Emanuela Orlandi: Teen (15) Kidnapped for Vatican Sex Parties?

Back in 2013, I went to the Theater for the New City in the East Village to see Mario Fratti's The Vatican Knows. The play was loosely based on the 2012 New York Times (May 14, 2012) article "Crime Boss’s Tomb Is Exhumed for Clues in Missing Girl’s Case", which is about the kidnapping of 15-year-old Emanuela Orlandi. 

Emanuela Orlandi

According to Times, there are three theories about what happened to Emanuela:

1. One theory is that she was kidnapped on the orders of an American archbishop, Paul C. Marcinkus [d. 2006], a former president of the Vatican bank, who was linked to a major Italian banking scandal in the 1980s.

2. Others cite an anonymous phone call the Vatican received weeks after Emanuela’s disappearance, demanding the release of Mehmet Ali Agca, the [alleged Islamic extremist] gunman who shot Pope John Paul II in St. Peter’s Square in 1981, in exchange for her release.

3. Lastly, in 2005, an anonymous phone call to a television program implied that Emanuela had been kidnapped as a favor to Cardinal Ugo Poletti [d. 1997], who in 1983 was the vicar general of Rome. The caller also mentioned that Emanuela's kidnapping could have been related to the Italian mafia. (The BBC (14 May 2012) reported that the girlfriend of Enrico De Pedis, an Italian gangster, claimed that De Pedis kidnapped Emanuela in an effort to extort money from the Vatican.)

However, none of these theories mention why Emanuela was targeted.

 

Approximately a week after the Times' article was published, another shocking theory was published in The Telegraph (22 May 2012) and The Huffington Post. Per The Telegraph, Father Gabriele Amorth, the Vatican's 85-year-old chief exorcist, confessed that 15-year-old Emanuela was kidnapped, forced to participated in Vatican sex parties, and then killed and discarded.

Father Amorth confessed: 

"This was a crime with a sexual motive. Parties were organised, with a Vatican gendarme acting as the 'recruiter' of the girls. The network involved diplomatic personnel from a foreign embassy to the Holy See. I believe Emanuela ended up a victim of this circle."

Most recently, Netflix posted Vatican Girl: The Disappearance of Emanuela Orlandi (2022), which is a four part documentary series about Emanuela's kidnapping. The Netflix documentary referenced some of the theories that the Times piece mentioned like a possible link between Emanuela's disappearance and Agca. 

In addition, the Netflix series theorized that Emanuela's kidnapping may have been linked to the Italian mafia, the Pope, Poland, and blackmail, because, allegedly, John Paul II borrowed money from the mafia to fund the Solidarity political movement in Poland. 

Taking all the theories into question, one has to ask, "But why was Emanuela targeted?" Per Emanuela's friend, who shared with the Netflix documentarians, a high ranking member of the Vatican slash someone close to the Pope tried to sexually seduce Emanuela, which may explain why Emanuela was used as leverage in the blackmail schemes against the Vatican. 

Surprisingly, Father Amorth's assertion that Emanuela was kidnapped to participated in Vatican sex parties was not mentioned in Fratti's play, in the New York Times piece, nor the Netflix documentary. 

GAME OF THRONES' [Violent] Teen Sex Storyline | Daenerys Targaryen (13/16) & Khal Drog (30)

Years ago, while walking up 9th avenue in Manhattan, I overheard a man say to his companion, "The only reason people like Game of Thrones (GOT) is because of the violence and sex."

Unlike a lot of people, we never got into GOT; however, over the years, we've seen a number of images and clips of Daenerys Targaryen and Khal Drog; however, we were unaware that Daenerys was a nymphet when she was given to Khal. 

In the pilot of the HBO series, Daenerys is reported to have been (approximately) 16-years-old when the age-gap marriage was violently consummated. But in George RR Martin’s Song Of Fire And Ice, Daenerys was a whopping 13-year-old nymphet who was sexually assaulted - repeatedly. 

JJ Rankin elaborated in the Screen Rant post "How Old Is Daenerys Targaryen & 9 Other Things You Didn't Know About Her" (AUG 04, 2020):

In the books, Daenerys is just 13 years old when she is married off to a Dothraki warlord named Khal Drogo, in exchange for an army for Viserys, Dany’s older brother who wanted the Iron throne.

But in the TV series, Dany is depicted to be slightly older, and is believed to be 16 years old when she meets Khal. 

(Per Katie Baillie's Metro post "Daenerys Targaryen and Jon Snow are HOW old in Game Of Thrones?(26 Aug 2017), Daenerys was 17 in the streaming series: "Daenerys [...] is 17 in the HBO series, which can be worked out from the fact the first season is set 17 years after Robert Baratheon’s rebellion.")

And per Kim Renfro of Insider, Khal was approximately 30-years-old when he "consummated" the age-gap marriage. 

Recently, Daenerys and Khal's violent wedding night has been discussed, because some writers wonder if House of the Dragon, GOT's prequel, will have less rape scenes.

For example, Emma Baty asked on Cosmopolitan "Will the New ‘Game of Thrones’ Be Any Less Cruel to Women?" (MAY 5, 2022). Baty posted:

I’m talking about the many, many rape scenes. The complete lack of agency for female characters. The disproportionate physical abuse of women compared with men.

Allow me to further refresh your memory with some specifics: A very young Daenerys Targaryen is sold into marriage, raped by her husband, and then…falls in love with said husband. 

Nonetheless, per GOT's wikipedia page, the series: 

"[...] was nominated for thirteen Emmy Awards, including Outstanding Drama Series, Outstanding Directing for a Drama Series (Tim Van Patten for "Winter Is Coming"), and Outstanding Writing for a Drama Series (David Benioff and D. B. Weiss for "Baelor"). It won two [...]

FIVE TUESDAYS IN WINTER's "Creature": Teen Age-Gap (Sexual) Affair Gone Awry

We came across Lily King's Five Tuesdays in Winter in Harper's Bazaar (November 2021). Five Tuesdays in Winter is a book of eleven stories, which raises the question: Why did Harper's Bazaar choose to profile "Creature"? And why was "Creature" the première story in the book? Could it be the allure of nymphets?

Here's the magazine's plot summary for "Creature" and a quote from the author:

[...] [Carol] a 14-year-old girl is hired as a live in helper for an elderly woman but becomes infatuated with [Hugh] the woman's married son [...] There's no question that my supreme interest is love-all kinds of love," King says, "and all the ways that it goes right and awry."

And that's exactly what happened in "Creature."  After Carol met Hugh, with his "watery green" eyes, she felt light, she was filled with excitement, and she had difficulty breathing:

“As I raced up the wide dark stairs, I felt light, my chest full of something new and exciting, a helium that lifted me from step to step and made breathing difficult but somehow unnecessary.”

Subsequently, Carol waited for Hugh, observed him closely, and "greedily" breathed is his scent: 

“I waited for him to come downstairs before we left the house.”

“His green bathing suit clung to his bum and I could see its exact shape, two bony teardrops. He gave it a little wiggle then, as if he knew someone was watching.”

“I could smell Hugh. I knew the scent by then. It was sharp and unclean, even after a swim, and I knew I wouldn’t like it anywhere else but coming up from his long taut body. I breathed it in greedily.”

Not only did 14-year-old Carol know that Hugh was married to Raven - a blond, but Carol wanted to hear how Hugh spoke to his wife: “I wanted to hear how he spoke to Raven.”

In Carol's notebook, under a copy of Jane Eyre, which is about an age-gap affair between ≈ 19-year-old Jane Eyre and ≈ 40-year-old Mr. Edward Rochester, were pictures drawn of Hugh, poems written about Hugh, and entries such as:

“At the pool he lies on his back on the concrete with his arms spread like Christ on the cross and I want to ravish him.”

Carol even put herself to sleep with thoughts of Hugh:

“I smelled him and remembered how I’d put myself to sleep the night before with a story about him taking me out into the woods where there was this old tennis court no one used anymore and him teaching me to play and afterward kissing me, a tender, delicate kiss [...]”

After Carol learned that she had Hugh's full attention, he informed her that he and his mother were of the opinion that Carol was a (teen) seductress. 

“I understood that I had his full attention now. I wasn’t quite sure what to do with it. I’d never had any boy’s attention before as far as I knew.”

“You are trouble. I, like my mother, think you are trying to seduce me.”

In the end, after reading Carol's notebook, Hugh made an age-gap relationship faux pas by not letting Carol set the pace of the relationship. Unable to resist the allure of a nymphet, Hugh cornered Carol in the bathroom, he kneaded her young right fountain, and he penetrated her (with a digit). Consequently, Carol fled, and like most victims of abuse, she didn't share what happened. 

E. Jean Carroll: A Sexually Molested (Pre) Teen Girl Scout

There's an excerpt in New York magazine (June 24-July 7, 2019) from E. Jean Carroll's What Do We Need Men For? A Modest Proposal where Carroll alleges that she was raped in Bergdorf Goodman by President Trump. 

And Carroll wrote that when she was a nymphet, another pre-teen shoved objects into her vagina. 

One day my parents gave a party. Everyone brought their kids. Arthur and Evelyn drove up from Indianapolis with James to the redbrick schoolhouse where we lived, deep in the hills north of Fort Wayne. As the parents drank cocktails in our big yard with the scent of the blooming wads of cash infusing every inch of Indiana just after WWII, the kids played up on the hill beside the schoolhouse.

James was 7 and a half or 8, a bloodthirsty, beautiful, relentless boy. He ordered everyone around, even the older kids. To me he said, “I’m going to shove this up you again.”

We’d played this game before. Our families had gone on a camping trip to Pokagon State Park, and I learned that an object could be shoved up the place where I tinkled. I don’t remember now what it was, probably a stick, or maybe a rock. It felt like being cut with a knife. I remember I bled.

This reminded me of an episode of Pamela Adlon's Better Things where, in a game of Truth or Dare, Duke dared another pre-teen, "Put four Monopoly pieces in your vagina." She did! 

In addition, when Carroll was a 12-year-old Girl Scout, after being crowned Miss Camp Ella J. Logan, she was repeatedly fondled by Cam - the waterfront director:

I walk over and whisper: “What?”

They whisper: “You are Miss Camp Ella J. Logan.”

After they put the papier-mâché crown on my head, the cape on my shoulders, and give me the baton covered in Reynolds Wrap, Old Cam, No. 6 on the Most Hideous Men of My Life List, the waterfront director, takes me out in a boat and runs his hands under my shirt and up my shorts. 

He is breathing and moving his hand slowly and hotly, and I fight no battles in my head. My mind goes white. This is Cam. This is the man who has watched me grow from an 8-year-old Brownie Scout, and his notice is an honor. This is Cam, who teaches me to swim and dive and awards me the coveted White Cap! This is Cam, who continues to run his hand inside my shorts and under my blouse — even in the dining room during dinner, under the table, squeezing my thighs, shoving his fingers — saying, “You’re my girl. You’re my girl. You’re my girl,” and making me Girl Scout–promise “not to tell anyone.”

He does this until I go home. I am 12.

Tavi Gevinson on Teen Age-Gap Sexual Affairs

 

In Tavi Gevinson’s The Cut piece, “Britney Spears Was Never in Control”, she wrote that the Framing Britney Spears documentary reminded her of a number of men in her past whom would be comforted by the news that it’s deemed anti-feminist slash sex-negative to think that there’s anything wrong with sexualizing nymphets:

In the flurry of recent Britney Spears commentary, I thought of a few men who would be relieved to learn that it is considered anti-feminist and sex-negative to suggest that there is anything dubious about sexualizing teenagers.

Gevinson shared that when she was 18, she was in a sexually abusive relationship with a wealthy much-older man that, at the time, she classified as “complicated” slash “gray”. And at the time, Gevinson and her partner, both, believed that her celebrity: “[...] status in the world canceled out the power he wielded as an adult man.” But now Gevinson: “plainly” sees it as “assault and abuse.” 

He also seemed to believe, like I did, that my status in the world canceled out the power he wielded as an adult man [...] I held fast to the assertion that teen girls are as intelligent and capable as anyone else. I had built a career on it.

[...] encounters I classified as “complicated” or “gray” and now see plainly as assault and abuse. 

Then Gevinson wrote that “[...] youth does carry currency [...]” but it “[...] can be mistaken for power [...]”. [Emphasis added] And she shared that she was [fully] aware that her “[...] youth was an asset”. Thus, we can conclude that Gevinson deems youth as a currency and as an asset but that youth is powerless. 

I thought I was confused, but then she wrote: “But any claim to total powerlessness ignores the way youth is intertwined with our society’s conception of beauty [...]” Wait, is Gevinson saying that youth has currency, it’s an asset, and that it has some power? #confused

At the same time that young women are disadvantaged by age and gender, youth does carry currency, which can be mistaken for power. If you are a woman, however, this currency is not on your terms. When my abuser said he thought that it was I who “had all the power” while he was a hapless, insecure, wealthy, much-older-than-me man who didn’t know what he was doing, I at first believed him. I was in a splashy phase of my career. I did get us into parties. I was insecure, too, and terrified of appearing naïve, but I was also aware that my youth was an asset [...]

But any claim to total powerlessness ignores the way youth is intertwined with our society’s conception of beauty

Later, Gevinson clearly admits that she did have some power when she was 18, but I think that she’s saying that her power didn’t (fully) come from her youth but that it came from her “whiteness, thinness, cis-ness”:

When I entered the world of adult men as an 18-year-old, I was aware that I’d been granted access, visibility, and currency through my whiteness, thinness, cis-ness—what Janet Mock calls pretty privilege — as well as my social status. I could not reconcile my awareness of my power — and all the safety it promised — with the idea that I was also vulnerable in any way.

To add to the confusion, Gevinson admits that she did feel empowered during her age-gap relationship, but then she philosophically explains that feeling empowered is not the same as having power:

Like me, some felt empowered at the time of their experiences but have since come to see that there is a difference between having power and feeling empowered 

Gevinson shared that her age-gap relationship ended after she was “disposed of” for “becoming too much of a real person” and when her “body shut down and could no longer engage in sex.” In addition, she suspects that she was “disposed of” “[...] for growing up or ceasing to exist as his sexual object [...]”.

I was disposed of when I made the mistake of becoming too much of a real person and when my body shut down and could no longer engage in sex. I’ll never know for sure if he was intentionally punishing me for growing up or ceasing to exist as his sexual object, and I have no reason to trust whatever he’d tell me now, but it’s too late: I already internalized the timing as proof of my expendability.

Of Rookie magazine, Gevinson, the founder and editor-in-chief, wrote:

Rookie was realistic about the challenges girls face, publishing a wealth of great writing about consent, gender dynamics, and sexual assault. 

But I would imagine that, in hindsight, Gevinson regrets publishing Amy Rose Spiegel’s piece “Older Men: Everything you always wanted to know about them, and weren’t at all afraid to ask” where Spiegel assured the nymphet teleiophile readers of Rookie by writing:

“First, being attracted to older guys is completely and totally normal.”

“It doesn’t mean you have “daddy issues””

“Being attracted to someone older just means you are a human person who sometimes thinks other human people are sexy!”

“YOU ARE VERY MATURE FOR YOUR AGE...So it’s totally fine to moon over people who are older than you!”

“It’s totally doable [...] ”

However, in the end, it appears that Gevinson is anti-age-gap relationships as she feels that older men are too powerful for younger women. Even if the older man feels that he’s “hapless, insecure”, his older age trumps all; thus, leaving any teen\young woman utterly powerless. 

And it appears that Gevinson is implying that only older men rape teens\young women who are too drunk to consent, that only older men coerce teens\young women into having sex, and it appears that Gevinson is implying that being in a non-age-gap relationship will prevent any of those horrible things from happening to a teen\young woman. 

PREGNANCY: A Game | An [Sexually] Abused & Pregnant Hungarian Teen

Over 17 years ago, in the non-fiction section of The Central Library in Brooklyn, I picked up Seymour M. Hersh's The Dark Side of Camelot. And consequently, my research into nympholepsy in popular culture began. What was the impetus? The catalyst was one of Hersh's footnotes about Joseph P. Sr. - President John F. Kennedy's father. Here's a summary:

In 1957, Rose Kennedy invited Lyndon Johnson, who was the Senate Majority leader at the time, to their home in Florida for lunch. Lyndon Johnson naturally accepted the invitation and went to the Kennedy beachfront home with an entourage. The entourage included Bobby Baker, the Majority leader’s aide and confidant, who related, “Old Man Joe comes in [from a round of golf] with a seventeen – or eighteen-year-old girl. Doesn’t say boo. Walks right in and goes upstairs and engages in what, clearly and noisily, is sexual intercourse.” 

Over the years, I've written about nympholepsy in almost every medium (e.g., poems, novels, novellas, and Netflix series'). However, other than the Duke Nukem: Forever video game cover art, where two schoolgirls sit at the feet of Duke, I haven't written about nympholepsy in videos games - until today.

Here's the About This Game posted on Steam for Pregnancy:

'Pregnancy' is an interactive short story where the player attempts to influence the decisions of a 14 year old girl about the future of her pregnancy.

Lilla Sandor is the protagonist of 'Pregnancy'. She is a 14 year old girl who lives in Hungary. Lilla gets pregnant after being abused by a criminal and she is confused about what to do with the child she carries in her womb. The player acts as the voice of conscience influencing and guiding the young girl's decisions.

At the end of the story, see how your decisions line up with other players, inspired by games like Telltale's The Walking Dead and Atlus' Catherine.

209 out of 356 Steam reviewers "Recommended" the game. Chance, the gamer, simply opined of : "Very interesting"

Interestingly, a famous gamer was criticized on Twitter for playing Pregnant, and the Hungarian nymphet was changed from being abused, as described in the About This Game, to being raped. But "abused" is ambiguous too, because the age-of-consent in Hungary is 14-years-old. 

Frank Bidart’s “Herbert White”: A Nympholept Necrophiliac Serial Killer

Herbert White (2010), Directing Herbert White (2014), and “Directing Herbert White” are three James Franco pieces that are based on Frank Bidart’s poem “Herbert White”:

Here are some relevant excerpts from Bidart’s “Herbert White”, which is about a married, with kids, serial killer who kidnaps nymphets and rapes them - even after death. And when the nymphet’s bodies become too decomposed for necrophilia, Herbert  masturbated “letting it fall on her” :

When I hit her on the head, it was good,

and then I did it to her a couple of times,—[...] I liked to drive past the woods where she lay,

tell the old lady and the kids I had to take a piss,

hop out and do it to her... [...] When the body got too discomposed,

I'd just jack off, letting it fall on her…[...] well, like I said, she didn't move: and I saw,

under me, a little girl was just lying there in the mud: [...] I got in the truck, and started to drive,

and saw a [new] little girl—

who I picked up, hit on the head, and

screwed, and screwed, and screwed, and screwed, then

buried,

in the garden of the motel…[...] — About six months ago, I heard Dad remarried,

so I drove over to Connecticut to see him and see

if he was happy.

She was twenty-five years younger than him: [...] I kept thinking about getting a [new] girl,

and the more I thought I shouldn't do it,

the more I had to—

I saw her coming out of the movies,

saw she was alone, and

kept circling the

blocks as she walked along them,

saying, 'You're going to leave her alone.'

'You're going to leave her alone.'

Except for the part where the serial killer visited his father, whom married a woman “twenty-five years younger than him”, Franco’s Herbert White (2010) depicts that poem very closely; thus, let us take a look at “Directing Herbert White” where we learn that Bidart, a Pulitzer Prize winning poet, wrote “Herbert White” while he was a student at Harvard and that Herbert White is based on “The Necrophiliac” - a medical case study in 21 Abnormal Sex Cases. 

Franco went on to share in “Directing Herbert White”: “James [Franco] knew after hearing the poem read in class at Warren Wilson [College] that it was something he wanted to adapt to film. These impulses are visceral.” Yes. The allure of nymphets does cause some men to have visceral impulses. 

Yet for some reason, Franco wrote: “Herbert has a secret - he’s a murderer of women and a fucker of corpses - which he can tell no one,” instead of: “Herbert has a secret - he’s a murderer of nymphets and a fucker of teen corpses - which he can tell no one.” 

Herbert White (2010)

Katie Hill: "A [Pre Teen] Sexual Kind of Thing Too Young"

In October of 2019, RedState, a political blog, posted allegations that Congresswoman Katie Hill was involved in a throuple that included Hill's female campaign finance manager and Hill's husband. The RedState blog post included nude photos of Hill. 

Subsequently, on October 27, 2019, Hill tweeted that she was resigning from Congress.

Interestingly and relevant to this blog, Hill shared with Caitlin Moscatello in the New York Magazine article "Katie Hill, After the Scandal" (March 2, 2020) that she had a happy California childhood. 

She, à la Jessica Simpson, had "a sexual kind of thing too young" with another girl when she was 8-years-old. 

When Hill was 15 and visiting France, a 25-year-old man made out with her. She shared, "I was drunk, I was kind of like, whatever." 

And when Hill was 16 and "blackout drunk", she said that she had sex with a man who was in his early 20s but now she opines "but I guess it's not [sex]." [Emphasis added] 

Lastly, Moscatello wrote: "A tenet of the Me Too movement is that a person can’t fully consent, not really, anyway, to someone who wields power over him or her."

I don't understand what "fully consent" means, but Betsy Karasik opined in her Washington Post op-ed piece (August 30, 2013) that consensual sex between high school teachers and high school students should not be criminalized.

Hodson's TONIGHT I'M SOMEONE ELSE: A Sexually Explicit [Pre] Teen

Along with two stacks of other paperbacks, Ashleah Gonzales (@ashleahelena) gifted Kendall Jenner Tonight I'm Someone Else by Chelsea Hodson. The green post-it on the paperback reads: 

THIS BOOK 

This is my FAVORITE BOOK! 

you Should Start here!

Here's part of Amazon's description of Hodson essays:

From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing.

Here are the relevant excerpts:

Hodson shared that when she went to an interview for a $8 per hour filing job, the Russian man, with a heavy accent, asked, "You don't mind if I make massage?" Then "[...] he picked up the phone and began making an appointment. He put the phone on speaker and looked into my eyes as he asked the receptionist for the youngest masseuse they had."

Hodson wrote that when she was 12, she played Purple Moon, a computer game about navigating middle school. In addition, Hodso visited the game's online message board that "[...] attracted young girls who played the game, so men also joined the site with girly usernames and talked to me about sex." Hodson admitted that she wasn't repelled by the erotic messages, that she loved them and that her posts were sexually explicit: "I was not repelled by the messages: in fact, I loved them [...] I remember being as explicit as the men were being [...]"

Like a number of teen girls, Hodson and her middle school friends had a major crush on a member of a boy band. Hodson's crush was on Brian of the Back Street Boys. But the age gap between teens and members of boy bands isn't always obvious. Hodson wrote:

I knew how famous they were, and that they were in their twenties while we were only thirteen, but it's hard to explain how close they felt. I filled an entire wall with magazine photos of the Backstreet Boys, and I looked at them with such focus and for such long periods of time that it became like a prayer. It was the first time in my life that I remember feeling physical side effects of longing --- I preferred to ache than to feel nothing at all [...]

When Hodson was 17, she invited Tyler, a college-aged lead-singer in a local band, to her house while her parents were out of town:

[...] Tyler rubbed his jeans against my jeans like someone lighting a hundred matches in a row. I closed my eyes and came, and then I asked Tyler if he wanted to go ahead and take my virginity. He said, I'd just feel too bad, and I didn't ask again.

There was another Chelsea at Hodson's high school who: "[...] lured boys into her bedroom by saying, I want to show you something. [...] She was beautiful enough that the boys would have gone into her room even if she didn't have a line, or if her line was a murder threat, but there each of my friends went, one by one, disappearing into the other Chelsea.

Hodson met Bianca, a blonde 13-year-old, at beach camp on Catalina Island.  Bianca was "effortlessly cool". Her favorite movie was Welcome to the Dollhouse: "So then he [Brandon, a middle-school bully] says to her [eleven-and-a-half-year-old Dawn], three o'clock, I'm gonna rape you, Bianca said laughing." And "What's under your towel anyway, Will [a fellow camper]? Bianca asked, and added, Chelsea's never seen a dick; let her see it." 

After camp ended, Hodson regretted not having a teen lipstick lesbian affair with Bianca: "I wish I could say Bianca and I traveled through the night and the tall grass, desire clearing our path, stronger than a machete. I wish I could say we held hands or kissed or touched in some way as soon as we were alone."

Lastly, Hodson referenced Der Fan, the 1982 German film, where "[...] Simone is a high school girl who falls in love with a famous pop star, known to the world only as R." 

Interestingly, Tonight I'm Someone Else showed up in a stack of books in the last scene of

the last episode of Netflix's You (season 2).

And Kendall Jenner reading the essays was featured in New York Magazine's Approval Matrix (January 6-19, 2020).

YOU Season 2: Everybody Wants to Fuck the 15-Year-Old [Teen]

Netflix's season 1 of You was written very similarly to Kepnes' novel. However, compared to Hidden Bodies - Kepnes' follow up to You, season 2 of the streaming series has at least one notable additional subplot. And You have probably guessed that the added for entertainment subplot involves nympholepsy.

In episode 3 of season 2, Joe confronts Ellie Alves, his 15-year-old neighbor and aspiring filmmaker, about "chasing an internship" with Henderson, a famous much older comedian. Joe advises Ellie, because Delila, Ellie's older sister and reporter, informed Joe that when she was 17, she was drugged with GHB, raped and photographed in Henderson's sex dungeon. (Of course, the writers choose 17 because the age of consent in California is 18.)

Ellie didn't take Joe's advice well and assumed that he wanted her to call him Daddy, she asked him if he wanted to "fuck" her, and she shared, "Everybody wants to fuck the 15-year-old!" ]

Upon further inspection (episode 4), it was discovered by Joe that, in addition to Delila, Henderson had drugged, rapped and photographed a number of nymphets.

Some critics criticized this subplot. For example, Jessica Goldstein wrote for Vulture:

[In terms of] Henderson’s alleged predation of underage girls and Joe’s status as Ellie’s savior from said scumbag. I’m just not really into Me Too stories as the plot device of the minute, as if this actually seismic and deeply meaningful and still-unfurling social movement is just a trend whose 15 minutes will be up any minute now. Is You, an intentionally over-the-top show, really the best vehicle for a plot about something this fraught and nuanced?

[UPDATE 12/27/22] 

Interestingly, season 3 of You didn't have any age-gap scenarios, which is strange considering that Kepnes' You Love Me: A You Novel, which season 3 is based on, had, not one, but two age-gap affairs!

[Instagram] Teens Love & Want to Fuck James Franco

I Wanna Bang You So Bad James

Approximately, two year ago James Franco deleted his #JamesFrancoTV social media accounts and his Rando Franco app from iTunes and the Play Store. 

However, before he did that we published the blog "Teens Love and Want to F*ck James Franco" where we posted screenshots from Franco's since deleted Instagram account. 

FUCK ME

Here are some of the Notes & Observations from the blog:

1. The comments we used are only samples. There were hundreds of similar comments, but Instagram's comments are dynamic (i.e., what's displayed changes as more comments are posted.) and it appears that the full list of comments can only be viewed by the owner of the account.

2. Comments were posted by almost every race, ethnicity and major religion (e.g., Hispanic Catholic teen frequently commented.).

Someday I'll rape u

3. Raunchy comments were posted by girls as young as 11.

4. Teens and young women offered almost every form of sex to James Franco including anal.

5. All of the comments were not of a sexual nature. Franco was often praised for his artistic accomplishments.

6. The objective of this blog is to show that teens are often the initiators of age-gap relationships - not middle-aged men; however, it's the responsibility of men to avoid illegal age-gap relationships that may violate age of consent laws. 

fuckkkk me

7. If you're wondering what would make a teen offer sex to 38-year-old Franco, read the post based on Cohen's Dirty Little Secrets: Breaking the Silence on Teenage Girls and Promiscuity.

8. A number of the teens referred to Franco as "Daddy" or different variations of that term of endearment which isn't surprising after reading Friday's My Secret Garden: Women’s Sexual Fantasies.

Visit Teens Love and Want to F*ck James Franco for more screenshots from James Franco's Instagram account archive and/or read the book. 

Fuck me