I went to the Capricious gallery in New York's Chinatown to view 21-year-old Petra Collins' Discharge, which was Collins' first solo exhibit.
Per the Village Voice, Collins: "[...] addresses the insecurities and angst of the female teenage experience through her artworks [...] The photographs depict young women in various intimate scenes [...] many of the works deal aggressively with the physical changes of female adolescence."
The gallery relates that Collins is:
- founder and curator of The Ardorous, an online art collective showcasing work by emerging female artists
- a staff photographer at Rookie, Tavi Gevinson’s magazine for teenage girls
- a casting director for Richard Kern [a photographer of nymphets]
- the writer and director of two films “The Crimson Crusade” and “Pussy Power” - two subversive shorts that focus on reclaiming female sexuality, and
- the curator of an all-female art show titled Gynolandscape
In addition to photographing nymphets, Collins:
The fact that the above institutions and personalities support and praise Collins' work is a testament to the extensive allure of nymphets. But her photography does blur the line between art and teen (softcore) pornography.
- began giving lectures on art and female sexuality at educational and art institutions such as York University and The Art Gallery of Ontario
- was profiled by the New York Times as a cultural influencer
- has work that has been featured in publications like VICE, Oyster, Vogue Italia, GARAGE, and Purple
- was named one of Canada’s top 30 artists under 30 by Blouin Artinfo, and
- is currently working on a book of photography to be printed by Random House in 2015
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