Showing posts with label The Paris Review. Show all posts
Showing posts with label The Paris Review. Show all posts

Friday, July 7, 2023

Emma Cline's "Masterful" DADDY: Teen Selling Panties, Teen Nudes & Teen Sexting!

We know Emma Cline from our post on The Girls - Cline’s 2016 debut and instant bestseller, which is about 14-year-old Evie Boyd’s involvement with a cult. As part of Evie’s initiation into the cult, Russel, the cult’s (much older) leader, stroked himself until he came into Evie's young mouth:

"When he came, he gasped. The salt damp of semen in my mouth, the alarming swell [...] But maybe the strangest part - I liked it, too."


As for Cline’s Daddy, here’s Amazon’s synopsis


From the bestselling author of The Girls comes a “brilliant” (The New York Times) story collection exploring the dark corners of human experience.


For our purposes, we’ll recap Daddy’s “Los Angeles”, “Marion” and “A/S/L”. 


“Los Angeles”


In “Los Angeles”, Alice worked at a flagship store near the ocean that sold “[overpriced] cheap, slutty clothes”. Alice’s mandatory uniform was the brand’s clothes that were “a little too tight, a size too small”.


As for the store’s decor, large photographs of nubile nymphet graced the walls: 


“On every wall were blown-up photographs in grainy black-and-white of […] girls with knobby knees making eye contact with the camera, covering their small breasts with their hands. […] Alice supposed that was to make sex with them seem more likely.”


17-year-old Oona worked with Alice on Saturdays while during the week she went to a “[…] private school where she played lacrosse and took a class in Islamic art.”


The narrator described Oona as: “[…] easy and confident, already well versed in her own beauty.” Consequently, the men “loved” Oona, and unsurprisingly, “she didn’t mind the men”. 


Oona and Alice wanted to be actresses. And they had an “easy, [and] mild rapport”. Ergo, during a break over cigarettes, Oona shared with Alice that a customer, a man with black hair, informed Oona that he would give her $50 for her panties. 


Oona said, “More like, he said, ‘I’ll give you fifty bucks to go into the bathroom right now and take off your underwear and give them to me.’ ”


Alice was (initially) incredulous, but Oona, whose parents were attorneys, was “giddy”, she found the idea of selling her panties to men to be “hilarious”, and she encouraged Alice to look into the side hustle. 


“It’s hilarious,” Oona said, dreamily combing her long bangs out of her eyes with her fingers. “You should look online, it’s a whole thing.”


Predictably, Oona sold her panties (thong?) to the black haired man for $50, and she assumed that Alice had done or would have done the same. 


“Why?” Alice said.

Oona laughed. “Come on, you’ve done these things. You know.”


However, Alice had not done such a thing, and she asked Oona, “Aren’t you worried he might do something weird? Follow you home or something?” And what was teen Oona’s response? “Oh, please. I wish someone would stalk me.”


Unsurprisingly, after Alice’s mother stopped paying for Alice’s acting classes, Alice started selling panties to men as well.




“Marion”


In addition, to Cline's The Girls, we know Cline from our piece on The Paris Review’s Instagram post about “Marion”. In terms of “Marion”, it’s not uncommon, in both fiction and non-fiction, for teen teleiophiles to indulge in (teen) lipstick lesbianism, which is the case with the 11-year-old narrator and 13-year-old Marion. For example, four paragraphs into the short story we see the narrator “straddling” Marion and massaging her with oil. 


Marion lying on her stomach, her shirt pushed up, me straddling her and moving my hands across her back in firm circles, my palms slick and yellowed with oil. Marion had just turned thirteen. I was eleven.


On a road trip to Los Angeles, the nymphets sat in the “backseat, holding hands” with their “bare thighs sticking and skidding on the leather seats.”


And while Marion photographed the 11-year-old narrator, in the nude, Marion opined, “You look good,” and “You look young, really great”. That was before Marion touched the tip of the narrator’s nipple with the lens of the Kodamatic and consequently gasped, “It’s hard.”


Subsequently, the nymphets kissed, Marion told the narrator to pretend that Marion was Jack - Marion’s much older crush, and she encouraged the 11-year-old to look sexy.


She threw her arms around my neck, loose like a child, and kissed me with her eyes open. “It’s okay,” she said. “Pretend I’m Jack. Look sleepy. Look sexy. Try to look like I do.” We were breathing hard. 


Bobby, Marion’s father, gave Marion and the narrator goodnight kisses “square on the mouth”, and Marion’s other seventh-grade classmates were not allowed to visit Marion, because her father walked around naked in front of the schoolgirls, but let’s skip over Bobby to elaborate on Marion and Jack. 


Jack, like the narrator, was visiting Marion’s family on their ranch. Jack, with his “tanned skin”, stayed in the barn with his girlfriend. As an excuse to see Jack, Marion, while dressed seductively, moaned, “I need cigarettes.” 


Marion was wearing her shorts over her favorite bright orange bikini, nubby fabric stretched tight across her breasts, her shoulders shining from sunscreen.


Men stared at her when she wore that suit, and she liked it. 


Unsurprisingly, Jack was attracted to the allure of the two nymphets. For example, “When Jack first came for dinner at the ranch, he would follow Marion with his eyes when she got up from the table.” 


And while Jack rolled the cigarette for Marion, he glanced at the narrator whom related:


When he glanced at me, I turned and hunched my shoulders, trying to relieve the strain of my breasts against the borrowed [bikini] fabric. 


On a subsequent visit to Jack’s, Marion stole a pair of his girlfriend’s “black lace underwear” - with a “slit in the crotch”. Marion perused the Playboys, “This one’s real skinny, but her tits are big. Like me. Men love that.” And Jack told the nymphets about Roman Polanski, the then 44-year-old Academy Award nominated film director, and “THIRTEEN-YEAR-OLD GIRL” whom he sodomized, which enthralled the nymphets. 


WE talked about that a lot, what the girl might have looked like, how Roman Polanski knew her, how it had happened. Did she have breasts? Did she have her period yet?”


Intriguingly, Cline wrote that the nymphets were jealous of the nymphet whom Polanski sodomized: 


“We were jealous, imagining a boyfriend who wanted you so bad he broke the law.” However, I wasn’t surprised, because per Hollywood Lolita, Polanski confided in his autobiography: “Many women seem irresistibly attracted by notoriety, and many – especially since the Los Angeles affair – are eager to meet me.”


Subsequently, the nymphets “spent more and more time at the barn” with Jack where “Marion leaned up against his desk [...]” and “[...] smiled at him with an intensity that made her look almost cruel.” And at the barn, Marion asked the narrator to watch Jack to see if he “liked her”. After that, the narrator noted when Jack looked at “Marion’s slim thighs in cutoffs.”


In addition to using cigarettes as an excuse to visit Jack, Marion volunteered to deliver messages from Jack’s girlfriend “[...] in the kitchen to Jack in the barn, or ice cream sandwiches in the peak hours of heat.”


Not only did Marion take nude pictures of the narrator, Marion had the narrator: “[...] take pictures of her naked body laid out on rocks [...] She tied a red ribbon around her throat like she had seen on one of the girls in Playboy.” 


Along with a twenty-dollar bill and a lock of her hair, Marion placed her nude Kodamatic photos in a box and tied the box with the red ribbon. VoilĂ , a gift for Jack! However, before giving Jack his gift, strategically, Marion suggested that the nymphets had done enough pulling and needed to push. 


Marion, “We’re staying away for a few days. You keep men on their toes. You make them miss you.”


Subsequently, the nymphets planned their return to the barn. The plan included what bras they would wear and what they would say. And to keep Jack close to her while they waited, Marion wrote: “[...] Jack’s name on her body, [and] on the bottoms of her feet, where the ink slid into the whorls.”


But before the girls could return to Jack’s, the nymphets had a spat, and Marion’s mother discovered Marion's photo with the “ribbon around her throat and her legs spread open.”



“A / S / L”


In “A / S / L”, the last time Thora had been in a chatroom was in “high school, [during] sleepovers where girls crowded around a desktop computer and wrote sickening things to men [i.e., sexting], all of it a joke, then furtively masturbated in their sleeping bags.” 


Years later, while her husband was at work, 35-year-old Thora was back in the chat. She used the username Thora18, but despite the 18, she pretended to be a blond and blue-eyed 16-year-old cheerleader. She chatted about how big her tits were and how short she wore her cheerleading skirt, but every time the enthralled men mentioned sex, Thora seductively typed hahahaha and asked What’s that. Thora “enjoyed the back-and-forth”, and the men did too. 


They were ecstatic, writing back instantly, the sudden use of exclamation points like cardiograms from their throbbing erections: I won’t tell babe don’t worry!!!!”


Initially, Thora was reluctant to post nudes, “but then she thought, why not?” 


She had an entire run of photos of herself on her phone now: bending over, the seat of her underwear pulled tightly across her ass, pictures of her face from the nose down, a nipple between her fingers.


“She had never been the focus of so much attention.” However, when she got bored of chatting with the same men, Thora signed in under James45 or DaddyXO, and while pretending to be a man, she exchanged pictures. Of her picture she excitedly typed: Such a whore and Little teen whore.


She had never been so excited: seeing herself as these men did, some unformed idiot who needed to be fucked. Her sheets smelled like sweat, all the curtains drawn. She didn’t eat for whole days.


Thora was absolutely consumed with pretending to be a nymphet and chatting about nymphets. It gave her life meaning. She even chatted while her husband slept. 


[...] truly, she would rather do this than anything else: run the usual errands that kept things in motion, see James, have dinner with him. It was like having a calling, finally, the way she had once imagined she might. A life organized around a higher goal.


While James slept, his back turned to her and the covers kicked off, she typed furtively on her phone to men who sent photos of dicks [...] sometimes overlarge penises with the porn watermark visible in the corner.


Wow, she always typed. I don’t know if it will fit.


We've written about nymphets lying to appear older, but this may be the first time we've written about the converse.

Lastly, per Random House Books, of Daddy, Esquire opined: “Daddy’s ten masterful, provocative stories confirm that Cline is a staggering talent.” And Entertainment Weekly named Daddy one of the ten best books of the year.

Friday, July 27, 2018

THE PARIS REVIEW, Sade & Teen Erotica

Here's a recent tweet from The Paris Review and my reply:



The tweet links to this post:


And here's a relevant excerpt from Nymphalis carmen: Nympholepsy in Nabokov’s Oeuvre:
Appel noted [in The Annotated Lolita] that “Sade’s Justine" is a reference to Justine, or, The Misfortunes of Virtue (1791) by the Marquis de Sade (1740-1814) and that Justine was: “an extraordinarily resilient young girl who exists solely for the pleasures of an infinite succession of sadistic libertines. She undergoes and array of rapes, beatings, and tortures […]” (442)

And Quilty shared with H.H.: “[…] I am a playwright. I have written tragedies, comedies, fantasies. I have made private movies out of Justine and other eighteenth century sexcapades.” (298)

Justine wasn’t the only nymphet who was abused in Justine, or, The Misfortunes of Virtue (1791). There were others. Here’s an excerpt that will serve as a fitting example: “Hardly have we taken up our post when Rodin enters, leading a fourteen-year-old girl, blond and as pretty as Love; the poor creature is sobbing away, all too unhappily aware of what awaits her […]” (536)
The number of NSFW warnings in the The Paris Review tweet are justified. The illustrations are too salacious - even for this blog. However, here's a modified image of two nymphet lipstick lesbians.


Tuesday, May 2, 2017

THE PARIS REVIEW: Teleiophile "Marion", Matalon's Photos & Nude Teen Lipstick Lesbians

Emma Cline's "Marion" was shockingly chosen by The Paris Review for their first collaboration with @topstories and photographer Molly Matalon who "created a suite of images evoking the mood of Emma Cline's 2013 short story, "Marion", a coming-of-age tale of a girl in California."

In "Marion", the 11-year-old narrator visited 13-year-old Marion on her California ranch in a house with "delicate Victorian detailing" where Bobby, Mario's father, kissed the nymphets "good night square on the mouth."

Marion liked to smoke hand-rolled cigarettes, wear bikini tops, and tease men:
"Marion was wearing her shorts over her favorite bright orange bikini, nubby fabric stretched tight across her breasts, her shoulders shining from sunscreen [...] Marion knew she was something pretty in that suit. Men stared at her, and she liked it. When Jack [Marion's father's friend] first came for dinner at the ranch, he would follow Marion with his eyes when she got up from the table. That day, when Jack watched Marion in the barn as he rolled a cigarette for her, I felt a flint of heat in my insides."
The girls were scandalously jealous of 13-year-old Samantha Geimer, who was drugged, raped, and sodomized by Roman Polanski. 
"A thirteen-year-old girl. We talked about that a lot, what the girl might have looked like, how Roman Polanski knew her, how it had happened. Did she have breasts? Did she have her period yet? We were jealous, imagining a boyfriend who wanted you so bad he broke the law."
Marion wasn't sure if her father's friend liked her; so, some investigative work was done. 
"Marion had told me to watch him and tell her later if I thought he liked her [...] I took note when Jack looked at the door or at Marion’s slim thighs in cutoffs."
The story is set in the pre-smartphone era, but that didn't stop the nymphets from taking nude photos with a Kodamatic.
"Marion [...] took me up into the hills, where she stripped and had me take pictures of her naked body laid out on rocks. “You’ll be good at this, I know it,” she said. She tied a red ribbon around her throat like she had seen on one of the girls in Playboy."
Marion advised, "You keep men on their toes. You make them miss you," before she wrote "Jack's name on her body, on the bottoms of her feet, where the ink slid into the whorls. I saw it all when we changed for bed."

The nymphets returned to the hills for another round of nude pictures. This time the 11-year-old narrator, who looked "young, really great", posed before the girls shared a lipstick lesbian kiss.
“You look good,” Marion said, her face hidden by the camera. She was taking pictures from far away, squatting in the dirt. 

“You look young, really great.” 
Then she came close with the camera, so close she touched the lens to the tip of my nipple, then cackled and collapsed on the grass. 

“It’s hard,” she gasped. 

I started to step into my cutoffs, but Marion leapt up and came toward me. She threw her arms around my neck, loose like a child, and kissed me with her eyes open. “It’s okay,” she said. “Pretend I’m Jack. Look sleepy. Look sexy. Try to look like I do.” We were breathing hard.

Wednesday, December 28, 2016

THE PARIS REVIEW's Best of 2016: A Teen Prostitution Post


The Paris Review is on vacation until after the holidays, but they posted "[...] we’re reposting some of our favorite pieces from 2016. Enjoy your holiday!" And what is one of their favorite pieces? It is Max Nelson's May 5, 2016 post "Overdrafts of Pleasure" that is about John Cleland’s "[...] two-volume novel called Memoirs of a Woman of Pleasure, or Fanny Hill, published when he was in debtor’s prison between 1748 and 1749 [...]" 

In the novel, Fanny entered the brothel when she was fifteen, which preceded her "sexual initiation" that involved lipstick lesbian sex with a seasoned prostitute. Fanny's first customer was a "[...] debauched elderly caller “with a yellow cadaverous hue”."

Friday, May 20, 2016

TAN Digest: "Cinderella Ate My Daughter" & "Fanny Hill" | Euro Teen Seductress & Prostitute



In the chapter "Sparkle, Sweetie!" of Orenstein's Cinderella Ate My Daughter, Orenstein wrote that the prepubescent beauty contestants reminded her of 18th century European museum portraits of: 
"[...] European princesses - little girls in low-cut gowns, their hair piled high, their cheeks and lips roughed red - that were used to attract potential husbands, typically middle-aged men [...]" 
And Orenstein overheard an overeager mother adjure her 6-year-old, "[O]ne of the judges is a man, so be sure you wink at him!"
The Paris Review tweeted a link to an article about John Cleland’s: 
"[...] two-volume novel called Memoirs of a Woman of Pleasure, or Fanny Hill, published when he was in debtor’s prison between 1748 and 1749 [...]" 
In the book, Fanny entered the brothel when she was 15, which preceded her "sexual initiation" that involved lipstick lesbian sex with a seasoned prostitute. And her first customer was a: "[...] debauched elderly caller “with a yellow cadaverous hue”."

Sunday, September 22, 2013

Vladimir Nabokov Almost Breaks Down Over 13-Year-Old




On my writer's blog, I wrote about Vladimir Nabokov's amazing work ethic and about how Nabokov worked for over 17 hours per day on the translation and commentary of Pushkin's Eugene Onegin: A Novel in Verse. But what I didn't write about was the plot summary of Pushkin's famous piece.

In the book, Tatyana's love for 26-year-old Onegin is unrequited; however, after a number of years pass, Onegin sees Tatyana at a party and the roles reverse. Now Onegin's love for Tatyana is unrequited.

There's some debate about Tatyana's age. Everyone is in agreement that Tatyana was a teen, but some have come to the conclusion that she was merely 13-years-old. The blog Russian Dogs relates evidence from the Russian newspaper Komsomolskaya Pravda to support this view.

For example, in Chapter Four Pushkin writes:

To listen to the same tedious objections, Do battle with rooted convictions,
Such as never were and never have been
Even in a young girl who's just thirteen.

Thus, it appears that Tatyana was a 13-year-old  teleiophile. And her age may help explain why Nabokov almost had a nervous "breakdownwhile translating the novel in verse. 

Interestingly, Tatyana's character is often played by actresses who are not in their teens. For example, in the film Onegin (1999), Tatyana's character was played by 22-year-old Liv Tyler. And in the opera that is currently playing here in New York at the Lincoln Center's Metropolitan Opera House, Tatyana is being played by Anna Netrebko who is a whopping 43-years-old!