2, 2017

A PARIS REVIEW Collab: Cline's Teleiophile "Marion", Matalon's Photos and Nude Lipstick Lesbian Nymphets




Emma Cline's "Marion" was shockingly chosen by The Paris Review for their first collaboration with @topstories and photographer Molly Matalon who "created a suite of images evoking the mood of Emma Cline's 2013 short story, "Marion", a coming-of-age tale of a girl in California."

In "Marion", the eleven-year-old narrator visited thirteen-year-old Marion on her California ranch in a house with "delicate Victorian detailing" where Bobby, Mario's father, kissed the nymphets "good night square on the mouth."

Marion liked to smoke hand-rolled cigarettes, wear bikini tops and tease men:

"Marion was wearing her shorts over her favorite bright orange bikini, nubby fabric stretched tight across her breasts, her shoulders shining from sunscreen [...] Marion knew she was something pretty in that suit. Men stared at her, and she liked it. When Jack [Marion's father's friend] first came for dinner at the ranch, he would follow Marion with his eyes when she got up from the table. That day, when Jack watched Marion in the barn as he rolled a cigarette for her, I felt a flint of heat in my insides."

The girls were scandalously  jealous of thirteen-year-old Samantha Geimer, who was drugged, raped and sodomized by Roman Polanski. 

"A thirteen-year-old girl. We talked about that a lot, what the girl might have looked like, how Roman Polanski knew her, how it had happened. Did she have breasts? Did she have her period yet? We were jealous, imagining a boyfriend who wanted you so bad he broke the law."

Marion wasn't sure if her father's friend liked he; so, some investigative work was done. 

"Marion had told me to watch him and tell her later if I thought he liked her [...] I took note when Jack looked at the door or at Marion’s slim thighs in cutoffs."

The story is set in a pre-smartphone era, but that didn't stop the nymphets from taking nude photos with a Kodamatic.

"Marion [...] took me up into the hills, where she stripped and had me take pictures of her naked body laid out on rocks. “You’ll be good at this, I know it,” she said. She tied a red ribbon around her throat like she had seen on one of the girls in Playboy."

Marion advised, "You keep men on their toes. You make them miss you," before she wrote "Jack's name on her body, on the bottoms of her feet, where the ink slid into the whorls. I saw it all when we changed for bed."

The nymphets returned to the hills for another round of nude pictures. This time the eleven-year-old narrator posed before the girls shared a lipstick lesbian kiss.

“You look good,” Marion said, her face hidden by the camera. She was taking pictures from far away, squatting in the dirt. 

“You look young, really great.” 

Then she came close with the camera, so close she touched the lens to the tip of my nipple, then cackled and collapsed on the grass. 

“It’s hard,” she gasped. 

I started to step into my cutoffs, but Marion leapt up and came toward me. She threw her arms around my neck, loose like a child, and kissed me with her eyes open. “It’s okay,” she said. “Pretend I’m Jack. Look sleepy. Look sexy. Try to look like I do.” We were breathing hard.




Saturday, April 15, 2017

Teleiophiles Are Not Welcome


I saw this advertisement on an Uptown train and was initially shocked by the homoerotic questions. "Top? Bottom? Versatile?"  

Subsequently, I was shocked by "NO MATTER WHO YOU ARE OR WHAT YOU'RE INTO [...] Anyone 12 years and older can walk in [...]"



Wait, so no matter what type of sex a nymphet is into, she's welcome at NYC Sexual Health Clinics?

"We need to have people not to have any concerns about taking the step of walking into a clinic like this," [Health commissioner Mary] Bassett said. "We wanteveryone to be able to have a healthy and fulfilling sexual life, one that does not carry the burden of disease or fear." (Italics mine)

But, the health commissioner isn't including everyone in the $1 million bus kiosk and subway car ad campaign, because clearly teleiophiles aren't welcome. 

A nymphet could be like Shameless' Karen, a high school sophomore, who confessed at a Purity Ball that at the age of thirteen she started having oral sex with three or four boys. And she shared that she began to indulge in orgies and lesbian strap-on dildo sex by the 8th grade. 

However, if the nymphet got a STD from an (acting) ephebophile - even if the nymphet initiated the sex and they were married with her parent's consent, the ephebophile would be on the front page of the Post along with the nymphet's parents for giving consent. 

Bassett said, "We need to connect with the fact that people engage in sex because it's part of being human and fun."


But who determines what type of sex is "human"? A 12-year-old "bottom" is "human", but a teleiophile and her husband are inhuman? Are Elvis and Priscilla considered inhuman by the NYC Sexual Health department? And what would have happened to Elizabeth Taylor if she would have walked into a NYC clinic?

One can view all the ads here.

Tuesday, March 28, 2017

[UPDATE] Famous Ephebophile: Elvis Presley

24-Year-Old Elvis Presley &14-Year-Old Priscilla Wagner (Presley) 


According to Guralnick and Jorgensen’s Elvis: Day by Day, twenty-four-year-old Elvis met fourteen-year-old Priscilla on September 13, 1959. Everything Elvis by Helen Clutton relates that Elvis met the nymphet at a party at his home in Germany while he was in the military. Interestingly, Suzanne Finstad related in Child Bride:The Untold Story of Priscilla Beaulieu Presley that Priscilla had sex with Curry Grant, a twenty-seven-year-old friend of Elvis, in exchange for being introduced to the singer. 

Albert Goldman wrote in Elvis that despite Priscilla's parents initial objections to the relationship, they gave the relationship their blessings after Elvis promised bring Priscilla home early. Subsequently, Elvis and Priscilla were together on a regular basis until he left Germany in March of 1960. 

Guralnick and Jorgensen wrote that twenty-seven-year-old Elvis and seventeen-year-old Priscilla reunited in 1962. And per Down at the End of Lonely Street by William Heinemann, to avoid the legal ramifications of having an ongoing affair with a minor, Elvis reluctantly married Priscilla on May 1, 1967.

However, Priscilla was far from Elvis' only nymphet. According to Alanna Nash's Baby, Let's Play House: Elvis Presley and the Women Who Loved Him, after Elvis left the military he began a six-year relationship with Sandy Ferra that began when she was fourteen-years-old. However, Elvis frequently spoke to Priscilla on the phone while she remained in Germany. But once Priscilla arrived at Graceland, Elvis would have her dress up as a schoolgirl and videotape her having lipstick lesbian sex with another nymphet. Lastly, two years before his death, Elvis began a relationship with fourteen-year-old Reeca Smith. 

Saturday, March 25, 2017

Motörhead's “Jailbait”: "Hey Baby You're a Sweet Young Thing"


Jailbait” is on Motörhead's fourth album Ace of Spades. Song writers tend to use innuendos or a more conservative and cautionary tone when they write about nymphets, but the lyrics of “Jailbait” leave no doubt about  Motörhead's attraction to jailbait, which Merriam-Webster defines "as a girl under the age of consent with whom sexual intercourse is unlawful and constitutes statutory rape":

Hey baby you're a sweet young thing,\Still tied to Mommy's apron strings,\I don't even dare to ask your age,\It's enough to know you're here backstage,\You're Jailbait, and I just can't wait,\Jailbait baby come on

One look baby, all I need,\My decision made at lightning speed,\I don't even want to know your name,\It's enough to know you feel the same,\You're Jailbait, and I just can't wait,\Jailbait baby come on

Hey babe you know you look so fine,\Send shivers up and down my spine,\I don't care about our different ages,\I'm an open book with well thumbed pages,\You're Jailbait, and I just can't wait,\Jailbait baby come on

"It's enough to know you're here backstage" is revealing, because we know that nymphet groupies are a reality. For example, we know that David Bowie "De-Virginized" 15-Year-old Lori Maddox and Iggy Pop deflowered 13-year-old Sable Starr. 

David Bowie and Lori Maddox
“Jailbait” was released in 1980 on Ace of Spades, which reached number 4 in the United Kingdom and went Gold in 1981.

Thursday, March 16, 2017

Hebephilia, Ephebophilia and Age-Gap Relationships in THE STORIES OF VLADIMIR NABOKOV



I didn't include a number of Nabokov's short stories in my blog post and journal article on the hebephilia\ephebophilia found in Nabokov's writings. Here's a more complete list:


In “The Fight”, a writer sunbathing on a German beach is intrigued by Mr. Kraus. The writer discovers that Mr. Kraus owns a tavern where he is assisted by Emma - “a young girl in a checkered dress, fair-haired, with pointed pink elbows”. Emma’s lover is an electrician who has a “malevolent wrinkle beside his mouth”. The writer narrates that what he likes the most about Emma, with her “small birdlike face” and “vapid” and “tender eyes” is the way that she looks at her lover “as he lazily leaned on the bar.” After Emma’s father and her lover gets into a brawl, the writer couldn’t resist consoling the young girl by stroking and kissing her kitchen scented fair hair. Interestingly, “The Fight” was also published in The New Yorker on February 18, 1985.


In “A Nursery Tale”, on his ride to work, Erwin habitually gazes through the tram's window and picks girls for his imaginary harem. However, the young man gains the opportunity for his dreams to come true after he meets Frau Monde, a Devil, who promises Erwin that he can have all the girls he wants upon “cushions and rugs” in “a villa with a walled garden” but that it's “essential and final” that he selects an odd number of girls between noon to midnight. 

The next day Erwin starts collecting slave girls. Here's a partial list:

A maiden in a white dress with chestnut hair and palish lips who was playing with her “fat shaggy pup”

“[T]wo young ladies-sisters, or even twins [...] Both were small and slim [...] with saucy eyes and painted lips.” Erwin referred to the Twins as “Gay, painted, young things.”

A girl with gray eyes with a slight slant and a thin aquiline nose that wrinkled when she laughed

A girl at a small amusement park who wore a scarlet blouse with a bright-green skirt

Four girls inside the amusement park's arcade who wore jerseys and shorts with “magnificent legs, naked nearly up to the groin” 

“A child of fourteen or so in a low-cut black party dress .” She was walking with a tall elderly man who was a “famous poet, a senile swan, living all alone in a distant suburb”.

I won't reveal the identity of the last girl, but I will share her response to Erwin, which was, “You ought to be ashamed of yourself […] Leave me alone.” Her response was due to “that which changes a man's life (i.e., penis) with one divine stroke”.

When Nabokov translated Skazka before it was published in Playboy (1974) and Details of a Sunset (1976), he aggressively titled it “A Nursery Tale” and noted in Tyrants Destroyed and Other Stories that when he was translating the story he was “...eerily startled to meet a somewhat decrepit but unmistakable Humbert escorting his nymphet in the story I wrote almost half a century ago.”

In “Terror”, the poet’s mistress is described as a “naive little maiden” with “unassuming prettiness, gaiety, friendliness”. Their affair lasted almost three years until the poet departed by train only to have to return to her bedside and consequently save himself from “insanity.”

In “The Aurelian”, Paul Pilgram, a “flabby elderly man”, had a habit of ordering a drink and filling his pipe after entering the town’s “small bar”. And “[i]f the bartender’s daughter, a pretty freckled girl in a polka-dotted frock, happened to pass close enough, he had a go at her elusive hip, and, whether the slap succeeded or not, his gloomy expression never changed, although the veins on his temple grew purple.”

Early in “A Dashing Fellow” the protagonist asked, “What is better: the experience of a sexy thirty-year-old brunette, or the silly young bloom of a bright curled romp?” But by the end of the short story he exclaimed, “That old bitch. No, we like only small blonds - remember that once for all.” Nabokov wrote in A Russian Beauty and Other Stories that “A Dashing Fellow” was rejected by Rul’ (Berlin) and Poslednie Novosti (Paris) for being “improper and brutal” before it was published in Segodnya (Riga) and in the December 1971 issue of Playboy.

In “Lips to Lips”, Ilya Borisovich, a naive aspiring novelist, is writing a novel in which “elderly” Dolinin meets Irina,  “a girl in black” with a “supple young body”, at the theater. After the move to Dolinin’s flat, Irina exclaims, “Take me, take my purity, take my torment [...] because I love you.” “I suppose he’ll deflower her,” mused Euphratski “an émigré journalist”. One of the many issues with Ilya’s novel is that he too frequently uses the adjective ‘“young’ (feminine gender), replacing it here and there by ‘youthful’”.

In “Music”, Victor notices his estranged wife in the audience at the music hall. He reminisced about the time they were “talking about some trifle” when she interjected, “‘Let’s separate for a while. We can’t go on like this.’ The neighbors’ little daughter burst into the room to show her kitten (the sole survivor of a litter that had been drowned.)” Victor’s wife confessed that “The first time [that she had cheated on him] had been in the park, then at his place.” (italics mine). (I was ripped about adding “Music”, but my gut tells me that “kitten” is a Nabokovian sexual innuendo\pun.)

An excerpt from “Perfection” reads “During those first warm days everything seemed beautiful and touching: the leggy little girls playing hopscotch on the sidewalk, the old men on the benches, the green confetti that sumptuous lindens scattered every time the air stretched its invisible limbs.” The old men on the benches reminded me of the protagonist in The Enchanter who “[...] seated himself on a bench in a city park” before he spotted his nymphet.

Count Konstantin Godunov-Cherdyntsev of “The Circle” “was spending the summer at Leshino, his estate in the Government of St. Petersburg, with his young wife (at forty he was twice as old as she).”

In "Solus Rex” “Prince Fig enjoyed a kind of smutty popularity [...] The more lewdly Fig romped, the louder folks guffawed [...] A characteristic detail: one day when the prince, passing on horseback, a cigar between his teeth, through a backwoodsy hamlet, noticed a comely little girl to whom he offered a ride, and notwithstanding her parents’ horror [...] swept her away [...] the child returned after an hour’s absence, holding a hundred-krun note in one hand, and, in the other, a fledgling that had fallen out of its nest in a desolate grove where she had picked it up on her way back to the village.”

Lastly, the poet of “THAT IN ALLEPO ONCE…” had a “much younger” wife but “[...] not as much younger as was Nathalie of the lovely bare shoulders and long earrings in relation to swarthy Pushkin.” After he “held her slender young hips (she was combing her soft hair and tossing her head back with every stroke)” she informed him, “I’ve been lying to you, dear [...] Ya Igunia. I stayed for several nights in Montpellier with a brute of a man I met on the train. I did not want it at all. He sold hair lotions.”

Reportedly,  Natalia Goncharova was sixteen-years-old when she first met Pushkin before they married in 1836. I don’t have a reputable source for this claim; however, Gerschenkron related in “A Manufactured Monument?”, his review of Nabokov’s Eugene Onegin, A Novel in Verse, that Nabokov “goes to a considerable length to discuss the - possibly divided - ownership in real life of a pair of lovely feet whose beauty Pushkin sings in what Nabokov calls “Pedal Digression” (I, 24)” Gerschenkron states that the possible owner of the “lovely feet” was Maria Raevskii who would have been “only thirteen-and-a-half years old (II, 119)”. (And in a footnote, Gerschenkron intriguingly shared that in the Ukraine Pushkin “flirted with the twelve-year-old daughter of his mistress Davydova, and in Bessarabia with the thirteen-year-old daughter of a Moldavian noble.”)

“THAT IN ALLEPO ONCE…” is a line from Shakespeare’s Othello, which  is about an age-discrepant marriage between Othello, a North African general of the armies of Venice, and Desdemona, the "exquisitely beautiful" young daughter of Brabantio, a Venetian senator. Shakespeare doesn't give the exact ages of Othello and Desdemona, but Othello is described by Iago, the villain of the play, as an "...old black ram..." while Desdemona is described as a “young virgin” - a "little white lamb [with] beautiful skin, whiter than snow and smooth as the finest marble."


Saturday, March 4, 2017

THE DETOUR: A Nymphet Watches Porn


The Detour Season Two Advertisements in New York City.
Upon noticing the advertisement for season two of The Detour on the Uptown 6 subway platform, I suspected that the TBS comedy was bawdy, because I couldn't see any reason why twelve-year-old Delilah's (Ashley Gerasimovich) midriff and grey panties should be exposed except to advertise that she would be sexualized in the sitcom as well. 

Ashley Gerasimovich

I'm only on the fourth episode of season one, but thus far Delilah, who looks a lot younger on television, drew a penis that she exhibited from the minivan window to drivers on the expressway and she got her menses in a strip club's bathroom.


In addition, she watched some pornography where a man demanded, "Turn over! Turn over!" before he ejaculated to which Delilah naively concluded, "There is no way that [semen] puddle is getting to the egg from that back tattoo."


I couldn't find the New York City version of the advertisement on the Internet, but I did find a suspiciously modified version. (Below)



Titian's VENUS OF URBINO for the Duke's Nymphet Bride

Titian's Venus of Urbino (1538)

According to the second volume of Kleiner's Gardner's Art through the Ages: The Western Perspective,Titian's Venus of Urbino (1538) was commissioned by Guidobaldo II della Rovere, the Duke of Urbino. 

The erotic oil may have been commissioned to celebrate the Duke's 1534 marriage to eleven-year-old Giulia Varano.


Per Hale's Titian: His Life, Angela del Moro, a Venice courtesan, was the model for the painting that currently sits in the Uffizi Gallery Museum in Florence. 

I haven't been able to verify Moro's age, but a City College of New York coed related to me that her art professor shared that Moro was fifteen-years-old when she modeled for Titian. 




Saturday, February 4, 2017

The Beach Boys' "Little Girl"



"Little Girl (You're My Miss America)" is a song on the 
The Beach Boys' album Surfin' Safari (1962)Here are some of the lyrics:

Little girl just in your teens 

(you're my Miss America)

Little girl you're in my dreams 

(you're my Miss America)

You're so sweet, you're so fine

Dear won't you be mine

Everybody knows it

Blue eyes, blond hair

Lips like a movie star

The Wikipedia entry for the song correctly but, a bit, misleadingly states "'Little Girl' is a simple song about a teenager's infatuation with a girl."


The song was co-written by Vincent Catalano who was in his mid-twenties when the song was released. Dennis Wilson was a mere eighteen-years-old when the song was released, but an analysis of the song reveals that the "Little Girl" was "just in" her teens, which implies that the "sweet" and "fine" nymphet with "Blue eyes, Blond hair [&] Lips like a movie star" was just shy of being twelve-years-old.