Showing posts with label abuse. Show all posts
Showing posts with label abuse. Show all posts

Tuesday, November 16, 2021

E. Jean Carroll: A Sexually Molested (Pre) Teen Girl Scout


There's an excerpt in New York magazine (June 24-July 7, 2019) from E. Jean Carroll's What Do We Need Men For? A Modest Proposal where Carroll alleges that she was raped in Bergdorf Goodman by President Trump. 

And Carroll wrote that when she was a nymphet, another pre-teen shoved objects into her vagina. 
One day my parents gave a party. Everyone brought their kids. Arthur and Evelyn drove up from Indianapolis with James to the redbrick schoolhouse where we lived, deep in the hills north of Fort Wayne. As the parents drank cocktails in our big yard with the scent of the blooming wads of cash infusing every inch of Indiana just after WWII, the kids played up on the hill beside the schoolhouse.

James was 7 and a half or 8, a bloodthirsty, beautiful, relentless boy. He ordered everyone around, even the older kids. To me he said, “I’m going to shove this up you again.”

We’d played this game before. Our families had gone on a camping trip to Pokagon State Park, and I learned that an object could be shoved up the place where I tinkled. I don’t remember now what it was, probably a stick, or maybe a rock. It felt like being cut with a knife. I remember I bled.

This reminded me of an episode of Pamela Adlon's Better Things where, in a game of Truth or Dare, Duke dared another pre-teen, "Put four Monopoly pieces in your vagina." She did! 


In addition, when Carroll was a 12-year-old Girl Scout, after being crowned Miss Camp Ella J. Logan, she was repeatedly fondled by Cam - the waterfront director:
I walk over and whisper: “What?”

They whisper: “You are Miss Camp Ella J. Logan.”

After they put the papier-mâché crown on my head, the cape on my shoulders, and give me the baton covered in Reynolds Wrap, Old Cam, No. 6 on the Most Hideous Men of My Life List, the waterfront director, takes me out in a boat and runs his hands under my shirt and up my shorts. 

He is breathing and moving his hand slowly and hotly, and I fight no battles in my head. My mind goes white. This is Cam. This is the man who has watched me grow from an 8-year-old Brownie Scout, and his notice is an honor. This is Cam, who teaches me to swim and dive and awards me the coveted White Cap! This is Cam, who continues to run his hand inside my shorts and under my blouse — even in the dining room during dinner, under the table, squeezing my thighs, shoving his fingers — saying, “You’re my girl. You’re my girl. You’re my girl,” and making me Girl Scout–promise “not to tell anyone.”

He does this until I go home. I am 12.

Saturday, March 28, 2020

Netflix's I AM NOT OKAY WITH THIS: Teen Sex, Teen (Lipstick) Lesbians & "Hey Little Girl"


Here's the IBDb's plot summary for Netflix's I Am Not Okay With This:

Sydney is a [17-year-old] teenage girl navigating the trials and tribulations of high school while dealing with the complexities of her family, her budding sexuality, and mysterious superpowers just beginning to awaken deep within her.


I Am Not Okay with This is yet another raunchy teen series from Netflix. For example, in the first episode of the premier season, Dina, Sydney's schoolmate, shared that she lost her V-card to Bradley Lewis - the high school's jock. And Sydney shared: "Sometimes at night I want to touch myself. But I don't."


By episode 3, Sydney shared with Dina that she lost her V-card to Stanley Barber. At a high school house party, Stanley Barber shared with Sydney, "You do realize that the entire cheerleading squad are actually dong lines of cocaine in the upstairs bathroom?" And Sydney shocked Dina with a teen lipstick lesbian kiss. 


Initially, Dina is taken aback by the girl-on-girl kiss, but by the last episode of the season, Dina told Sydney, at the homecoming dance, to not apologize for the kiss but that she just wasn't expecting it and that, "I didn't not like it." And it appeared that the coeds were going to kiss again, but they were interrupted by an announcement from the principal. 

Consequently, Sydney comes to the conclusion that, despite having sex with Stanley Barber, she's not attracted to him, because she's attracted to Dina. But it's not clear if Sydney's a lesbian or a lipstick lesbian. If she's a lesbian, IRL that would strongly imply that she had been sexually abused by an older male.


Interestingly, I Am Not Okay With This has a score that features Bloodwitch - a fictional band. The lyrics were recorded by 16-year-old vocalist Tatyana Richaud but were written by 51-year-old Graham Coxon. Bloodwitch's "Hey Little Girl" was featured in episode 2. Here are the lyrics:

Hey, little girl
You wanna come to my place?
Hey, little girl
I'm really liking your face, yeah, yeah
Hey, little girl
You really knocked me sideways
Hey, little girl
I hope you're goin' my way, yeah, yeah

We can meet up after school and hang out at the park
Don't have to do no PDEs
Now, doesn't matter when you can't stop

Hey, little girl
You wanna hit the soda bar?
Hey, little girl
Come on, let's ride on my car, yeah, yeah
There's a party at the weekend
If you wanna come
We can laugh at all the squares and have a little fun

Hey, little girl
Hey, little girl
Hey, little girl
Yeah, yeah

"Hey Little Girl" appears to have been sung by Richaud and Coxon, and the person who is attracted to the "little girl" appears to be much older than the nymphet, because he and/or she has a "place" and a car. 


I Am Not Okay With This is based on Charles Forsman's graphic novel of the same name, and the series scored an 86% on Rotten Tomatoes. 






Wednesday, September 20, 2017

Hrafnhildur Hagalin 's “Guilty”: A Teen Sex Scandal | A Nymphet, Her Mother & Their "Lover"


I saw Guilty [Icelandic: Sek], which was a part of the 8th annual Dream Up festival, last Saturday at the Theater for the New City in the East Village with about nineteen other theatergoers. Here's the plot summary from the theater's website:
“Guilty” by Hrafnhildur Hagalin Gudmundsdottir is based on the trial transcript from an 1837 criminal case, “the nastiest in Icelandic history” in the words of the young judge who presided there. A twelve-year-old girl is sexually abused on a remote farm, Rifsaedasel, in the moorlands high above the barren north coast of Iceland, 66°32' N, 16°11' W. 

The mother’s love affair with the abuser, the hired hand on her husband’s subsistence farm, drives her to testify against her young daughter during the trial in a desperate attempt to conceal her lover´s crime. The crime of adultery, to which the mother confesses, is at the time of the trial a capital offense. What punishment will the judge mete out?

The playwright works from the actual testimony, which has been preserved to this day in the handwritten Thingeyjasysla County court records. “Guilty” focuses on the love triangle; on Jorunn, the mother´s, sexual obsession; and, consequently, on the eternal questions of innocence and guilt. 
Bailey Newman

The plot summary of the play, that ended Sunday, doesn't make it explicitly clear that the mother desired to continue her affair with her daughter's "abuser" after she knew that he had raped the nymphet who was played by Bailey Newman - a non-nymphet but passable in pigtails.