Friday, June 14, 2019

TAN Digest: Teen Ellen Sexually Assaulted, Moby's Nymphet Date & A Nymphet's Secret in the Attic

In an example from the dark side of nympholepsy, TMZ reported that Ellen Degeneres shared on David Letterman's My Next Guest Needs No Introduction (Netflix) that when she was 15 or 16 she was sexually assaulted by her step-father. 

"She claims her stepfather waited until her mom was out of town and told her he needed to feel her breasts because he'd found a lump in her mom's breast and needed to check hers."

However, we suspect that Ellen is under-sharing, because as we posted previously, almost every single (butch) lesbian was sexually abused (i.e., raped - typically by a relative) as a nymphet. 

Moby shared in his memoir, Then It Fell Apart, that Natalie Portman initiated a relationship when she met him backstage after an Austin show. He wrote deceptively that she was 20, but he also shared that the seduction took place in 1999. Rolling Stone and Wikipedia confirms that Portman was 18 in '99 and Moby was 33. 

Moby wrote that after he told the famous nymphet, "We're going to New York in a few days. For the VMAs" She responded, "I'll be in New York too. Can we meet up? Unsurprisingly, they did.

Nicole Darrah reported for Fox News that a Tennessee man was accused of secretly living in a family's attic. But it was no secret to the family's 14-year-old nymphet who welcomed the man into her room after hours. 

The age-gap pair had previously attempted to run away together and before he "moved in", the nymphet would often beckon him "[...] to talk about her emotions". 

Surprisingly, the man was only charged with trespassing. 

Sunday, May 26, 2019

TAN Digest: Nymphet Fellatio in Ski Houses, Iggy Azalea Marries an Old Man, and Teen Sex in the Chateau Marmont

Bari Weiss shared with Evgenia Peretz for the (May 2019) Vanity Fair profile MAD ABOUT BARI WEISS: THE NEW YORK TIMES PROVOCATEUR THE LEFT LOVES TO HATE that freshman nymphets at her private Pittsburgh high school fellated in ski houses:

At her [Bari Weiss'] traditional [Shady Side Academy] high school, “where [14 and 15-year-old] freshman girls were giving guys blow jobs in their ski houses,” Weiss says she felt excruciatingly nerdy and alienated, though she was student-council president. 

Iggy Azalea "Started"
The gold digger motif is typically misunderstood when it comes to age-gap relationships. A gold digger doesn't target older men. A gold digger targets men  - of any age. Related, Stephen Daw wrote on Billboard

On Friday (May 3), Azalea released the wild video for her new single “Started,” [...] The visual sees one way of accomplishing that, with Azalea marrying a rich old man for his money.

As the video continues, Azalea slowly starts to grow tired of her new beau and their relationship. That is, until another version of herself and drag superstar Trixie Mattel appear in an infomercial for a poison cake mix to kill a sugar daddy. “If your name’s in his will and you want your bread/ Call 1-833-DADDYS-DEAD,” the pair sing.

And in addition to a number of other scandals, Caroline Howe related in her Daily Mail review of Shawn Levy's The Castle on Sunset: Life, Death, Art and Scandal at Hollywood's Chateau Marmont that 44-year-old director Nicholas Ray had sex with 16-year-old actress Natalie Wood. Consequently, actor Dennis Hopper went around the Chateau with a gun hoping to ironically 'beat the shit' out of Ray and "win over" Natalie.

 16-year-old actress Natalie Wood & 44-year-old director Nicholas Ray

Monday, April 22, 2019

THE DETOUR: A Nymphet Watches Porn & Has "The Big O"

THE DETOUR's Ashley Gerasimovich

Upon noticing the advertisement for season two of The Detour on the Uptown 6 subway platform, I suspected that the TBS comedy was bawdy, because I couldn't see any reason why twelve-year-old Delilah's (Ashley Gerasimovich) midriff and grey panties should be exposed except to advertise that she would be sexualized in the sitcom. 

I'm only on the fourth episode of season one, but thus far Delilah, who looks a lot younger on television, drew a penis that she exhibited from the minivan window to drivers on the expressway before got her menses in a strip club's bathroom.

In addition, Delilah watched some pornography where a man demanded, "Turn over! Turn over!" before he ejaculated to which Delilah naively concluded, "There is no way that [that semen] puddle is getting to the egg from that back tattoo."

[UPDATE 4/22/19] Due to time constraints and the overwhelming amount of examples of the allure of nymphets in culture, I haven't been able to watch every episode of The Detour; however, I did see episode two of season three where Delilah had "The Big O".

Delilah got The Big O while riding Suzy, a snow machine. She shared with her father that she spends "a lot" of time with Suzy, because Suzy gives her the "greatest feeling" in her life. 

Delilah: "Then it gets a little intense and then I have to turn her off [...] but maybe an hour later I start smiling and think 'Boy, I miss Suzy [...]'"
Dad: "You had umm..."
Delilah: "The Big O? Yup. It happened. And I know I'm young."
Dad: "Very. Very. Very young."
Delilah: "But [...] there is no wrong way to enjoy your body."

Subsequently, Delilah's father purchased her a Rapid Bristle electric toothbrush that came with a card that read "For your "teeth" Love, Dad". Consequently, Delilah can masturbate privately in the comfort of her bedroom instead of in front of the house upon Suzy. 

Wednesday, April 17, 2019

Famous Teleiophile: Joyce Maynard | An Age-Gap Affair From the Nymphet's [Teen] POV

Joyce Maynard summarized her affair with J.D. Salinger in the preface of the 2013 edition of At Home in the World: A Memoir. She shared:

“I did not seek out J.D. Salinger. He wrote me a letter. I was eighteen years old. He was fifty-three.”

“By July, I’d moved in with him, and in September I gave up my little off-campus apartment and my scholarship and withdrew from Yale.”

“But I had loved him once, and more even than loved, had worshipped him.”

“He told me what movies to watch, what music to listen to, what food to eat. Jerry told me what to think, and write, and not write, what was real and what was false. He told me who to be, and because I adored him, I wanted to be that person.”

“The relationship lasted just eleven months, and ended [...] when I was nineteen years old.”

18-Year-Old Maynard
In chapter five, Joyce wrote that Salinger followed up his letters by inviting her to “spend the weekend.” And that her mother was “very proud” that Joyce had “[...] attracted the attention of such a famous and brilliant man.” During Joyce’s first visit, Jerry did not attempt to have sex with her, but they kissed. 

Until her next visit, Joyce and Salinger spoke on the phone “[...] every night, and sometimes in the day [...]” The letters continued too. 

Ten days after Joyce started working at The New York Times, Jerry drove five hours to pick her up. They purchased “[...] a bag of bagels and lox on the Upper West Side”. Then Jerry drove “[....] very fast, the full five hours straight back to New Hampshire.” Joyce wrote: “This time, when I walk into his house, I know where I’m headed (i.e., to Jerry’s bedroom where Joyce stood at the foot of his bed in one of her “short little-girl dresses” ).”

It turns out that that was the beginning of the end of their age-gap relationship, because Salinger opined that Joyce was “shallow”, “worthless”, “corrupted”, “worldly”, “greedy”, and “hungry” for (writing) fame. In addition, despite a number of failed treatments, Joyce suffered from severe “tightness of the muscles surrounding the vagina” and, consequently, could only perform oral sex on Salinger. 

Joyce shared that after they left a doctor’s office for the last time: “Jerry Salinger put those fifty-dollar bills in my hand and told me to clear my things out of his house [...]”

Joyce related some additional age-gap relationships in At Home in the World. For example:

On page 57, Joyce related: “It was not regarded as outrageous or particularly unusual on the Yale campus of 1971-72 for a graduate assistant or even a tenured professor to have an affair with a student.”

Judith, a family friend, became “[...] involved with an eminent Russian poet many years older [...] her teacher at the Ivy League university where she’s a freshman. “A dashing man with a Russian accent and a pipe, reciting poetry?” (185)

On page 87, Joyce reminded me that before they met, Salinger: “[...] hung around places like the Stork Club in New York with Eugene O’Neill’s daughter Oona before she married Charlie Chaplin---a marriage that took place when she was eighteen and he was fifty-three.” 

Max, Joyce’s father, was a professor of English at the University of New Hampshire where Laura Ferris, one of his students a year or two before he retired, became “infatuated” with him and sent him “[...] notes, leaving odd little gifts of candles and incense at his office.” (191). Subsequently, Max left Fredelle, Joyce’s mother, and he and his former student planned to move to “[...] England, where Laura will teach at a Waldorf school and learn to play the cello. They want to have a baby by artificial insemination.” (198)

Interestingly, Joyce shared that during “cuddle time” with her mother, who earned a Ph.D. in English literature from Radcliffe College (Harvard University), they would kiss on the lips and her mother would comment on her “pink childish nipples.” And “as late as junior high” Joyce’s mother would apply Zambu, a Canadian cream, to her vagina. When her mother was reprimanded about her raunchy incestuous behavior, she replied, “Joyce just can’t get enough of snuggling. Can you imagine how she’ll be with men?” (39) And on page 96, Joyce wrote that “The Early Colonist’s [did not have a ] Perception of Childhood.” 

Sunday, April 14, 2019

Nymphet Knee and Ankle Fetish [UPDATE]

Barbara Wyllie wrote a review in the Slavonic and East European Review (2015) of John Bertram's Lolita - The Story of a Cover Girl: Vladimir Nabokov's Novel in Art and Design.

Here's part of Amazon's description of the book:

Lolita - The Story of a Cover Girl: Vladimir Nabokov's Novel in Art and Design reconsiders the cover of Lolita. Eighty renowned graphic designers and illustrators [...] offer their own takes on the book's jacket, while graphic-design critics and Nabokov scholars survey more than half a century of Lolita covers. 

Wyllie wrote that Bertram was "inspired by Dieter Zimmer’s ‘Covering Lolita’, an online collection of over 200 Lolita editions."

Reportedly, Nabokov was ‘emphatically opposed to any kind of representation of a little girl’ on the cover of LolitaNabokov's wishes weren't fulfilled, but a number of covers appear to take a middle course by merely portraying the bare legs of a nymphet.  

Interestingly, the 1997 US Random House (Vintage) cover has the following blurb from Vanity Fair: "The only convincing love story of our century."

In The Allure of Nymphets, I shared the poem “man mowing the lawn across the way from me” by Charles Bukowski:

man mowing the lawn across from me
don’t you see the young girls walking down the sidewalks now
with knives in their purses?
don’t you see their beautiful eyes and dresses and
don’t you see their beautiful asses and knees and 

Bukowski couldn't fathom why the man wasn't infatuated by the knees and ankles of the passing nymphets. But Bukowski isn't the only one with a nymphet knee and ankle fetish. Jérôme, the 35-year-old protagonist in the french film Claire's Knee (1970) [French: Le genou de Claire], "is struck by teenage girl Claire and harbours an unquenchable desire to touch her knee." (IMDb).

And the book covers for the novels pictured below, which are all about nymphets who are involved in age-discrepant relationships, were clearly chosen by a publishing company that was aware of the seductive nature of the knees and ankles of nymphets. Could that also be why men find catholic school girls so alluring?

Saturday, March 16, 2019

Hulu's PEN15: Middle School Girls | Masturbation, Thongs and Handys

Here's PEN15's plot summary that's posted on Hulu:

PEN15 is middle school as it really happened. Maya Erskine and Anna Konkle star in this adult comedy, playing versions of themselves as thirteen-year-old outcasts in the year 2000, surrounded by actual thirteen-year-olds, where the best day of your life can turn into your worst with the stroke of a gel pen.

"[...] Heather gave a hand-job to both Brandt and Dustin L. this summer."
Episode one begins with Maya informing Anna that, "[...] Heather gave a handjob to both Brandt and Dustin L. this summer."
"That ho bag."
"Such a slut. Also, I heard that Connie M. grew double-ds last night at camp."

"Connie M. Grew Double-Ds"
Later in the episode, Maya informed Anna, "I wanna be in the room with you for our first finger." And Anna shared, "Stacey Davies told me that she gave him [Brandt] a handy when his dad was sick to help make him feel better [...]"

Emily Nussbaum wrote in her New Yorker piece "Middle-School Mortification on “PEN15”" that the Hulu series has "story beats that are familiar". 

Zoe Lizbeth Jardine
Consequently, Zoe Lizbeth Jardine opined in the Elle post "7 Women on the Highly Awkward Pen15 Moments That Make Them Feel Most Seen" that: "At long last, girls get to be in on all the masturbation jokes." PEN15's masturbation episode (three) reminded Jardine of the time she had an "all-girl" discussion on the bus ride to Paul Revere Middle School where she shared that she had discovered a "cool" new thing that she could do with the removable shower head that gave her a "strange tingly" feeling. 

Maybe, I should not have been surprised that Nussbaum wrote: "The best episodes tend to center on Maya’s explosive urges [...] In a particularly daring episode, Maya discovers masturbation, and gets so overwhelmed that she can’t stop touching herself, grinding away in a school-bathroom stall, as Anna, clueless, chats about tickets to a B*Witched concert."

And speaking of masturbation, à la My Secret Garden, Maya and Anna were told that, "[...] Connie M puts peanut butter on her crotch and has the dog lick it."

In episode five, Maya and Anna stole Heather's pink thong and took turns wearing it to school to bask in the newfound attention. 

In episode six, Brandt asked Maya teasingly, "[...] can I get a $5 hand job?"

Episode seven is about Maya's quest to take an online relationship with a older man offline. In episode eight, Maya and Anna make-out with a bed. And in episode ten, Brandt asked Maya, "Want me to finger you?" To which Maya replied. "Yeah." 

Sonia Saraiya wrote in her Vanity Fair piece "Netflix and Pen15 Are Changing the Way TV Does Teen Sex" that: "[...] Pen15 is more directly autobiographical [...] It feels like middle school brought to life again, startlingly real and way, way too familiar."

NPR's Linda Holmes wrote in "Looking At Middle School Through Grown-Up Glasses In 'PEN15'" that the series is a "gem" that "[...] never feels false for a minute [...]"

And interestingly, New York magazine's Vulture name PEN15 a Best of 2019.

Sunday, March 3, 2019

POPTV's FLACK: A Teen Lipstick Lesbian Sex Tape

Despite showing no obvious signs of nympholepsy, I was immediately drawn to the advertisement on the Uptown 6 platform for PopTV's Flack. And when that happens, there is typically something in the content that's relevant to this blog. 

For example, here's PopTV's plot summary for episode 2 of Flack:

Robyn [a PR executive] tries to distract the press from the fact that her [17-year-old] pop star client is being dropped by her record label by creating a [teen lipstick lesbian] sex tape.

FLACK (Season 1 Episode 2)
Ultimately, the 17-year-old's mother took her place in sex tape, because the nymphet was a virgin. Unsurprisingly, the nymphet couldn't bear to watch her mother perform oral sex. 

If you've never heard of POPTV, according to Wikipedia:

Pop, commonly referred to as Pop TV, is an American basic cable and satellite television network operated as a joint venture between CBS Corporation and Lionsgate Entertainment. It is a general entertainment channel, focusing primarily on programs pertaining to popular culture.

Tuesday, February 19, 2019

DANCE NATION: A Play About [Very Dirty] Dancing Nymphets

Here’s part of the plot summary for Dance Nation (2018) that’s posted on Playwrights Horizons:

Somewhere in America, an army of pre-teen competitive dancers plots to take over the world. And if their new routine is good enough, they’ll claw their way to the top at the Boogie Down Grand Prix in Tampa Bay. But in Clare Barron’s raucous pageant of ambition and ferocity, these young dancers have more than choreography on their minds [...].

Here’s an excerpt from the “Notes on casting, etc”: All characters except Dance Teacher Pat and The Moms are between the ages of 11 and 14 years old. However, they should be played by adult actors (for the most part) [...]

With that in mind, here's some relevant parts of Dance Nation:

1. In the play, references are made to the “little girls” having “little bodies”. 

2. In scene 4: “THE GIRLS are changing into their street clothes. They get completely, uninhibitedly butt-ass naked in front of each other as they talk [...]

3. Teen masturbation is a motif in the play. For example, also in scene 4, SOFIA asked AMINA, the star dancer, “Did you do it?” 
AMINA: Huh? 
SOFIA makes a gesture like she’s thwacking a pussy.
AMINA: I tried
SOFIA: You tried?
AMINA: Nothing happened
SOFIA: Nothing happened???!!!
AMINA: I don’t know why. I really tried!
SOFIA: What did you do? ASHLEE: Wait. What’s happening?
CONNIE (To ASHLEE.) She’s teaching Amina how to masturbate. 

Subsequently, SOFIA informed AMINA that she’s supposed to think about something while masturbating. CONNIE shared that she thinks about Luke, the only male dancer on the team. But à la some of the teen rape fantasies described in My Secret Garden, ASHLEE shared: "I mostly think about someone being really mad at me. And pinning me to the ground. And like. Yelling."

4. In scene 8, while DANCE TEACHER PAT is out of the room, Amina instructs the other nymphets: 

And move your pussy into fifth position
Dimi plié and…
Bend at the pussy...and...bring your pussy back up…

5. Subsequently, ASHLEE shared that she would show the audience her “epic” ass but that she’s only thirteen. In addition, she related that men like to “stroke” her ass and that she has “a really nice face” and “great tits”.

As the other nymphets stare in “awe”, ASHLEE continues:

[...] and you’re going to cum just by eating my cunt, the taste of my cum is going to make you cum because it’ll be the greatest sexual pleasure you have ever known [...] That’s what I’ve got inside this tiny fucking body of mine [...] 

Now we know why it states in the "Note on casting, etc": 

All characters except Dance Teacher Pat and The Moms are between the ages of 11 and 14 years old. However, they should be played by adult actors (for the most part) [...] There is no need for any of the actors to resemble teenagers. (In fact, please resist this impulse!)

6. In scene 9, DANCE TEACHER PAT, “a grown-ass man”, swats AMINA’s butt. AMINA is “horrified” but “she loves it’ too:

He sort of swats her butt. It’s not sexual???????? But also weird and uncomfortable for a  grown-ass man to be swatting a thirteen-year-old’s butt. AMINA is horrified. And also, she loves it. 

7. In scene 11, in a effort to motivate the other nymphets who are nervous about competing against a dance team that has "advanced-level boys", SOFIA exclaimed:


8. By scene 13: AMINA [is] on her stomach. A pillow between her legs. [...] AMINA [successfully] masturbates.

9. And lastly, in scene 14, there’s a bit of teen lipstick lesbianism:
ASHLEE blows on CONNIE’s upper lip. She kisses her on the mouth.

Interestingly, Sara Holdren wrote in her New York Magazine theater review of Dance Nation

“If you were a thirteen-year-old girl, Clare Barron’s daring, raw Dance Nation will probably hit you hard...It’s a brave, visceral, excitingly off-kilter barbaric yawp of a play...And it gets at something excruciatingly tender: the burden of modesty on [very] young American women.” 

Tuesday, February 5, 2019

Seidel's PEACHES GOES IT ALONE: Poetry About Nude Schoolgirls & More...

We profiled the poet Frederick Seidel in The Allure of Nymphets and he continues to write about nympholepsy and age-discrepant attraction in his latest book Peaches Goes It Alone .. 
For example, the poem “Miss Charlotte” is about “undressed” schoolgirls “lying on top” of one another in a dorm-room of an all-girls boarding school, which caused aristocrats to take “cold showers”:

Bring back the all-girls boarding schools for pedigreed girls
Where, morning and night, girls dressed and undressed.
Luxurious lawns and trees rode to hounds.
Horses the girls owned waited in padded stalls. 

Think of the cold showers these aristocrates took.
Think of the dorm-room mirrors which sometimes saw
A cold girl lying on top of a warm girl
While a pretty girl with a pimply face on her bed on her back watched

The scene in the dorm-room reminded me of a scene in the controversial National Bestseller The End of Alice where imprisoned Chappy shared a story about his teen penpal:

She writes of the memory of one particular afternoon [...] The story is of coming into the cabin to collect her tennis racket and finding the two little girls from Louisville, Kentucky [...] lying across the top bunk, head to toe, the brunette’s narrow foot sweeping back and forth across the strawberry blonde’s nipple, the blonde’s jumpsuit unzipped and parted to the waist. When the lovebirds sighted the girl and smiled at her, there was a flash of light like an explosion, as the sun, reflecting off the brunette’s metal tooth-braces [...]

And I was reminded of a story that Humbert related in Lolita about one of Lolita’s tent-mates:

Her astounding tale started with an introductory mention of her tent-mate of the previous summer, at another camp, a “very select” one as she put it. The tent-mate [...] instructed her in various manipulations. [...] I wanted to know if either mother learned of those sapphic diversions? “Gosh no,” exhaled limp Lo [...] 

In 2016, Seidel was approximately 80-years-old; thus, his reference in the first two stanzas of “Thanksgiving 2016” to a girl with a “charming” face, a charming voice and a “beautiful ass” who could cure “depression” is revealing:

The girl with the face
As charming as her voice
Has a beautiful ass
Filling out her tan pants.

Depression doesn’t stand a chance
Confronted with this one!
What planet are you on
In your beret, singing?

“Near The New Whitney” is about the poet being “moonstruck” by Emily, a “gently lovely” maître d’, at a “charming restaurant” in the Meatpacking District. But after discussing the transformation of American art, the poet ended the poem with a desirable double entendre:

I drank an after-dinner tumbler of whiskey
Not far from the new Whitney,
A present from the maître d’.
Sweet Lagavulin single malt filled me with infinity
Sixteen years old, while the girl 
Smiled softly

Emily appears again in the fifth and sixth stanzas of “Worst When It’s Poetry”. This time she’s referred to as a “maiden” and “so young”:

There’s an Emily I met downtown recently.
Dante’s Beatrice suddenly appeared to me!
I don’t know her last name.
Dante famously never was the same.

A maiden I don’t know transfigured me
In one brief moment for eternity.
From one brief meeting with someone so young,
Dante translated to a higher sphere and left our days of dung. 

And the book is lightly peppered with stanzas that allude to nympholepsy. For example, in “In Late December”: She’s reading a paperback of Lolita, stealthily, behind the sign. And in “Abusers”: The little girl whose father invaded her/Became a woman who could not outgun/The little girl inside her who’s her father’s wife.

Lastly, here's one of the blurbs from the back of the book:

"There had never been a poet like this one before: the poet of a new contemporary form, a highlight reel-one spectacular feat after another [...]" - Dan Chiasson, The New York Review of Books

Sunday, February 3, 2019

TRUST (2010): An Online Nymphet is Betrayed

Here's IMDb's plot summary for Trust (2011): 

A suburban [Chicago] family is torn apart when fourteen-year-old Annie [...] meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend [Charlie] is not who he originally claimed to be. Shocked into disbelief, her parents [...] are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.

Initially, Charlie informed Annie that he was 16, then 20, and then 25, but when they met, Charlie appeared to be in his 30s. 

Annie was initially distraught, but Charlie reassured her by stating, "I love you. Annie, I don't get why age has to change that." Subsequently, the age-gap couple had ice cream at a parlor before they had sex in a cheap hotel despite Annie's pleads of, "Charlie, wait!"

Afterwards, to Annie's dismay, Annie's best friend informed a school administrator about Charlie, which resulted in an FBI investigation and counseling.

IMDb's plot summary opined that Annie was "innocent", but the FBI's transcripts of Annie and Charlie's chats proved otherwise. 

Annie: "I can't stop thinking about it. You inside me. I get wet when I picture it. How big are you? I bet you taste good. I wanna see it right now." To which her father replied, "She's 14![...] Our daughter sounds like a fucking porn star!"

Here's an excerpt from the Annie's counseling session:

Annie: "You think I need help?
Counselor: "I think that what you've been through must be very difficult."
Annie: "Yeah, what's the big deal? There are girls at my school who've had sex with half the football team. I lose my virginity [to an older man] and my parents make a federal case out of it. Literally"

In the end, Annie fell out of love with Charlie, but not due to their age difference. Annie came to consider Charlie compliments on her beauty to be crushingly insincere after she discovered that Charlie had sex with [at least] three other nymphets whom Annie opined, "They weren't even that pretty!"

Lastly, David Schwimmer took some directorial liberties by sexualizing Annie (14-year-old Liana Liberato) (e.g., pink spandex volleyball "shorts", pink with white polka dot panties, an underwear advertisement, etc). 

And despite the comments on IMDb, Trust (2010) is an inaccurate portrayal of online predators, because a nymphet is more likely to be sexually molested by her father, brother or uncle than an online or offline stranger.